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Equine Collection (page 19)

Equine, the epitome of grace and power

Background imageEquine Collection: At the Racetrack, 1874 (oil on canvas)

At the Racetrack, 1874 (oil on canvas)
989970 At the Racetrack, 1874 (oil on canvas) by Nittis, Giuseppe or Joseph de (1846-84); 33x43.8 cm; Private Collection; (add.info.: At the Racetrack. Giuseppe de Nittis (1846-1884). Oil on canvas

Background imageEquine Collection: A Street near Les Invalides, Paris, (oil on canvas)

A Street near Les Invalides, Paris, (oil on canvas)
989467 A Street near Les Invalides, Paris, (oil on canvas) by Loir, Luigi (1845-1916); 61x90.8 cm; Private Collection; (add.info.: A Street near Les Invalides, Paris. Luigi Loir (1845-1916)

Background imageEquine Collection: Don Quixote, (oil on canvas)

Don Quixote, (oil on canvas)
989422 Don Quixote, (oil on canvas) by Detti, Cesare-Auguste (1847-1914); 31.7x42.5 cm; Private Collection; (add.info.: Don Quixote. Cesare Auguste Detti (1847-1914). Oil on canvas

Background imageEquine Collection: The Chestnut Arabian of Hampton Court, c. 1726 (oil on canvas)

The Chestnut Arabian of Hampton Court, c. 1726 (oil on canvas)
990568 The Chestnut Arabian of Hampton Court, c.1726 (oil on canvas) by Wootton, John (c.1682-1765); 148x172.2 cm; Private Collection; (add.info.: The Chestnut Arabian of Hampton Court)

Background imageEquine Collection: The Village Postman, (oil on canvas)

The Village Postman, (oil on canvas)
990562 The Village Postman, (oil on canvas) by Hardy, Heywood (1842-1933); 61.5x47.6 cm; Private Collection; (add.info.: The Village Postman. Heywood Hardy (1842-1933). Oil on canvas

Background imageEquine Collection: The Roman Hunt near the Tomb of Santa Cecilia, Via Appia Antiqua (oil on canvas)

The Roman Hunt near the Tomb of Santa Cecilia, Via Appia Antiqua (oil on canvas)
990559 The Roman Hunt near the Tomb of Santa Cecilia, Via Appia Antiqua (oil on canvas) by Quaedvlieg, Carel Max Gerlach Anton (1823-74); 22.8x33.6 cm; Private Collection; (add.info)

Background imageEquine Collection: Charlie and Peel Ross with Horse after a Hunt, c. 1856-1859 (albumen silver print

Charlie and Peel Ross with Horse after a Hunt, c. 1856-1859 (albumen silver print
990466 Charlie and Peel Ross with Horse after a Hunt, c.1856-1859 (albumen silver print, with arched top corners) by Ross, Horatio (1801-86); 21.5x18.7

Background imageEquine Collection: The Piazza del Quirinale, with the Castel Sant Angelo and Saint Peters beyond

The Piazza del Quirinale, with the Castel Sant Angelo and Saint Peters beyond
990190 The Piazza del Quirinale, with the Castel Sant Angelo and Saint Peters beyond, (oil on canvas) by Joli, Antonio (1700-77); 67x96.5 cm; Private Collection; (add.info.: The Piazza del Quirinale)

Background imageEquine Collection: Elegant Figures in Seville (oil on canvas)

Elegant Figures in Seville (oil on canvas)
989377 Elegant Figures in Seville (oil on canvas) by Barron y Carrillo, Manuel (1814-84); 73x58.4 cm; Private Collection; (add.info.: Elegant Figures in Seville. Manuel Barron y Carrillo (1814-1884)

Background imageEquine Collection: Street scene at Marly, 1876 (oil on canvas)

Street scene at Marly, 1876 (oil on canvas)
988898 Street scene at Marly, 1876 (oil on canvas) by Sisley, Alfred (1839-99); 46x65.4 cm; Private Collection; (add.info.: Street scene at Marly; Scene de rue a Marly. Alfred Sisley (1839-1899)

Background imageEquine Collection: The Quai de Louviers at the Pont Sully, c. 1875 (oil on canvas)

The Quai de Louviers at the Pont Sully, c. 1875 (oil on canvas)
987528 The Quai de Louviers at the Pont Sully, c.1875 (oil on canvas) by Lepine, Stanislas Victor Edouard (1835-92); 94x122 cm; Private Collection; (add.info)

Background imageEquine Collection: The Bronco Buster, (bronze with greenish brown patina)

The Bronco Buster, (bronze with greenish brown patina)
985509 The Bronco Buster, (bronze with greenish brown patina) by Remington, Frederic (1861-1909); 56.8 cm; Private Collection; (add.info.: The Bronco Buster. Frederic Remington (1861-1909)

Background imageEquine Collection: Builders in the Desert, (oil on canvas laid down on aluminium)

Builders in the Desert, (oil on canvas laid down on aluminium)
984982 Builders in the Desert, (oil on canvas laid down on aluminium) by Ufer, Walter (1876-1936); 127.6x127.6 cm; Private Collection; (add.info.: Builders in the Desert. Walter Ufer (1876-1936)

Background imageEquine Collection: Scene from the Race of the Barberi Horses (brown ink & graphite on laid paper lined with tissue)

Scene from the Race of the Barberi Horses (brown ink & graphite on laid paper lined with tissue)
995914 Scene from the Race of the Barberi Horses (brown ink & graphite on laid paper lined with tissue) by Gericault, Theodore (1791-1824); 35.4x48.5 cm; Art Gallery of Ontario, Toronto

Background imageEquine Collection: Riding Hard with Two Shooters, 1919 (oil on canvas)

Riding Hard with Two Shooters, 1919 (oil on canvas)
990911 Riding Hard with Two Shooters, 1919 (oil on canvas) by Johnson, Frank Tenney (1874-1939); 76.2x71.8 cm; Private Collection; (add.info.: Riding Hard with Two Shooters)

Background imageEquine Collection: Avenue of the Bois de Boulogne; Avenue du Bois de Boulogne, (oil on canvas)

Avenue of the Bois de Boulogne; Avenue du Bois de Boulogne, (oil on canvas)
827499 Avenue of the Bois de Boulogne; Avenue du Bois de Boulogne, (oil on canvas) by Stein, Georges (1818-90); 66x89.5 cm; Private Collection; (add.info)

Background imageEquine Collection: The Grand National Steeplechase: Valentines Jump, (oil on canvas)

The Grand National Steeplechase: Valentines Jump, (oil on canvas)
827246 The Grand National Steeplechase: Valentines Jump, (oil on canvas) by Wells, John Sanderson (1872-c.1940); 30.9x50.8 cm; Private Collection; (add.info.: The Grand National Steeplechase)

Background imageEquine Collection: Hunters and a Spaniel in an Extensive Landscape, 1827 (oil on canvas)

Hunters and a Spaniel in an Extensive Landscape, 1827 (oil on canvas)
827245 Hunters and a Spaniel in an Extensive Landscape, 1827 (oil on canvas) by Towne, Charles (1763-1840); 44.5x51.5 cm; Private Collection; (add.info)

Background imageEquine Collection: A Busy Paris Square, 1878 (oil on canvas)

A Busy Paris Square, 1878 (oil on canvas)
827207 A Busy Paris Square, 1878 (oil on canvas) by Buhot, Felix Hilaire (1847-98); 27.4x35.5 cm; Private Collection; (add.info.: A Busy Paris Square. Felix Hilaire Buhot (1847-1898). Oil on canvas

Background imageEquine Collection: A Bustling Street Scene (oil on canvas)

A Bustling Street Scene (oil on canvas)
827206 A Bustling Street Scene (oil on canvas) by Dufaug, G. A. (19th century); 65.1x94.5 cm; Private Collection; (add.info.: A Bustling Street Scene. G. A. Dufaug (19th Century). Oil on canvas

Background imageEquine Collection: A Paris Street; Une Avenue Parisienne, c. 1880 (oil on canvas)

A Paris Street; Une Avenue Parisienne, c. 1880 (oil on canvas)
827125 A Paris Street; Une Avenue Parisienne, c.1880 (oil on canvas) by Beraud, Jean (1849-1935); 40x57.2 cm; Private Collection; (add.info.: A Paris Street; Une Avenue Parisienne)

Background imageEquine Collection: Collecting the Post, (oil on canvas)

Collecting the Post, (oil on canvas)
828445 Collecting the Post, (oil on canvas) by Kilburne, George Goodwin (1839-1924); 58.8x76.8 cm; Private Collection; (add.info.: Collecting the Post. George Goodwin Kilburne (1839-1924)

Background imageEquine Collection: Courtyard View; Vista del Patio, (oil on canvas)

Courtyard View; Vista del Patio, (oil on canvas)
824953 Courtyard View; Vista del Patio, (oil on canvas) by Arrieta, Jose Agustin (1802-74); 49x46.4 cm; Private Collection; (add.info.: Courtyard View; Vista del Patio)

Background imageEquine Collection: Vues de Bresil, c. 1829-35 (woodblock print in colours)

Vues de Bresil, c. 1829-35 (woodblock print in colours)
828303 Vues de Bresil, c.1829-35 (woodblock print in colours) by Deltil, Jean Julien (1791-1863); 180.3x266.7 cm; Private Collection; (add.info.: Vues de Bresil)

Background imageEquine Collection: Avenue in Sakrow with Two Riders; Allee in Sakrow mit zwei Reitern, c

Avenue in Sakrow with Two Riders; Allee in Sakrow mit zwei Reitern, c
826090 Avenue in Sakrow with Two Riders; Allee in Sakrow mit zwei Reitern, c.1923 (oil on canvas) by Liebermann, Max (1847-1935); 60.3x75 cm; Private Collection; (add.info)

Background imageEquine Collection: A Helping Hand, (oil on canvas)

A Helping Hand, (oil on canvas)
828476 A Helping Hand, (oil on canvas) by Hardy, Heywood (1842-1933); 61x91.4 cm; Private Collection; (add.info.: A Helping Hand. Heywood Hardy (1842-1933). Oil on canvas

Background imageEquine Collection: Mont St. Michel, 1840 (oil on canvas)

Mont St. Michel, 1840 (oil on canvas)
828400 Mont St. Michel, 1840 (oil on canvas) by Cooke, Edward William (1811-80); 105.4x143.5 cm; Private Collection; (add.info.: Mont St)

Background imageEquine Collection: The Departure of Charles II from Bentley in Staffordshire, the house of Colonel Lane

The Departure of Charles II from Bentley in Staffordshire, the house of Colonel Lane
828388 The Departure of Charles II from Bentley in Staffordshire, the house of Colonel Lane, (pencil and watercolour) by Landseer

Background imageEquine Collection: Receiving Guests, 1898 (watercolour)

Receiving Guests, 1898 (watercolour)
828336 Receiving Guests, 1898 (watercolour) by Henry, Edward Lamson (1841-1919); 34.3x54.6 cm; Private Collection; (add.info.: Receiving Guests. Edward Lamson Henry (1841-1919). Watercolour

Background imageEquine Collection: Pringze Men, the Western Gate of Peking, (watercolour)

Pringze Men, the Western Gate of Peking, (watercolour)
828314 Pringze Men, the Western Gate of Peking, (watercolour) by Alexander, William (1767-1816); 29x45.6 cm; Private Collection; (add.info.: Pringze Men, the Western Gate of Peking)

Background imageEquine Collection: Reiter am Tegernsee, 1838 (oil on panel)

Reiter am Tegernsee, 1838 (oil on panel)
827944 Reiter am Tegernsee, 1838 (oil on panel) by Kobell, Wilhelm Alexander (1766-1855); 28.9x25 cm; Private Collection; (add.info.: Reiter am Tegernsee)

Background imageEquine Collection: A Fallen Horse, (red chalk)

A Fallen Horse, (red chalk)
827599 A Fallen Horse, (red chalk) by Dandini, Pietro (1646-1712); 27x33 cm; Private Collection; (add.info.: A Fallen Horse. Pietro Dandini (1646-1712). Red chalk

Background imageEquine Collection: Outside Les Invalides, Paris, (oil on canvas)

Outside Les Invalides, Paris, (oil on canvas)
827381 Outside Les Invalides, Paris, (oil on canvas) by Detaille, Jean-Baptiste Edouard (1848-1912); 46.7x38.7 cm; Private Collection; (add.info.: Outside Les Invalides, Paris)

Background imageEquine Collection: Napoleon and his Escort, (oil on canvas)

Napoleon and his Escort, (oil on canvas)
827129 Napoleon and his Escort, (oil on canvas) by Chelminski, Jan van (1851-1925); 40.6x65.4 cm; Private Collection; (add.info.: Napoleon and his Escort. Jan Chelminski (1851-1925). Oil on canvas

Background imageEquine Collection: Hyde Park Corner, (oil on canvas)

Hyde Park Corner, (oil on canvas)
652149 Hyde Park Corner, (oil on canvas) by Ferneley, John Jnr. (1814-62); 76.2x152.3 cm; Private Collection; (add.info.: Hyde Park Corner. John Ferneley, Jnr. (1815-1862). Oil on canvas

Background imageEquine Collection: A Peep at the Hounds: Here They Come, (pencil, watercolour and bodycolour)

A Peep at the Hounds: Here They Come, (pencil, watercolour and bodycolour)
651992 A Peep at the Hounds: Here They Come, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 24x36.7 cm; Private Collection; (add.info.: A Peep at the Hounds: Here They Come)

Background imageEquine Collection: An Arab on a Horse in a Desert Landscape, (oil on canvas)

An Arab on a Horse in a Desert Landscape, (oil on canvas)
651546 An Arab on a Horse in a Desert Landscape, (oil on canvas) by Rousseau, Henri Emilien (1875-1933); 65x54.5 cm; Private Collection; (add.info.: An Arab on a Horse in a Desert Landscape)

Background imageEquine Collection: A Market by a Village, (oil on canvas)

A Market by a Village, (oil on canvas)
651514 A Market by a Village, (oil on canvas) by Stuhlmuller, Karl (1858-1930); Private Collection; (add.info.: A Market by a Village. Karl Stuhlmuller (1858-1930). Oil on canvas

Background imageEquine Collection: The Capture, 1878 (oil on canvas)

The Capture, 1878 (oil on canvas)
651213 The Capture, 1878 (oil on canvas) by Detaille, Jean-Baptiste Edouard (1848-1912); 74x130 cm; Private Collection; (add.info.: The Capture. Jean Baptiste Edouard Detaille (1848-1912)

Background imageEquine Collection: Hunting In Yosemite, 1890 (oil on canvas)

Hunting In Yosemite, 1890 (oil on canvas)
651127 Hunting In Yosemite, 1890 (oil on canvas) by Hill, Thomas (1829-1908); 63.5x76.2 cm; Private Collection; (add.info.: Hunting In Yosemite. Thomas Hill (1829-1908). Oil on canvas

Background imageEquine Collection: Winter Evening, (oil on panel)

Winter Evening, (oil on panel)
651049 Winter Evening, (oil on panel) by Boughton, George Henry (1833-1905); 24.9x35.5 cm; Private Collection; (add.info.: Winter Evening. George Henry Boughton (1833-1905). Oil on panel

Background imageEquine Collection: Saddling in the Warren, print made by Charles Hunt, 1836 (aquatint)

Saddling in the Warren, print made by Charles Hunt, 1836 (aquatint)
661026 Saddling in the Warren, print made by Charles Hunt, 1836 (aquatint) by Pollard, James (1797-1867) (after); Private Collection; (add.info)

Background imageEquine Collection: Settling Day at Tattersalls, print made by Charles Hunt, 1836 (aquatint)

Settling Day at Tattersalls, print made by Charles Hunt, 1836 (aquatint)
661031 Settling Day at Tattersalls, print made by Charles Hunt, 1836 (aquatint) by Pollard, James (1797-1867) (after); Private Collection; (add.info.: Tattersalls is the auction house for racehorses)

Background imageEquine Collection: Preparing to Start, print made by Charles Hunt, 1836 (aquatint)

Preparing to Start, print made by Charles Hunt, 1836 (aquatint)
661028 Preparing to Start, print made by Charles Hunt, 1836 (aquatint) by Pollard, James (1797-1867) (after); Private Collection; (add.info.: Epsom Races)

Background imageEquine Collection: Horse and Groom in a Landscape, 1903 (oil on canvas)

Horse and Groom in a Landscape, 1903 (oil on canvas)
658047 Horse and Groom in a Landscape, 1903 (oil on canvas) by Palmer, James Lynwood (c.1868-1941); 51x61 cm; Private Collection; (add.info.: Horse and Groom in a Landscape)

Background imageEquine Collection: The Sleigh Ride (oil on canvas)

The Sleigh Ride (oil on canvas)
659068 The Sleigh Ride (oil on canvas) by Wierusz-Kowalski, Alfred von (1849-1915); 53.3x73.7 cm; Private Collection; Photo eChristies Images; Polish, out of copyright

Background imageEquine Collection: A Cornish Village, 1925 (oil on canvas)

A Cornish Village, 1925 (oil on canvas)
657237 A Cornish Village, 1925 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 60x75 cm; Private Collection; (add.info.: A Cornish Village. Stanhope Alexander Forbes (1857-1947)

Background imageEquine Collection: Broad Sanctuary, Westminster, London, (oil on panel)

Broad Sanctuary, Westminster, London, (oil on panel)
658919 Broad Sanctuary, Westminster, London, (oil on panel) by Sala, Paolo (1859-1924); 27x20.5 cm; Private Collection; (add.info.: Broad Sanctuary, Westminster, London. Paolo Sala (1859-1924)



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Equine, the epitome of grace and power. From the intricate details etched on a horse's skull to the vibrant strokes of A Tower of Blue Horses, 1913, equines have captivated artists throughout history. Lord Walter Rothschild himself was so enamored by these majestic creatures that he even had a zebra-drawn trap. Speaking of Lords and horses, Lord Lionel Walter Rothschild left an indelible mark on equestrianism. His passion for horses knew no bounds as he marched alongside The Scots Guards during State Ceremonials. But it is not just their association with nobility that makes equines special; they possess an ethereal beauty that transcends borders. In Iceland's Akureyri, a white Icelandic horse gallops through fields adorned with lupins while its multi-colored counterpart dances in meadows further north. Art continues to pay homage to these magnificent animals. Bloomsbury showcases A Chestnut Racehorse with Sam Templeman up against a picturesque landscape - capturing both speed and serenity in one brushstroke. Meanwhile, Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom transports us back to 1815 when this oil painting immortalized the bond between man and beast. Nature itself becomes their canvas as Icelandic horses run freely across lakes in South Iceland or brave the cold winters in Wyoming's Shell region. Even within old stables, equines exude timeless charm - reminding us of their enduring presence throughout history. Equine: more than just a word; it encompasses artistry, nobility, freedom, and companionship all at once. These incredible creatures continue to inspire awe wherever they roam.