Expression Collection (page 4)

Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576)
XEE5028461 Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576) Italian doctor, mathematician

Imaged or idiomatic expression: turn crimson - Chromolithograph of the late 19th century
ELD4966134 Imaged or idiomatic expression: turn crimson - Chromolithograph of the late 19th century; Private Collection; (add.info.: Imaged or idiomatic expression)

head with curly hair, copperplate engraving , about 1700
UTD4921906 head with curly hair, copperplate engraving , about 1700; (add.info.: head with curly hair, copperplate engraving)

Woman darns a sock by hand, 1850
3479023 Woman darns a sock by hand, 1850; (add.info.: Man watching with a sinister expression as a woman darns a sock by hand. 19th century illustration.); Universal History Archive/UIG.

The Bath, 1909 (oil on canvas)
823561 The Bath, 1909 (oil on canvas) by Noci, Arturo (1874-1953); 110x160 cm; Private Collection; (add.info.: The Bath. Arturo Noci (1874-1953). Oil on canvas. Signed and dated 1909

The New Bonnet, (oil on canvas)
659812 The New Bonnet, (oil on canvas) by Waite, James Clarke (fl.1863-85); 40.6x51.5 cm; Private Collection; (add.info.: The New Bonnet. James Clarke Waite (1832-1920). Oil on canvas

Feroce wolf, angry, teeth out, showing the fangs - engraving by Meaulle in "La chasse illustree" No
PCT4294541 Feroce wolf, angry, teeth out, showing the fangs - engraving by Meaulle in "La chasse illustree" No. 27, 5 February 1870 - by Meaulle

The Russian Emigres, c. 1900 (oil on canvas)
1197487 The Russian Emigres, c. 1900 (oil on canvas) by Levy-Dhurmer, Lucien (1865-1953); 92.7x73.8 cm; Private Collection; Photo © Christie's Images.

Tea in the Arbor, (oil on canvas)
823242 Tea in the Arbor, (oil on canvas) by MacRae, Elmer Livingston (1875-1953); 76.2x76.2 cm; Private Collection; (add.info.: Tea in the Arbor. Elmer Livingston MacRae (1875-1953). Oil on canvas

Tales of the Hunt, (oil on canvas)
658526 Tales of the Hunt, (oil on canvas); 69.9x88.9 cm; Private Collection; (add.info.: Tales of the Hunt. de Smet (mid 19th century). Oil on canvas. 69.9 x 88.9cm.); © Andrew Macara

A Good Read, 1919 (oil on canvas)
658349 A Good Read, 1919 (oil on canvas) by Schuster, Karl Maria (1871-1953); 74.7x60 cm; Private Collection; (add.info.: A Good Read. Karl Maria Schuster (1871-1953). Oil on canvas. Dated 1919

The Chant (oil on canvas)
1767646 The Chant (oil on canvas) by Sharp, Joseph Henry (1859-1953); 50.8x40.6 cm; Private Collection; (add.info.: The Chant. Joseph Henry Sharp (1859-1953). Oil on canvas

A Vintage Story
Cicek Kiral

French imagee or idiomatic expression: rack one's brains - Chromolithograph of the end of the 19th century
ELD4966137 French imagee or idiomatic expression: rack one's brains - Chromolithograph of the end of the 19th century; Private Collection; (add.info.: French imagee or idiomatic expression)

Imaged or idiomatic expression: have the blues - Chromolithograph of the end of the 19th century
ELD4966155 Imaged or idiomatic expression: have the blues - Chromolithograph of the end of the 19th century; Private Collection; (add.info.: Imaged or idiomatic expression)

French language: to have a hobby as Ingres had for violin, chromolithograph, early 20th century
ELD4949800 French language: to have a hobby as Ingres had for violin, chromolithograph, early 20th century; Private Collection; (add.info.: French language)

The Laughter Drawing by Louis-Amable Crapelet (1822-1867) Diameter 8.5 cm MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP
JEB4868618 The Laughter Drawing by Louis-Amable Crapelet (1822-1867) Diameter 8.5 cm MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP; Palais de Longchamp, Marseille

Toby stealing a jug of ale from Hodge and Roaf and leaving a pot of piss in its place
FLO4718094 Toby stealing a jug of ale from Hodge and Roaf and leaving a pot of piss in its place. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

A sailor cheated out of his share of the prize money by his navy. Unable to pay six guineas
FLO4717990 A sailor cheated out of his share of the prize money by his navy. Unable to pay six guineas, Jack Tar dies of grievance in the lobspound (prison)

Two ugly rustics enjoying a tankard of beer. Copperplate engraving after a satirical illustration by Timothy Bobbin
FLO4717835 Two ugly rustics enjoying a tankard of beer. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood

Dentist laughing as he uses tongs to hold a hot coal to a man's face to make him jerk back
FLO4718344 Dentist laughing as he uses tongs to hold a hot coal to a man's face to make him jerk back and extract a tooth with string

Portrait of John Collier (1708-1786) or Tim Bobbin, Lancashire caricaturist and poet 1708-1786
FLO4718292 Portrait of John Collier (1708-1786) or Tim Bobbin, Lancashire caricaturist and poet 1708-1786. Copperplate engraving after a satirical illustration by Timothy Bobbin from Human Passions

Scotch Politics: To be read backward, like a Witch's Prayer. Three figures sobbing Edmund Burke (1729-1797)
FLO4718265 Scotch Politics: To be read backward, like a Witch's Prayer. Three figures sobbing Edmund Burke (1729-1797), sleeping Scotch MacDonald and robber North

Religious satire showing a priest in a barrel preaching to a crowd of misfits and oddities, cows and chickens
FLO4718244 Religious satire showing a priest in a barrel preaching to a crowd of misfits and oddities, cows and chickens. Copperplate engraving by Thomas Sanders after a satirical illustration by

The Morning Visit: Caricature on the relations between aristocracy and the clergy
FLO4718228 The Morning Visit: Caricature on the relations between aristocracy and the clergy. Lord at his table writing with a quill pen surrounded by documents and charters

depiction of hypocrisy. A horned demon in holy robes preaches at a table while stealing gold from a fellow's purse
FLO4718189 depiction of hypocrisy. A horned demon in holy robes preaches at a table while stealing gold from a fellow's purse

Three friends enjoying true contentment from a single bottle of wine. Copperplate engraving by Thomas Sanders after a
FLO4718168 Three friends enjoying true contentment from a single bottle of wine. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Caricature of the English betrayal by the French in Paris, 1762. John Russell
FLO4717884 Caricature of the English betrayal by the French in Paris, 1762. John Russell, 4th Duke of Bedford being paid with Crumbs of Comfort while a English man picks his pocket

Cartoon of the treacherous Lord Bute receiving a reward while the old patriot Englishman is taxed until he is bent
FLO4717869 Cartoon of the treacherous Lord Bute receiving a reward while the old patriot Englishman is taxed until he is bent double

Taos Ceremonial Drum (oil on canvas)
1767647 Taos Ceremonial Drum (oil on canvas) by Sharp, Joseph Henry (1859-1953); 50.8x40.6 cm; Private Collection; (add.info.: Taos Ceremonial Drum. Joseph Henry Sharp (1859-1953). Oil on canvas

Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576)
XEE5028469 Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576) Italian doctor, mathematician

Origin of the french expression meaning dress up to show all its splendour.. Late 19th century (chromolithograph)
ELD4951631 Origin of the french expression meaning dress up to show all its splendour.. Late 19th century (chromolithograph); Private Collection; Photo © The Holbarn Archive.

Image or idiomatic expression: bite your fingers meaning to regret something (to repent)
ELD4966126 Image or idiomatic expression: bite your fingers meaning to regret something (to repent). Late 19th century (chromolithograph); Private Collection; Photo © The Holbarn Archive.

Three ugly country bumpkins in competition over their looks. Copperplate engraving by Thomas Sanders after a satirical
FLO4718340 Three ugly country bumpkins in competition over their looks. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Greek philosopher Plato with the botanists Daniel Charles Solander (1733-1782) and Joseph Banks (1743-1820)
FLO4717931 Greek philosopher Plato with the botanists Daniel Charles Solander (1733-1782) and Joseph Banks (1743-1820) in 18th century foppish costume

Cartoon of two politicians both holding the Magna Carta. Whigs pick our pockets, tories make us poor
FLO4717857 Cartoon of two politicians both holding the Magna Carta. Whigs pick our pockets, tories make us poor! Copperplate engraving by Thomas Sanders after a satirical illustration by John Collier

Rustics laughing as they share a bootle of liquor. Copperplate engraving after a satirical illustration by Timothy
FLO4717820 Rustics laughing as they share a bootle of liquor. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood

Two ugly rustic drunks enjoying a jar of moonshine or cheap gin. Copperplate engraving by Thomas Sanders after a
FLO4717802 Two ugly rustic drunks enjoying a jar of moonshine or cheap gin. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Two drunks at a table, one vomiting while another holds his wig to stop it falling into the bowl
FLO4717760 Two drunks at a table, one vomiting while another holds his wig to stop it falling into the bowl. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin

Portrait of a young girl: Portrait of a young woman, 1910, France - Autochrome anonymous
LUX4697575 Portrait of a young girl: Portrait of a young woman, 1910, France - Autochrome anonymous; Private Collection; (add.info.: Portrait of a young girl: Portrait of a young woman, 1910)

Lawyer pouring wine into the nose of a drunken vicar. Copperplate engraving after a satirical illustration by Timothy
FLO4718008 Lawyer pouring wine into the nose of a drunken vicar. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated

Caricature of macaroni fashions of the late 18th century, men in long wigs powdered with pomatum
FLO4717956 Caricature of macaroni fashions of the late 18th century, men in long wigs powdered with pomatum. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier)

Education. Children life in the countryside. Sad girl. Engraving "Munchener Bilderbogen", Germany
3434973 Education. Children life in the countryside. Sad girl. Engraving "Munchener Bilderbogen", Germany, c.1880 (colour engraving); (add.info.: Education. Coll. Part. Education)

Comparison between a man's head and that of an ox or a cow in "Treats de la physiognomy de l'homme
PCT4296439 Comparison between a man's head and that of an ox or a cow in "Treats de la physiognomy de l'homme compararee to that of animals" or "Dissertation sur un Treat

Shiny things.
Ineke Mighorst

Hotel Mondial
Roland Weber

Diary
Andrzej Lisowski

Bad Reflection
fadhel muhamad fajeri

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Expression is a powerful tool that transcends time and medium, allowing us to convey our deepest emotions and thoughts. From the captivating gaze of the Venus of Urbino by Titian in 1538 to the intricate etchings of Giovanni Battista Piranesi's Prisoners on a Projecting Platform, art has always been an outlet for expression. In Picture No. 11067358, we witness the raw emotion captured within each stroke, as if the artist's soul was poured onto canvas. Similarly, Picture No. 11768923 portrays a Dogue de Bordeaux with eyes full of love and loyalty, expressing their unwavering devotion to their human companion. But expression goes beyond traditional forms of art; it extends into modern realms as well. Take Picture No. 12020198 featuring a Lego humanoid robot named Elektra - through its mechanical design and movements, it conveys innovation and technological advancement. Even animals possess their own unique ways of expressing themselves. In Picture No. 11768893, we see a French Mastiff exuding strength and confidence with every stride while Picture No. 11768912 captures another canine companion showcasing pure joy through playful antics and are be found in unexpected places like Picture No. 11771805 where vibrant street art adorns city walls or in the serene beauty depicted in nature as seen in Picture No. 11092907. No matter the form or subject matter, expression allows us to connect on a deeper level with ourselves and others around us – bridging gaps between cultures, languages, and even species, and is through these various expressions that we find solace or inspiration; they remind us that despite our differences there are universal emotions that unite us all. So let your voice be heard through brushstrokes or digital pixels; let your body move freely like prisoners on Piranesi's platform; let your heart beat fiercely like the Dogue de Bordeaux.