Félix Bracquemond French Collection
Félix Bracquemond, a renowned French artist born in 1833, left an indelible mark on the art world with his exquisite creations
The Storm Cloud, 1878-1887. Creator: Felix Bracquemond (French, 1833-1914)
The Storm Cloud, 1878-1887
The Hare (Le Lievre), 1865. Creator: Felix Bracquemond (French, 1833-1914)
The Hare (Le Lievre), 1865
Portrait of Meryon, Seated. Creator: Felix Bracquemond (French, 1833-1914)
Portrait of Meryon, Seated
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Félix Bracquemond, a renowned French artist born in 1833, left an indelible mark on the art world with his exquisite creations. One of his notable works is "The Hare (after A. De Balleroy)" from 1865, showcasing Bracquemond's mastery of capturing nature's beauty. In this piece, he skillfully portrays the delicate features and gracefulness of the hare. Another remarkable artwork by Bracquemond is "The Old Cock" from 1882. This creation, displayed at Dowdeswell gallery, demonstrates his ability to capture the essence and character of animals through intricate details and lifelike expressions. In addition to animal subjects, Bracquemond also ventured into other themes such as still life and human figures. For instance, "The Table" after H. Leys in 1868 showcases his talent for recreating everyday scenes with precision and authenticity. Bringing us closer to nature once again are pieces like "The Pheasants" from 1899 and "The Surprised Ducks, " which highlight Bracquemond's ability to depict wildlife in their natural habitats with striking realism. Not limited to fauna alone, Bracquemond delved into atmospheric landscapes as well. His work titled "The Storm Cloud, " created between 1878-1887 captures the raw power of nature during turbulent weather conditions. "The Raven" painted in 1854 exhibits a darker side of Bracquemond's artistic repertoire as he explores mysterious themes through this enigmatic bird symbolizing death or transformation. Furthermore, he pays homage to fellow artists like H. Leys with works such as "The Maidservant" (1868) where he skillfully replicates Leys' style while adding his unique touch. One cannot overlook the enchanting scenery depicted in pieces like "The Garden of the Inn at Dulwich" from around 1870.