Emslie Collection

A Mothers Dream by A E Emslie. Date: 1891

A sonata of Beethoven, c1868-1918. Artist: Alfred Edward Emslie
A sonata of Beethoven, c1868-1918. In the foreground a woman plays a piano while in the background a man sits writing in a window

The Queens Head Inn, Islington, London, 1827. Artist: John Phillipps Emslie
The Queens Head Inn, Islington, London, 1827

Fetter Lane, City of London, c1875. Artist: John Phillipps Emslie
Fetter Lane, City of London, c1875. View of buildings in Fetter Lane with figures and a horse-drawn cart in the street

Interior view of the hall in Barnards Inn, London, c1875. Artist: John Phillipps Emslie
Interior view of the hall in Barnards Inn, London, c1875

View of the courtyard of no 102 Leadenhall Street, City of London, 1875

St Michaels Crypt, Aldgate, London, 1876. Artist: John Phillipps Emslie
St Michaels Crypt, Aldgate, London, 1876. Interior view of St Michaels Crypt, Aldgate Street

Stone bosses from St Michaels Crypt, Aldgate Street, London, c1830(?)

Plan of the groining for St Michaels Crypt, Aldgate Street, London, c1830(?). Artist
Plan of the groining for St Michaels Crypt, Aldgate Street, London, c1830(?)

Sectional views of St Michaels Crypt, Aldgate Street, London, c1830(?). Artist
Sectional views of St Michaels Crypt, Aldgate Street, London, c1830(?)

Alderman William Lawrence, Sherif, c1849. Artist: Alfred Edward Emslie
Alderman William Lawrence, Sherif, c1849. He is shown seated, in ceremonial costume with his hands resting on his legs

Council Chamber London Guildhall, 1886. Lithographic print from the Discriptive Account of the Guildhall of the City of London, 1886

The Aldermens Court Room, 1886. Lithographic print from the Discriptive Account of the Guildhall of the City of London, 1886

Council Chamber, Guildhall, City of London, 1886. Artist: William Griggs
Council Chamber, Guildhall, City of London, 1886. A print from Guildhall of the City of London: Its History and Associations, Corporation of the City of London, 1886

The Aldermens Court Room, Guildhall, City of London, 1886. Artist: William Griggs
The Aldermens Court Room, Guildhall, City of London, 1886. A print from Guildhall of the City of London: Its History and Associations, Corporation of the City of London, 1886

AUNT CHLOEs VISIT FROM A PICTURE BY A. E. EMSLIE
" AUNT CHLOEs VISIT" FROM A PICTURE BY A.E. EMSLIE

Coloured engaving of a locomotive engine by John Emslie, 1848 Date: 1848

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"Exploring the Artistic Legacy of Emslie: From A Mother's Dream to Beethoven's Sonata" Step into the world of Emslie, a name that resonates with artistic brilliance. Alfred Edward Emslie, a renowned artist from 1868-1918, captivated audiences with his masterpiece "A Mothers Dream. " This poignant painting encapsulates the tender bond between mother and child, evoking emotions that transcend time. But it doesn't end there; another member of this talented family emerges - John Phillipps Emslie. His brushstrokes transport us to different eras and places. In "The Queens Head Inn, " we find ourselves in Islington, London in 1827, witnessing life unfold within its walls. Fetter Lane in City of London comes alive through John's artistry around 1875, revealing glimpses of bustling streets and vibrant city life. Venturing further into history, we stumble upon Barnards Inn in London during the same period. John takes us inside its hallowed halls through an interior view that exudes grandeur and elegance. Leadenhall Street beckons our attention as we gaze upon its courtyard captured by yet another talented hand around 1875. No. 102 Leadenhall Street reveals itself as a place where stories intertwine amidst architectural beauty. Descending beneath the surface lies St Michaels Crypt in Aldgate, London – an underground sanctuary steeped in mystery and history. Through John's eyes in 1876, we explore this hidden gem adorned with stone bosses that whisper tales from centuries past. Delving deeper into St Michaels Crypt unveils intricate plans for groining created circa 1830 (?). These meticulous designs showcase architectural prowess intertwined with artistic vision. As if peering through time itself, sectional views offer us glimpses into every nook and cranny of St Michaels Crypt circa 1830 (?). The crypt becomes more than just a physical space; it becomes a testament to the artistry of Emslie.