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Eshosai Choki Collection

Eishosai Choki, a renowned artist of the mid-1790s, captured the essence of Japanese culture and beauty in his exquisite artworks

Background imageEshosai Choki Collection: Catching Fireflies, Mid-1790s. Creator: Eishosai Choki

Catching Fireflies, Mid-1790s. Creator: Eishosai Choki
Catching Fireflies, Mid-1790s

Background imageEshosai Choki Collection: The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki

The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki
The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Detail from a larger artwork

Background imageEshosai Choki Collection: The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki

The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki
The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Detail from a larger artwork

Background imageEshosai Choki Collection: The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki

The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki
The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Detail from a larger artwork

Background imageEshosai Choki Collection: Good and Evil Influences (Zendama akudama), c. 1795. Creator: Eishosai Choki

Good and Evil Influences (Zendama akudama), c. 1795. Creator: Eishosai Choki
Good and Evil Influences (Zendama akudama), c. 1795. Detail from a larger artwork

Background imageEshosai Choki Collection: Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Creator: Eishosai Choki
Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Courtesans lighting pipes, putting on make up. Detail from a larger artwork

Background imageEshosai Choki Collection: Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Creator: Eishosai Choki
Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Courtesans making tea. Detail from a larger artwork

Background imageEshosai Choki Collection: Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Creator: Eishosai Choki
Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Courtesans sleeping. Detail from a larger artwork

Background imageEshosai Choki Collection: Moto, a Waitress of the Yoshidaya, and the Geisha Mizue, c. 1794. Creator: Eishosai Choki

Moto, a Waitress of the Yoshidaya, and the Geisha Mizue, c. 1794. Creator: Eishosai Choki
Moto, a Waitress of the Yoshidaya, and the Geisha Mizue, c. 1794

Background imageEshosai Choki Collection: Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Courtesans lighting pipes, putting on make up and making tea while others still sleep

Background imageEshosai Choki Collection: The Courtesan Hinazuru of the Chojiya and Her Attendants, early 1790s

The Courtesan Hinazuru of the Chojiya and Her Attendants, early 1790s

Background imageEshosai Choki Collection: Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka, c. 1796 / 97

Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka, c. 1796 / 97
Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka, c. 1796/97

Background imageEshosai Choki Collection: Moon viewing, c. 1794. Creator: Eishosai Choki

Moon viewing, c. 1794. Creator: Eishosai Choki
Moon viewing, c. 1794

Background imageEshosai Choki Collection: The Cock Fight - Ohisa of the Takashimaya and Okita of the Naniwaya, c. 1791

The Cock Fight - Ohisa of the Takashimaya and Okita of the Naniwaya, c. 1791

Background imageEshosai Choki Collection: The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki

The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki
The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800

Background imageEshosai Choki Collection: Hanaogi of the Ogiya, from the series 'Beauties of the Pleasure Quarters', c

Hanaogi of the Ogiya, from the series "Beauties of the Pleasure Quarters", c
Hanaogi of the Ogiya, from the series " Beauties of the Pleasure Quarters (Seiro bijin awase)", c. 1793/97

Background imageEshosai Choki Collection: Good and Evil Influences (Zendama akudama), c. 1795. Creator: Eishosai Choki

Good and Evil Influences (Zendama akudama), c. 1795. Creator: Eishosai Choki
Good and Evil Influences (Zendama akudama), c. 1795

Background imageEshosai Choki Collection: The Entertainer Tamino and the Serving Girl Nui of the Sumiyoshiya, c. 1792

The Entertainer Tamino and the Serving Girl Nui of the Sumiyoshiya, c. 1792

Background imageEshosai Choki Collection: Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya, c. 1794

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya, c. 1794


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Eishosai Choki, a renowned artist of the mid-1790s, captured the essence of Japanese culture and beauty in his exquisite artworks. From catching fireflies on a warm summer night to witnessing the morning rain in the pleasure quarter, Choki's paintings transport us to a bygone era. In one painting titled "Moto, a Waitress of the Yoshidaya, and the Geisha Mizue, " we are introduced to two elegant women who epitomize grace and charm. Their intricate kimonos and delicate features showcase Choki's attention to detail. Another masterpiece by Choki is "The Courtesan Hinazuru of the Chojiya and Her Attendants. " This piece portrays not only Hinazuru but also her loyal attendants who accompany her with utmost devotion. The vibrant colors used in this artwork reflect both opulence and refinement. Choki's talent extends beyond depicting human subjects; he also captures scenes from everyday life like moon viewing or even cockfights. In "Moon Viewing, " we witness people gathering under a serene moonlit sky, appreciating nature's beauty together. "The Front Room of Naniwaya" transports us into an establishment filled with laughter and merriment. It showcases lively interactions between patrons as they enjoy their time in this bustling venue. One cannot help but be captivated by Choki's portrayal of Hanaogi from his series "Beauties of Pleasure Quarters. " Her elegance radiates through every brushstroke, making it evident why she was considered one of Ogiya's most sought-after entertainers. Choki also delves into themes such as good versus evil influences in his work titled "Good and Evil Influences. " Through contrasting imagery, he explores how these forces shape our lives and decisions. In another captivating painting called "The Entertainer Tamino, " we are introduced to Tamino alongside serving girl Nui from the Sumiyoshiya.