Ethnic Origin Collection (page 20)

A Triptych with Christ as Salvator Mundi, (oil on panel)
990148 A Triptych with Christ as Salvator Mundi, (oil on panel) by Eyck, Jan van (c.1390-1441) (school of); Center 43.2x28.6 and wings 43.2x11.4 cm; Private Collection; (add.info)

Portrait of a Cleric, bust-length wearing a black coat and cap, c. 1490 (oil on panel)
990146 Portrait of a Cleric, bust-length wearing a black coat and cap, c.1490 (oil on panel) by Venetian School, (15th century); 33.9x28.3 cm; Private Collection; (add.info.: Portrait of a Cleric)

Portrait of a young Gentleman, bust-length, wearing a black cap and black coat
990127 Portrait of a young Gentleman, bust-length, wearing a black cap and black coat, 1506 (oil on panel) by Previtali, Andrea (c.1470-1528); 33x27 cm; Private Collection; (add.info)

Los Madrilenos, (pastel on paper)
990124 Los Madrilenos, (pastel on paper) by Tiepolo, Lorenzo Baldissera (1736-76); 49.2x62.8 cm; Private Collection; (add.info.: Los Madrilenos. Lorenzo Tiepolo (1736-1776). Pastel on paper

Portrait of King Louis XVI of France, bust-length, 1787 (oil on panel)
990121 Portrait of King Louis XVI of France, bust-length, 1787 (oil on panel) by Wertmuller, Adolf Ulrich (1751-1811); 16.2x13.3 cm; Private Collection; (add.info)

Saint Mary Magdalene (tempera with gold on panel)
990113 Saint Mary Magdalene (tempera with gold on panel) by Mariotto, Bernardino di (1478-1566); 33.7x15 cm; Private Collection; (add.info.: Saint Mary Magdalene)

The Madonna and Child with the Infant Saint John the Baptist and two Angels, c
990100 The Madonna and Child with the Infant Saint John the Baptist and two Angels, c.1512 (oil on panel) by Rosso Fiorentino

Portrait of Edward Cross, half-length, in a black coat and red-check waistcoat holding a
990095 Portrait of Edward Cross, half-length, in a black coat and red-check waistcoat holding a Lion Cub, (oil on canvas) by Agasse

Portrait of a Lady, aged 80 with a Girl, aged 6, three quarter-length, c
990087 Portrait of a Lady, aged 80 with a Girl, aged 6, three quarter-length, c.1632-33 (oil on panel) by Backer, Jacob Adriensz (1608-51); 113.2x81.7 cm; Private Collection; (add.info)

Peasants at Cards in a Cottage, c. 1644-45 (oil on panel)
990086 Peasants at Cards in a Cottage, c.1644-45 (oil on panel) by Teniers, David the Younger (1610-90); 38.5x52.6 cm; Private Collection; (add.info.: Peasants at Cards in a Cottage)

The Calumney of Apelles, (oil on panel)
990081 The Calumney of Apelles, (oil on panel) by Vos, Maarten de (1532-1603); 111.8x179.9 cm; Private Collection; (add.info.: The Calumney of Apelles. Maarten de Vos (1532-1603). Oil on panel

Portrait of Philip I of Spain, bust-length, wearing the Order of the Golden Fleece
990067 Portrait of Philip I of Spain, bust-length, wearing the Order of the Golden Fleece, (oil on canvas) by Vos, Cornelis de (1585-1651); 110x100 cm; Private Collection; (add.info)

The Triumph of Emperor Constantine, (black and red chalk)
990040 The Triumph of Emperor Constantine, (black and red chalk) by Le Brun, Charles (1619-90); 34x52 cm; Private Collection; (add.info.: The Triumph of Emperor Constantine)

La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash)
990038 La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.6x14.6 cm; Private Collection; (add.info.: La Bouillie)

The Head of a Young Girl Inclined to the Left, (red chalk)
990034 The Head of a Young Girl Inclined to the Left, (red chalk) by Greuze, Jean Baptiste (1725-1805); 39.7x30.9 cm; Private Collection; (add.info.: The Head of a Young Girl Inclined to the Left)

Portrait of Miss Elizabeth Keating playing her Guitar, 1816 (black lead on paper)
990033 Portrait of Miss Elizabeth Keating playing her Guitar, 1816 (black lead on paper) by Ingres, Jean Auguste Dominique (1780-1867); 27.7x21.5 cm; Private Collection; (add.info)

Portrait of Pope Gregory XIII, three-quarter length, Seated in an Armchair
990018 Portrait of Pope Gregory XIII, three-quarter length, Seated in an Armchair, (pen and brown ink) by Passarotti, Bartolomeo (1529-92); 45.9x39.6 cm; Private Collection; (add.info)

The Annunciation: A Design for a Lunette, (black chalk, pen and brown ink, brown wash)
990010 The Annunciation: A Design for a Lunette, (black chalk, pen and brown ink, brown wash) by Bedoli, Girolamo Mazzola (c.1500-69); 20.5x33.8 cm; Private Collection; (add.info.: The Annunciation)

A Young Girl Resting her Head on the Lap of Another Girl, (red and black chalk)
990008 A Young Girl Resting her Head on the Lap of Another Girl, (red and black chalk) by Lagrenee, Louis Jean Francois I (1725-1805); 37x55.8 cm; Private Collection; (add.info)

A Reclining Bearded Man Sleeping on his Arm, (black and white chalk on brown paper)
990006 A Reclining Bearded Man Sleeping on his Arm, (black and white chalk on brown paper) by Bordone, Paris (1500-71); 23.8x28.8 cm; Private Collection; (add.info)

Roger et Angelique, (pencil on calque laid down on wove paper)
990004 Roger et Angelique, (pencil on calque laid down on wove paper) by Ingres, Jean Auguste Dominique (1780-1867); 47x37.2 cm; Private Collection; (add.info.: Roger et Angelique)

Portrait of a Young Man, (red and black chalk on paper)
989998 Portrait of a Young Man, (red and black chalk on paper) by Burrini or Burino, Giovanni Antonio (1657-1727); 25.5x21.9 cm; Private Collection; (add.info.: Portrait of a Young Man)

The Parting of Lord William and Lady Rachel Russell in 1683
989988 The Parting of Lord William and Lady Rachel Russell in 1683 (The Last Interview of Lord and Lady Russell), 1852 (oil on canvas) by Lucy

The Frog-Prince, 1880 (watercolour heightened with white on paper)
989982 The Frog-Prince, 1880 (watercolour heightened with white on paper) by Brewtnall, Edward Frederick (1846-1902); 78.8x48.8 cm; Private Collection; (add.info.: The Frog-Prince)

A Summers Afternoon, (oil on canvas)
989975 A Summers Afternoon, (oil on canvas) by Miralles Galaup, Francesco (1848-1901); 60x49.8 cm; Private Collection; (add.info.: A Summers Afternoon. Francesco Miralles y Galup (1848-1901)

A Lady Reading, (oil on panel)
989974 A Lady Reading, (oil on panel) by Garrido, Eduardo-Leon (1856-1906); 20.6x27.2 cm; Private Collection; (add.info.: A Lady Reading. Eduardo Leon Garrido (1856-1949). Oil on panel

Sweet Slumber, (oil on canvas)
989962 Sweet Slumber, (oil on canvas) by Bauerle, Karl Wilhelm Friedrich (1831-1912); 69.2x81.3 cm; Private Collection; (add.info.: Sweet Slumber. Karl Wilhelm Friedrich Bauerle (1831-1912)

The Music Hall Singer, (oil on panel)
989953 The Music Hall Singer, (oil on panel) by Beraud, Jean (1849-1935); 22.9x15.6 cm; Private Collection; (add.info.: The Music Hall Singer. Jean Beraud (1849-1936). Oil on panel

The Bather, (oil on canvas)
989943 The Bather, (oil on canvas) by Troncet, Antony (1879-1939); 150x101 cm; Private Collection; (add.info.: The Bather. Antony Troncet (1879-1939). Oil on canvas

Portrait of a Lady with a Mask (oil on canvas)
989908 Portrait of a Lady with a Mask (oil on canvas) by Ribera, Pedro (1867-c.1932); 64.8x50.2 cm; Private Collection; (add.info.: Portrait of a Lady with a Mask. Pierre Ribera (1867-1932)

Flirtation, (oil on canvas)
989904 Flirtation, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 71.8x52.7 cm; Private Collection; (add.info.: Flirtation. Joseph Frederic Charles Soulacroix (1825-1879)

The Woman with the Parasol; Bay of Douarnenez, 1871 (oil on canvas)
989900 The Woman with the Parasol; Bay of Douarnenez, 1871 (oil on canvas) by Breton, Jules (1827-1906); 65x91 cm; Private Collection; (add.info)

Portrait of Madame Lucien Guitry, 1876 (oil on canvas)
989897 Portrait of Madame Lucien Guitry, 1876 (oil on canvas) by Abbema, Louise (1858-1927); 82.9x102.2 cm; Private Collection; (add.info.: Portrait of Madame Lucien Guitry)

In the Studio, 1882 (oil on canvas)
989886 In the Studio, 1882 (oil on canvas) by Tornoe, Wenzel Ulrik (1844-1907); 119.4x96.5 cm; Private Collection; (add.info.: In the Studio. Wenzel Ulrik Tornoe (1844-1907). Oil on canvas

Napoleons Abdication, c. 1890-1899 (oil on canvas)
989884 Napoleons Abdication, c.1890-1899 (oil on canvas) by Cain, Georges Jules Auguste (1856-1914); 170.2x140.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Certain ladies of her companionship gathered themselves with Beatrice when she kept alone
989855 Certain ladies of her companionship gathered themselves with Beatrice when she kept alone in her weeping, and as they passed in and out, I would hear them speak concerning her

Teatime Tales, (oil on canvas)
989854 Teatime Tales, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 99x75.9 cm; Private Collection; (add.info.: Teatime Tales. Joseph Frederic Charles Soulacroix (1825-1879)

A Young Girl with a Basket of Fruit, 1905 (oil on canvas)
989851 A Young Girl with a Basket of Fruit, 1905 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 109.8x76.2 cm; Private Collection; (add.info.: A Young Girl with a Basket of Fruit)

A Florentine Festival: Passtimes after Lunch, (watercolour
989810 A Florentine Festival: Passtimes after Lunch, (watercolour, gouache and gold relief on board) by Meacci, Ricciardo (1856-1938); 36.8x115.6 cm; Private Collection; (add.info)

Pierrot, 1886 (oil on canvas)
989805 Pierrot, 1886 (oil on canvas) by Comerre, Leon Francois (1850-1916); 71.7x40 cm; Private Collection; (add.info.: Pierrot. Leon Francois Comerre (1850-1916). Oil on canvas

Self Portrait, 1886 (oil on canvas)
989786 Self Portrait, 1886 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 46x38.4 cm; Private Collection; (add.info.: Self Portrait. William Adolphe Bouguereau (1825-1905)

Three Figures in an Interior (oil on canvas)
989708 Three Figures in an Interior (oil on canvas) by Hirt, Heinrich (fl.1872-83); 71x82.5 cm; Private Collection; (add.info.: Three Figures in an Interior. Heinrich Hirt (active 1872-1883)

Portrait photograph of William Tecumseh Sherman (1820-1891), signed, W
985759 Portrait photograph of William Tecumseh Sherman (1820-1891), signed, W. Sherman (General), c.1869 (photographic plate) by Brady

Last Judgement, 1520s (illuminated manuscript on vellum)
985752 Last Judgement, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Last Judgement)

A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite)
985677 A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite) by Gardner, Alexander (1821-82); 9.4x6.2 cm; Private Collection; (add.info)

Book cover of Histoire Charmante de l Adolescente Sucre d Amour
985575 Book cover of Histoire Charmante de l Adolescente Sucre d Amour by Joseph Charles Mardrus, 1927 (red moroccan leather, painted plate with chinese lacquer) by Schmied

Job, 1896 (colour lithograph on poster paper, framed)
985556 Job, 1896 (colour lithograph on poster paper, framed) by Mucha, Alphonse Marie (1860-1939); 52.5x39.5 cm; Private Collection; (add.info.: Job. Alphonse Marie Mucha (1860-1939)

Town Pier - Blue Point, Long Island, (oil on canvas)
985497 Town Pier - Blue Point, Long Island, (oil on canvas) by Glackens, William James (1870-1938); 66x81.3 cm; Private Collection; (add.info.: Town Pier - Blue Point, Long Island)

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"Exploring the Tapestry of Ethnic Origins: A Glimpse into History and Culture" Delve into the rich tapestry of ethnic origins through these captivating glimpses from different eras. A signed photograph of Sigmund Freud, c. 1921 (sepia photo), reminds us of the influential figure who shaped our understanding of human psychology, highlighting his Jewish heritage. In Children on the Beach, St. Ives, 1886 (oil on canvas), we witness a snapshot of Victorian England's coastal leisure activities, reflecting the diverse backgrounds that enjoyed such pastimes. The Wedding Dance (oil on panel) captures a joyous celebration where cultural traditions intertwine, showcasing how ethnicity influences rituals and customs. A Lady Sewing in an Interior (oil on canvas) offers a glimpse into domestic life across cultures and time periods, emphasizing women's roles and skills within their respective communities. A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand portrays tender motherhood transcending boundaries as love knows no ethnic limits. The Milkmaid, 1902 (pencil and watercolor), showcases everyday scenes from various regions worldwide while celebrating laborers' contributions to society regardless of their ethnic background. Through A Peep at the Train, India 1892 (pencil and w/c on paper), we are transported to colonial times with its multicultural blend depicted in vibrant colors—a testament to India's diverse heritage. Maria looking at the Fishes Granja 1907 (oil on canvas) immerses us in Portuguese culture as we witness Maria's fascination with aquatic life against a backdrop influenced by regional aesthetics. Girl Reading 1916 (oil on canvas) invites us to appreciate education as an equalizer across ethnicities—knowledge being accessible to all who seek it irrespective of their social or cultural background.