Fraud Blocker Skip to main content

Ermine Collection (page 17)

"Ermine

Background imageErmine Collection: The State Crown of Queen Mary from the Crown Jewels of England, 1919 (colour litho)

The State Crown of Queen Mary from the Crown Jewels of England, 1919 (colour litho)
2629938 The State Crown of Queen Mary from the Crown Jewels of England, 1919 (colour litho) by English School, (20th century); Private Collection; (add.info.: State Crown of Queen Mary)

Background imageErmine Collection: Portrait of a Queen of Prussia, c. 1739 (oil on canvas)

Portrait of a Queen of Prussia, c. 1739 (oil on canvas)
614041 Portrait of a Queen of Prussia, c.1739 (oil on canvas) by Habert, A. F. (fl.c.1739); 143.3x109.8 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageErmine Collection: Louis XII (1462-1515) Declared Father of the People, engraved by Jean Baptiste Morret (fl

Louis XII (1462-1515) Declared Father of the People, engraved by Jean Baptiste Morret (fl
STC134666 Louis XII (1462-1515) Declared Father of the People, engraved by Jean Baptiste Morret (fl. 1790-1820), 1789 (coloured engraving) by Naigeon

Background imageErmine Collection: Holy Family with Matteo Saranzo (oil on canvas)

Holy Family with Matteo Saranzo (oil on canvas)
PWI108535 Holy Family with Matteo Saranzo (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Musee des Beaux-Arts, Grenoble, France; ePeter Willi; Italian, out of copyright

Background imageErmine Collection: Henry VIII (1491-1547) (oil on panel)

Henry VIII (1491-1547) (oil on panel)
GG128244 Henry VIII (1491-1547) (oil on panel) by English School, (17th century); 33.5x27.5 cm; Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

Background imageErmine Collection: Portrait of Marguerite of Provence (1219-95), 1787 (coloured engraving)

Portrait of Marguerite of Provence (1219-95), 1787 (coloured engraving)
STC134649 Portrait of Marguerite of Provence (1219-95), 1787 (coloured engraving) by Sergent-Marceau, Antoine Louis Francois (1751-1847); Private Collection; (add.info)

Background imageErmine Collection: Elizabeth Woodville (c. 1437-92) Queen Consort of King Edward IV of England (1442-83

Elizabeth Woodville (c. 1437-92) Queen Consort of King Edward IV of England (1442-83
BAL125101 Elizabeth Woodville (c.1437-92) Queen Consort of King Edward IV of England (1442-83) (vellum) (detail of 70062) by English School, (15th century); Private Collection; English

Background imageErmine Collection: Mahomet (Mehmed) III (1566-1603) Sultan 1595-1603, from

Mahomet (Mehmed) III (1566-1603) Sultan 1595-1603, from
STC87562 Mahomet (Mehmed) III (1566-1603) Sultan 1595-1603, from A Series of Portraits of the Emperors of Turkey, 1808 (w/c) by Young

Background imageErmine Collection: Louis XVI (1754-93) (oil on canvas)

Louis XVI (1754-93) (oil on canvas)
SCP38772 Louis XVI (1754-93) (oil on canvas) by Callet, Antoine Francois (1741-1823); Prado, Madrid, Spain; French, out of copyright

Background imageErmine Collection: H. M. Queen Anne

H. M. Queen Anne
XCR27149 H.M.Queen Anne by Harrison, George (19th century); The Crown Estate; English, out of copyright

Background imageErmine Collection: The Princess and the Frog, 1894

The Princess and the Frog, 1894
BRA33252 The Princess and the Frog, 1894 by Symonds, William Robert (1851-1934); 110x112 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; eBradford Museums & Galleries; English

Background imageErmine Collection: Ms 859 / 522 Louis XI (1423-83) (vellum)

Ms 859 / 522 Louis XI (1423-83) (vellum)
EDI42305 Ms 859/522 Louis XI (1423-83) (vellum) by French School, (15th century); Bibliotheque Nationale, Paris, France; (add.info.: Chroniques des Rois de France; Jean du Tillet; ); French

Background imageErmine Collection: Louis IX (1214-70) King of France from Receuil des Estampes

Louis IX (1214-70) King of France from Receuil des Estampes
STC195789 Louis IX (1214-70) King of France from Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes

Background imageErmine Collection: Francois de Lorraine, Duke of Guise (1519-1563)

Francois de Lorraine, Duke of Guise (1519-1563)
5855277 Francois de Lorraine, Duke of Guise (1519-1563) by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Francois de Lorraine, Duke of Guise (1519-1563) in court wear

Background imageErmine Collection: Advertising chromolithography of chocolates Guerin Boutron

Advertising chromolithography of chocolates Guerin Boutron
6040700 Advertising chromolithography of chocolates Guerin Boutron, Charles VII king of France from 1422 to 1461. The coronation in Reims 1429 (chromolithography) by French School

Background imageErmine Collection: Dignity and impudence: a king looking at a fly that has landed on his nose (colour litho)

Dignity and impudence: a king looking at a fly that has landed on his nose (colour litho)
5996150 Dignity and impudence: a king looking at a fly that has landed on his nose (colour litho) by English School, (20th century); Private Collection; (add.info.: Dignity and impudence)

Background imageErmine Collection: King William in State Robes, c. 1690 (oil on canvas)

King William in State Robes, c. 1690 (oil on canvas)
5983964 King William in State Robes, c.1690 (oil on canvas) by Kneller, Godfrey (1646-1723) (after); Private Collection; (add.info.: Willem III (1650-1702) Prince of Orange

Background imageErmine Collection: Portrait of Napoleon I, 1808-11 (wool, silk, silver-gilt thread)

Portrait of Napoleon I, 1808-11 (wool, silk, silver-gilt thread)
5667136 Portrait of Napoleon I, 1808-11 (wool, silk, silver-gilt thread) by Gerard, Francois Pascal Simon (1770-1837) (after); 222.3x192.4 cm; Metropolitan Museum of Art, New York

Background imageErmine Collection: Henry VII, 1600-1700 (oil on wood)

Henry VII, 1600-1700 (oil on wood)
5917385 Henry VII, 1600-1700 (oil on wood) by Holbein the Younger, Hans (1497/8-1543) (after); 63.4x51.2 cm; Slovenska Narodna Galeria, Bratislava

Background imageErmine Collection: King George III (oil on canvas)

King George III (oil on canvas)
1781615 King George III (oil on canvas) by Ramsay, Allan (1713-84); 214x150 cm; Royal Hospital Chelsea, London, UK; (add.info.: Full length portrait in coronation robes); Scottish, out of copyright

Background imageErmine Collection: King George II (oil on canvas)

King George II (oil on canvas)
1781622 King George II (oil on canvas) by Seeman, Enoch (1694-1744); 214x150 cm; Royal Hospital Chelsea, London, UK; (add.info.: Full length portrait in coronation robes); English, out of copyright

Background imageErmine Collection: Caroline, consort of George II (oil on canvas)

Caroline, consort of George II (oil on canvas)
1781621 Caroline, consort of George II (oil on canvas) by Seeman, Enoch (1694-1744); 214x150 cm; Royal Hospital Chelsea, London, UK; (add.info.: Full length portrait in coronation robes); English

Background imageErmine Collection: Queen Anne (oil on canvas)

Queen Anne (oil on canvas)
1781616 Queen Anne (oil on canvas) by English School, (18th century); 214x150 cm; Royal Hospital Chelsea, London, UK; (add.info.: Full length portrait in coronation robes); English, out of copyright

Background imageErmine Collection: King William IV (oil on canvas)

King William IV (oil on canvas)
1781613 King William IV (oil on canvas) by Beechey, William (1753-1839); 214x150 cm; Royal Hospital Chelsea, London, UK; (add.info)

Background imageErmine Collection: Coronation portrait of King George V, after Sir Luke Fildes (oil on canvas)

Coronation portrait of King George V, after Sir Luke Fildes (oil on canvas)
992224 Coronation portrait of King George V, after Sir Luke Fildes (oil on canvas) by Menzies, William A. (fl.1886-1902); 187.3x121.8 cm; Private Collection; (add.info)

Background imageErmine Collection: Ermine (coloured engraving)

Ermine (coloured engraving)
1000147 Ermine (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Illustrator:Johann Eberhard Ihle Engraver)

Background imageErmine Collection: Sweet Marten, 1824 (colour litho)

Sweet Marten, 1824 (colour litho)
1001814 Sweet Marten, 1824 (colour litho) by Brodtmann, Karl Joseph (1787-1862); Private Collection; (add.info.: A Naturgeschichte und Abbildungen der SAaugethiereA, 1824)

Background imageErmine Collection: Henry VI, King of England, presenting a sword to John Talbot, Earl of Shrewsbury

Henry VI, King of England, presenting a sword to John Talbot, Earl of Shrewsbury, 15th Century (coloured engraving)
972956 Henry VI, King of England, presenting a sword to John Talbot, Earl of Shrewsbury, 15th Century (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Henry VI)

Background imageErmine Collection: Louis le Grand, 1712 (engraving)

Louis le Grand, 1712 (engraving)
1067047 Louis le Grand, 1712 (engraving) by Drevet, Pierre-Imbert (1697-1739); 68.3x51.8 cm; Dallas Museum of Art, Texas, USA; (add.info.: Louis XIV (5 September 1638 - 1 September 1715)

Background imageErmine Collection: Martens and weasel (coloured engraving)

Martens and weasel (coloured engraving)
997530 Martens and weasel (coloured engraving) by German School, (19th century); Private Collection; (add.info.: From A Bilderbuch fAor KinderA (Picture Book for Children) 1790-1830

Background imageErmine Collection: A group of men stand below a ladder on which an artist works (colour litho)

A group of men stand below a ladder on which an artist works (colour litho)
959977 A group of men stand below a ladder on which an artist works (colour litho) by English School, (19th century); Private Collection; (add.info.: Maximilian held the ladder himself, saying)

Background imageErmine Collection: Portrait of Richard II of England (engraving)

Portrait of Richard II of England (engraving)
960071 Portrait of Richard II of England (engraving) by English School, (19th century); Private Collection; (add.info.: King Richard II of England)

Background imageErmine Collection: She hurried with the preparations for his exile (litho)

She hurried with the preparations for his exile (litho)
1092339 She hurried with the preparations for his exile (litho) by French School, (19th century); Private Collection; (add.info.: She hurried with the preparations for his exile)

Background imageErmine Collection: Queen Victoria, 1838 (oil on canvas)

Queen Victoria, 1838 (oil on canvas)
829216 Queen Victoria, 1838 (oil on canvas) by Hayter, George (1792-1871); 88.9x67.2 cm; Private Collection; (add.info.: Queen Victoria (Alexandrina Victoria; 24 May 1819 - 22 January 1901)

Background imageErmine Collection: Portrait of Philip Wharton (engraving)

Portrait of Philip Wharton (engraving)
819584 Portrait of Philip Wharton (engraving) by English School, (18th century); Private Collection; (add.info.: Philip Wharton, 1st Duke of Wharton)

Background imageErmine Collection: King George I of Great Britain and Ireland (engraving)

King George I of Great Britain and Ireland (engraving)
816814 King George I of Great Britain and Ireland (engraving) by Kneller, Godfrey (1646-1723) (after); Private Collection; (add.info.: George I, King of Great Britain and Ireland)

Background imageErmine Collection: Moleskin Stole with round ends, lined silk, with a new shaped Muff to match

Moleskin Stole with round ends, lined silk, with a new shaped Muff to match, also made in Seal dyed Musquash, Ermine
3639578 Moleskin Stole with round ends, lined silk, with a new shaped Muff to match, also made in Seal dyed Musquash, Ermine, and Persian Broadtail (b/w photo) by English Photographer

Background imageErmine Collection: Ermine Wrap, made with Ermine both sides, with large Muff to match

Ermine Wrap, made with Ermine both sides, with large Muff to match, also made in Squirrel (b / w photo)
3639577 Ermine Wrap, made with Ermine both sides, with large Muff to match, also made in Squirrel (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Ermine Wrap)

Background imageErmine Collection: Seal Musquash Scarf, made wide, lined throughout real ermine

Seal Musquash Scarf, made wide, lined throughout real ermine, and finished with silk tassels (b / w photo)
3639575 Seal Musquash Scarf, made wide, lined throughout real ermine, and finished with silk tassels (b/w photo) by English Photographer

Background imageErmine Collection: Mitred Ermine Scarf, bordered with plain full-size skins of ermine

Mitred Ermine Scarf, bordered with plain full-size skins of ermine, Large fancy Muff to match (b / w photo)
3639566 Mitred Ermine Scarf, bordered with plain full-size skins of ermine, Large fancy Muff to match (b/w photo) by English Photographer

Background imageErmine Collection: Samuel Perivier, First President of the Paris Court of Appeal (colour litho)

Samuel Perivier, First President of the Paris Court of Appeal (colour litho)
2818349 Samuel Perivier, First President of the Paris Court of Appeal (colour litho) by French School, (19th century); Private Collection; (add.info.: Samuel Perivier)

Background imageErmine Collection: Portrait of H. M. King George VI (oil on canvas)

Portrait of H. M. King George VI (oil on canvas)
2830880 Portrait of H.M. King George VI (oil on canvas) by Lander, John St. Helier (1869-1944); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased, 1944.; English

Background imageErmine Collection: King Edward VII and Queen Alexandra (chromolitho)

King Edward VII and Queen Alexandra (chromolitho)
610623 King Edward VII and Queen Alexandra (chromolitho) by English School, (20th century); Private Collection; (add.info.: King Edward VII and Queen Alexandra)

Background imageErmine Collection: Less Vermin - More Game, front cover of the DuPont Magazine

Less Vermin - More Game, front cover of the DuPont Magazine
615322 Less Vermin - More Game, front cover of the DuPont Magazine, April 1923 (colour litho) by American School, (20th century); Hagley Museum & Library, Wilmington, Delaware



All Professionally Made to Order for Quick Shipping

"Ermine: A Symbol of Royalty and Elegance" From the regal portraits of Queen Elizabeth II in her coronation robes to the exquisite Lady with an Ermine by Leonardo da Vinci, ermines have long been associated with royalty and grace. In 1953, Queen Elizabeth II donned her majestic coronation robes, adorned with ermine fur trimmings. The artist Sterling Henry Nahum Baron captured this iconic moment, showcasing the queen's grandeur and power. Centuries earlier, Nicholas Hilliard immortalized Queen Elizabeth I in his masterpiece "The Ermine Portrait. " This enchanting painting depicts the queen wearing a luxurious gown embellished with ermine fur, symbolizing her status as a powerful monarch. Not limited to human subjects alone, ermines also captivate us through their natural beauty. These small creatures are part of the weasel family and are known for their stunning winter fur coats. In Bavaria's Allgau region, they roam gracefully amidst snowy landscapes like living works of art. As we delve into history further back in time, we encounter Cecilia Gallerani holding an adorable ermine in Leonardo da Vinci's portrait from 1490. The lady's gentle gaze reflects both elegance and intimacy as she cradles this precious creature on her lap. Beyond its association with nobility and portraiture, the ermine has become intertwined with British culture. It shares its habitat with various moth species that flutter around our gardens during summer evenings—a delicate dance between nature's wonders. During King George V and Queen Mary's reigns at Delhi's Coronation Durbar in India—an event commemorated on a souvenir postcard—their presence exuded majesty akin to that symbolized by the noble ermines themselves. Even advertisements have embraced this timeless allure; Monopole Champers featured an advert displaying King George IV alongside bottles of champagne—both epitomizing luxury and sophistication.