Expulsion Collection (page 12)

Siege of Calais: Departure of the Citizens (engraving)
XJF314381 Siege of Calais: Departure of the Citizens (engraving) by English School, (19th century); Private Collection; (add.info.: The Siege of Calais (1346-47)

Christ Driving the Traders from the Temple, c. 1600 (oil on canvas) (for detail see 26048)
BAL29580 Christ Driving the Traders from the Temple, c.1600 (oil on canvas) (for detail see 26048) by Greco, El (Domenico Theotocopuli) (1541-1614); 106.3x129.7 cm; National Gallery, London

Christ Driving the Tradesmen and Money Lenders from the Temple from Passional
XJF294028 Christ Driving the Tradesmen and Money Lenders from the Temple from Passional Christi und Antichristi by Philipp Melanchthon, published in 1521 (woodcut) (b/w photo) by Cranach

The Expulsion from the Garden of Eden, illustration from Cranmers Bible, 1540
XJF472222 The Expulsion from the Garden of Eden, illustration from Cranmers Bible, 1540 (woodcut) by English School, (15th century); Private Collection; (add.info)

The Story of Adam and Eve from Boccaccios De Casibus Virorum Illustrium
XJF472197 The Story of Adam and Eve from Boccaccios De Casibus Virorum Illustrium, English edition published in 1527 (woodcut) by English School

The Holy Well, 1916 (tempera on canvas)
BAL425753 The Holy Well, 1916 (tempera on canvas) by Orpen, William (1878-1931); 234x186 cm; National Gallery of Ireland, Dublin, Ireland; eLiss Fine Art; Irish, out of copyright

Expulsion of Hagar and Ishmael, Claes Moeyaert, 1612 - 1655

Expulsion of Hagar and Ishmael, Willem Thibaut, 1580

Adam and Eve driven out of Paradise, 19th century (engraving)
KW2603356 Adam and Eve driven out of Paradise, 19th century (engraving) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Private Collection; Ken Welsh; Italian, out of copyright

Adam and Eve Banished from Paradise (oil on panel)
XIR243474 Adam and Eve Banished from Paradise (oil on panel) by Flemish School, (16th century); Musee des Beaux-Arts, Blois, France; (add.info.: Tree of Knowledge of Good and Evil; ); Flemish

Protestants leaving France (engraving) (b / w photo)
XIR233204 Protestants leaving France (engraving) (b/w photo) by Luyken, Jan (1649-1712); Bibliotheque de la Societe de l Histoire du Protestantisme Francais, Paris

The destruction of Sodom and Gomorrah, Willem de Zwart, 1900 - 1931

The Expulsion from Paradise, Cornelis van Poelenburch, after 1646

Jesus Driving the Merchants from the Temple (oil on canvas)
XIR183330 Jesus Driving the Merchants from the Temple (oil on canvas) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); 100x124 cm; Louvre, Paris

Jesus Driving the Merchants from the Temple, 1610-14 (oil on canvas)
XIR180438 Jesus Driving the Merchants from the Temple, 1610-14 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 126x98.5 cm; Church of San Gines, Madrid

Landscape with the expulsion of Hagar and Ishmael, Perelle, Willem van Nieulandt (II), Drevet, 1594 - 1685

Adam and Eve are expelled by the angel with the flaming sword of the Earthly Paradise, besides them a crawling snake, print maker: Jan Saenredam (mentioned on object), Dating 1604 and/or 1690 - 1750

Minerva Chasing the Vices from the Garden of Virtue (oil on canvas)
XIR177544 Minerva Chasing the Vices from the Garden of Virtue (oil on canvas) by Mantegna, Andrea (1431-1506); 160x192 cm; Louvre, Paris

Clergy Leaving the Church after the Sale of Church Property (coloured engraving)
XIR173928 Clergy Leaving the Church after the Sale of Church Property (coloured engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Saint Clare, Adriaen Collaert, Theodoor Galle, 1612 - 1618

Sistine Chapel Ceiling (1508-12): The Creation of Eve, 1510 (fresco) (post restoration)
BAL167697 Sistine Chapel Ceiling (1508-12): The Creation of Eve, 1510 (fresco) (post restoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Italian

The Fall of the Rebel Angels, detail of the angel on the left hand side, 1562 (oil
XIR161084 The Fall of the Rebel Angels, detail of the angel on the left hand side, 1562 (oil on panel) by Bruegel, Pieter the Elder (c.1525-69); Musees Royaux des Beaux-Arts de Belgique, Brussels

Adam and Eve Expelled from Paradise, detail from the Annunciation, c
XIR156218 Adam and Eve Expelled from Paradise, detail from the Annunciation, c.1430-32 (oil on panel) by Angelico, Fra (Guido di Pietro) (c.1387-1455); Prado, Madrid

The Happy and Trouble Free Life of the Cripple (engraving) (b / w photo)
XJF139855 The Happy and Trouble Free Life of the Cripple (engraving) (b/w photo) by Bosch, Hieronymus (c.1450-1516) (after); Private Collection; Netherlandish, out of copyright

Gallia and the French Catholic Church watch how the Reformed Church is lashed, Adriaen Haelwegh, Jan Luyken, Jan Claesz ten Hoorn, 1696

Temple of manners depicting the duties to God, Joannes Bemme, 1800 - 1841

Genesis (oil on panel)
XIR215176 Genesis (oil on panel) by Bulgarian School, (19th century); Museum of the National Revival Period, Varna, Bulgaria; Bulgarian, out of copyright

Touch, Nicolaes de Bruyn, 1581-1656

Expulsion of Hagar and Ishmael and the return of the prodigal son, Pieter van den Berge, 1694 - 1737

Amico Aspertini (Italian, 1474 / 1475 - 1552). The Expulsion of Adam and Eve from Paradise
Amico Aspertini (Italian, 1474/1475 - 1552). The Expulsion of Adam and Eve from Paradise, ca. 1540-1552. Engraving on laid paper. Plate: 234 mm x 320 mm (9.21 in. x 12.6 in.)

Gabriel de Saint-Aubin (French, 1724 - 1780). The Expulsion of the Jesuits, 1767. Etching on laid paper. Plate: 180 mm x 209 mm (7.09 in. x 8.23 in.). Second of two states

The Expulsion of Hagar; Giovanni Benedetto Castiglione, Italian, 1609 - 1664; Italy, Europe; late 1640s; Red-brown, blue-green

The Expulsion from Paradise; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold

A Crow -Corvus sp. - is mobbing a Grey Heron -Ardea cinerea- in order to drive it from its territory, Hamburg, Germany
A Crow -Corvus sp.- is mobbing a Grey Heron -Ardea cinerea- in order to drive it from its territory, Hamburg, Germany

Expulsion of Jews from Spain, 1492. Ferdinand and Isabella being petitioned for mercy by some of those who are to be expelled

Antonio, called Maestro Antonio (16th century)
" Antonio, called " Maestro Antonio" (16th century). The Expulsion from Paradise. 16th c. Gothic art. Painting. SPAIN. Palencia. Diocesan Museum."

MASOLINO DA PANICALE, Tommaso di Cristoforo Fini, called (1383-1447); MASACCIO, Tomaso di Ser Giovanni di Mone Casai, called (1401-1428). Brancacci Chapel. 1426-1482. ITALY. Florence

SALA Y FRANCES, Emilio (1850-1910). The Expulsion of the Jews from Spain in 1492. 1889. Historical episode of 1492. Oil on canvas. SPAIN. Granada. Museums of Fine Arts of Granada

Spain (1813). Peninsular War. Expulsion of Joseph Bonaparte. Engraving. SPAIN. Madrid. National Library

Spain (1609). Expulsion of the Moriscos at the harbour of Vinaroz. Painting

DOMINGO MARQUES, Francisco (1842-1920). Beatus Juan de Ribera in the expulsion of Moriscos. 1864. Oil on canvas. SPAIN. Valencia. San Pio V Fine Arts Museum

SPAIN: EXPULSION OF JESUITS. Expulsion of the Jesuits from Spain, by order of King Charles III, 1767. Contemporary line engraving

GCAN2A-00003
British official reading the Decree of Expulsion to Acadians in Canada, 1755. Hand-colored woodcut of a 19th-century illustration

GCAN2A-00002
British removing Acadians from Canada in 1755. Hand-colored woodcut of a 19th-century illustration

GCAN2A-00001
Deportation of the Acadians by the British, 1755. Hand-colored woodcut of a 19th-century illustration

French Take Dieppe
The French take the bastille built by the English before the port of Dieppe - one step in the expulsion of the English from mainland Europe

Expulsion of Monks 1530S
After Henry VIII has broken with the papacy, monks are expelled from England

Adam and Eve, Amiens Cathedral, UNESCO World Heritage Site, Amiens, Somme, France, Europe

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"Expulsion: A Journey of Banishment and Redemption" From the Surrender of Granada in 1492 to the Expulsion of the Moriscos from Spain, history has witnessed numerous instances where expulsion became a powerful tool for change. These captivating artworks depict moments that have left an indelible mark on humanity's collective consciousness. In "The Surrender of Granada, " we witness the culmination of centuries-long conflict as Boabdil hands over the keys to his kingdom, symbolizing both defeat and forced exile. Similarly, Hieronymus Bosch's enigmatic masterpiece "The Garden of Earthly Delights" presents a surreal depiction of temptation and subsequent banishment from paradise. Religious narratives also explore themes of expulsion. In an engraving portraying Jesus Christ driving out money-changers from the Temple, we see divine intervention against corruption. Meanwhile, in another artwork titled "The Angel offering fruits. . , " Adam and Eve are expelled from Eden after succumbing to temptation – their innocence forever lost. Throughout history, rulers have used expulsion as a means to assert power or maintain social order. Philip III's order led to the mass Expulsion of Moriscos from Spain, marking a tragic chapter in Spanish history. Death itself takes center stage in Arthur Trevethin Nowell's painting "Adam and Eve led out. . , " reminding us that even mortality can be seen as an act of expulsion. Artists like Gustave Doré illustrate biblical stories with great intensity; his illustration depicting Heliodorus being cast down emphasizes divine retribution against sacrilege within religious spaces. This echoes another canvas by an unknown artist showcasing Heliodorus' expulsion from the temple during ancient times. Amidst these tales lies hope for redemption – depicted beautifully in Annunciation paintings such as one created around 1480-85. The angel Gabriel brings news that Mary will bear Jesus, offering solace amidst turmoil while hinting at salvation for humanity.