Etienne Duperac Collection

Naval engagement set inside a Roman arena, with the river Tiber and nymphs at lower left and right, 1577-85

Plate 31: view of the column of Trajan, shown with its pedestal dug out from the earth, surrounded by buildings at the base of the Quirinal Hill, Rome, from the series Ruins of the antiquity of Rome

Plate 37: view of the church of San Bartolomeo all Isola on Tiber Island, Rome, flanked by bridges, from the series Ruins of the antiquity of Rome, Tivoli, Pozzuoli

Plate 21: view from the west of ruins of the Aventine Hill, Rome, with boats on the river Tiber in the foreground, from the series Ruins of the antiquity of Rome, Tivoli, Pozzuoli

Plate 19: view of the Baths of Caracalla, indicating with inscribed letter A the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence

Speculum Romanae Magnificentiae: Port of Rome, 1581. 1581
Speculum Romanae Magnificentiae: Port of Rome, 1581

Speculum Romanae Magnificentiae Fountain Gardens
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Speculum Romanae Magnificentiae Elevation Showing
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Speculum Romanae Magnificentiae Marriage Annibale Altemps
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Speculum Romanae Magnificentiae Sepulchre Augustus
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Speculum Romanae Magnificentiae Longitudinal Section Showing
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Speculum Romanae Magnificentiae Title Page engraved within architectonic
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Speculum Romanae Magnificentiae Plan St Peter
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Speculum Romanae Magnificentiae Back Egyptian canopic vase
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Speculum Romanae Magnificentiae Temples Isle
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View Campidoglio re-designed Michelangelo Speculum Romanae Magnificentiae
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Speculum Romanae Magnificentiae View Roman Capitol
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Etienne Duperac, a renowned artist and architect of the Renaissance era, left an indelible mark on the world with his exceptional designs. One such masterpiece is his design for St Peter's Basilica, which was originally envisioned by Michelangelo. In 1882, Paul Marie Letarouilly immortalized Duperac's work through engravings from the Vatican and St Peter's Basilica. These engravings showcase different designs for the magnificent basilica in exquisite detail. Plate 23 reveals Michelangelo's original concept, while Plate 24 presents another variation that captivates with its grandeur. Duperac's talent extended beyond architectural marvels to include captivating scenes like a naval engagement set inside a Roman arena. This artwork depicts the river Tiber flowing gracefully alongside nymphs at its lower left corner—a testament to Duperac's ability to merge nature and history seamlessly. The Speculum Romanae Magnificentiae collection further showcases Duperac's brilliance. Plate 31 offers a breathtaking view of Trajan's Column, revealing its pedestal unearthed from the depths of history. Meanwhile, Plate 37 captures San Bartolomeo all Isola on Tiber Island—an enchanting church that stands as a testament to Rome's rich heritage. Duperac also captured Rome’s ancient ruins with great precision and artistry. Plate 21 provides us with an awe-inspiring view from the west of Aventine Hill—the remnants of an empire long gone but still echoing stories untold. The Baths of Caracalla come alive in Plate 19 as inscribed letters guide our eyes through their once-majestic halls. Amongst these remarkable works lies Etienne Duperac’s Plan of St Peter’s—created in 1569—a true gem within Speculum Romanae Magnificentiae collection. It unveils every intricate detail of this iconic basilica—from its layout to its grandeur, showcasing Duperac's exceptional talent.