Evil Collection (page 7)

Robert the Devyll (engraving)
2777465 Robert the Devyll (engraving) by English School, (15th century) (after); Private Collection; (add.info.: Robert the Devyll)

Knight, Death, and the Devil, 1513 (engraving)
4071439 Knight, Death, and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); 24.6x18.8 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: The Christian knight)

Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81)
492863 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Scene from Faust (chromolitho)
974034 Scene from Faust (chromolitho) by European School, (19th century); Private Collection; (add.info.: Scene from Faust: the duel)

Hercules Killing Cacus, (woodcut)
659519 Hercules Killing Cacus, (woodcut) by Goltzius, Hendrik (1558-1617); 41x33 cm; Private Collection; (add.info.: Hercules Killing Cacus. Hendrik Goltzius (1558-1617). Woodcut

Saint Michael, c. 1840 (water-based paint on wood panel)
BRN195815 Saint Michael, c. 1840 (water-based paint on wood panel) by Aragon, Jose Rafael (c.1795-1862); 26x17.5 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Then Perseus held aloft the Gorgons head, illustration for How Perseus came Home again
IL193703 Then Perseus held aloft the Gorgons head, illustration for How Perseus came Home again, from The Heroes of Greek Fairy Tales, by Charles Kingsley (1819-75) (colour litho) by Davie

Second stage of Cruelty, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth
STC451169 Second stage of Cruelty, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Joseph and Potiphars Wife (oil on canvas)
862741 Joseph and Potiphars Wife (oil on canvas) by Bassetti, Marcantonio (1586-1630) (studio of); 119.2x154.7 cm; Private Collection; Photo © Christies Images

A Morning Ride in Athens (engraving)
1047097 A Morning Ride in Athens (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: A Morning Ride in Athens)

Cinderella and her Wicked Sisters, 1892 (oil on canvas)
827470 Cinderella and her Wicked Sisters, 1892 (oil on canvas) by Meyer, Emile (1823-1910); 113x125.7 cm; Private Collection; (add.info.: Cinderella and her Wicked Sisters. Emile Meyer (1823-1910)

Knight, Death, and the Devil, 1513 (engraving)
883704 Knight, Death, and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); Minneapolis Institute of Arts, MN, USA; (add.info.: The Christian knight)

Lady Robbers, front page of the Illustrierte Zeitung, May 1897 (colour litho)
CHT163234 Lady Robbers, front page of the Illustrierte Zeitung, May 1897 (colour litho) by Austrian School, (19th century); Private Collection; © Archives Charmet

Rustam killing the White Demon, illustration from the Shahnama (Book of Kings), by Abu l-Qasim Manur Firdawsi (c)
STC153444 Rustam killing the White Demon, illustration from the Shahnama (Book of Kings), by Abu l-Qasim Manur Firdawsi (c.934-c.1020), from the Large Clive Album by Indian School

Death to the monster, front cover illustration from Le Petit Journal, supplement illustre
486924 Death to the monster, front cover illustration from Le Petit Journal, supplement illustre, 20th September 1914 (colour litho) by French School

Lilith, 1887 (oil on canvas) (detail of 125798)
483200 Lilith, 1887 (oil on canvas) (detail of 125798) by Collier, John (1850-1934); (add.info.: character in Jewish mythology; first wife of Adam, created from the same clay)

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Samurai Combat (colour woodblock print)
CHT176847 Samurai Combat (colour woodblock print) by Japanese School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; © Archives Charmet

Knight, Death and the Devil, 1513 (engraving)
877268 Knight, Death and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); 24.9 x 19.2 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Sensuality, c. 1891 (oil on canvas)
CH416890 Sensuality, c.1891 (oil on canvas) by Stuck, Franz von (1863-1928); 50.5x36.3 cm; Private Collection; (add.info.: Der Sinnlichkeit; ); Photo © Christies Images

Nightmare, 1800 (oil on canvas)
NUL121568 Nightmare, 1800 (oil on canvas) by Abildgaard, Nicolai Abraham (1743-1809); 35x41.5 cm; Private Collection

And to the Christening, illustration from Sleeping Beauty (w / c on paper)
SAG186619 And to the Christening, illustration from Sleeping Beauty (w/c on paper) by King, Jessie Marion (1875-1949); Sheffield Galleries and Museums Trust

Parable of the Wise and Foolish Virgins, 1886 (oil on canvas)
BAL167457 Parable of the Wise and Foolish Virgins, 1886 (oil on canvas) by Liphart, Baron Ernest Friedrich von (1847-1932/34); 135x91 cm; Tretyakov Gallery, Moscow

Torment of St. Anthony, 1515-20 (oil on panel)
TMK282561 Torment of St. Anthony, 1515-20 (oil on panel) by Savoldo, Giovanni Girolamo (c.1480-p.1548); 69.5x119.4 cm; The Putnam Foundation, Timken Museum of Art, San Diego

The Monkey and the Whip (woodcut)
397429 The Monkey and the Whip (woodcut) by Gill, Eric (1882-1940); Private Collection; English, out of copyright

The Purchaser, 1915 (woodcut)
397434 The Purchaser, 1915 (woodcut) by Gill, Eric (1882-1940); 12.4x7.9 cm; Private Collection; English, out of copyright

Great Heart attacks Giant Grim, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (colour litho)
2638245 Great Heart attacks Giant Grim, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (colour litho) by Dudley

Christian welcomed to the Palace Beautiful, from The Pilgrims Progress published by John F Shaw & Co, c
2638231 Christian welcomed to the Palace Beautiful, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (colour litho) by Dudley

The slough of despond, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (colour litho)
2638223 The slough of despond, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (colour litho) by Dudley

The proud Earl of Coventry lay dead, from St. George to the Rescue, The Seven Champions of Christendom
IL197485 The proud Earl of Coventry lay dead, from St. George to the Rescue, The Seven Champions of Christendom, by Rose Yeatman Woolf, published by Raphael Tuck, 1920s (colour litho) by Davie

The shepherd d boy in the Valley of Humiliation, from The Pilgrims Progress published by John F Shaw & Co, c
2638244 The shepherd d boy in the Valley of Humiliation, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (litho) by Dudley

The Pilgrims destroy Doubting Castle, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (colour litho)
2638247 The Pilgrims destroy Doubting Castle, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (colour litho) by Dudley

Christian sleeps in the arbour, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (colour litho)
2638227 Christian sleeps in the arbour, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (colour litho) by Dudley

Christian reaches the Wicket-Gate, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (colour litho)
2638226 Christian reaches the Wicket-Gate, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (colour litho) by Dudley

Christian sets out on his pilgrimage, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (colour litho)
2638222 Christian sets out on his pilgrimage, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (colour litho) by Dudley

"Honi Soit qui Mal y Pense"(colour litho)
670076 " Honi Soit qui Mal y Pense" (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info)

Morality and Vice, (pencil and oil on panel)
658348 Morality and Vice, (pencil and oil on panel) by Hampel, Walter Sigmund (1868-1949); 40x34 cm; Private Collection; (add.info.: Morality and Vice. Sigmund Walter Hampel (1868-1949)

The Pilgrims in Doubting Castle, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (colour litho)
2638235 The Pilgrims in Doubting Castle, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (colour litho) by Dudley

Mr By-Ends meets with Mr Hold-the-World, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (litho)
2638233 Mr By-Ends meets with Mr Hold-the-World, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (litho) by Dudley

The damsel Discretion questions Christian, from The Pilgrims Progress published by John F Shaw & Co, c. 1900s (litho)
2638230 The damsel Discretion questions Christian, from The Pilgrims Progress published by John F Shaw & Co, c.1900s (litho) by Dudley

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"Unveiling the Shadows: Exploring the Enigmatic Realm of Evil" Delving into the depths of darkness, we encounter a profound symbol from Japanese folklore - the three wise monkeys. These ancient figures remind us to see no evil, hear no evil, and speak no evil, cautioning against succumbing to wickedness. In our quest for understanding, we stumble upon Eliphas Levi's Baphomet - an embodiment of equilibrium amidst opposing forces. This enigmatic figure challenges our perception of good and evil, urging us to find harmony within ourselves. DANTE's Divine Comedy beckons us further into this labyrinthine exploration. The frontispiece reveals Dante himself standing alongside Baphomet - a testament to the delicate balance between light and shadow that permeates his journey through Inferno. As history unfolds before our eyes, we witness the Salem witch trials' court records bearing testimony to humanity's darkest moments. Fear and superstition intertwine as innocent lives are condemned in a whirlwind of paranoia and malevolence. Seeking solace amidst chaos, Saint John Climacus ascends his heavenly ladder in pursuit of spiritual enlightenment. A beacon of hope amidst despair, he reminds us that even in times tainted by evil deeds, redemption is possible through faith and perseverance. The statue depicting Perseus slaying Medusa serves as a powerful metaphor for conquering one's inner demons. In facing adversity head-on with courage and determination, we can overcome the malevolent forces that threaten to consume us. In 1887 Michigan witnessed Devils Toboggan Slide - an ominous warning against indulgence in vice during the Temperance Movement era. This chilling broadsheet serves as a reminder that unchecked desires can lead down treacherous paths towards damnation. Novgorod Icon's Last Judgement painting portrays divine justice meted out upon sinners with unyielding severity. It compels introspection on our own actions while reminding us that evil deeds will not go unpunished.