Elizabethan Dress Collection

Elizabethan Tennis (engraving)
XJF2562816 Elizabethan Tennis (engraving) by English School, (16th century); Private Collection; English, out of copyright

Portrait of Mary Herbert (1561-1621), Countess of Pembroke, from Lodge s
KW179835 Portrait of Mary Herbert (1561-1621), Countess of Pembroke, from Lodges British Portraits, 1823 (engraving) by English School

Mary Stuart (1542-87) (oil on panel)
RPH241668 Mary Stuart (1542-87) (oil on panel) by Clouet, Francois (c.1510-72); Private Collection; (add.info.: Mary I, Queen of Scots; daughter of James V of Scotland and Mary of Guise;)

A scene from an amateur production of "The Taming of the Shrew"
MNY381304 A scene from an amateur production of " The Taming of the Shrew" presented at Barnard College, New York (silver gelatin print) by Byron Company (fl.1890-1942)

Lorenzo and Jessica, illustration from The Merchant of Venice, c
IL314898 Lorenzo and Jessica, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

But thou, thou meagre lead, illustration from The Merchant of Venice
IL314895 But thou, thou meagre lead, illustration from The Merchant of Venice (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

You saw the mistress, I beheld the maid, illustration from
IL314896 You saw the mistress, I beheld the maid, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

With Bated Breath and Whispering Humbleness, illustration from
IL314891 With Bated Breath and Whispering Humbleness, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

Tell me not of mercy gaoler, look to him, illustration from
IL314889 Tell me not of mercy gaoler, look to him, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

In which predicament, I say thou standst, illustration from
IL314899 In which predicament, I say thou standst, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

Portia, illustration from The Merchant of Venice, c. 1910 (colour litho)
IL314893 Portia, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

The Wedding Feast, illustration from The Merchant of Venice, c
IL314890 The Wedding Feast, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

Sir Thomas Coningsby, c. 1601-02 (oil on canvas)
470214 Sir Thomas Coningsby, c.1601-02 (oil on canvas) by English School, (17th century); 206x121.5 cm; Breamore House, Hampshire

2nd Lord Howard of Effingham (oil on panel)
DON322148 2nd Lord Howard of Effingham (oil on panel) by Mytens, Daniel (1590-c.1648); His Grace The Duke of Norfolk, Arundel Castle; (add.info.: 2nd Lord Howard of Effingham (1536-1624)

Their are some shrewd contents in your same paper
IL314897 Their are some shrewd contents in your same paper, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

George V and Queen Mary laughing at a man in the stock during a visit to Earls Court. Circa 1911

A Portrait of a Family saying Grace Before a Meal, 1602 (oil on canvas)
BAL52802 A Portrait of a Family saying Grace Before a Meal, 1602 (oil on canvas) by Geldorp, Gortzius (1553-1618); Rafael Valls Gallery, London

Picnic in a park (oil on canvas)
XIR417082 Picnic in a park (oil on canvas) by Lamen, Christoffel Jacobsz van der (1606-51); Musee des Beaux-Arts, Nimes, France; (add.info.: Collation dans un parc; ); Flemish, out of copyright

Mary Queen of Scots, after a 19th century print (colour litho)
KW371099 Mary Queen of Scots, after a 19th century print (colour litho) by English School, (19th century); Private Collection; (add.info.: Mary Stuart (1542-87), daughter of James V

Mary Queen of Scots, 1559 (pencil on paper) (b / w photo)
XIR287001 Mary Queen of Scots, 1559 (pencil on paper) (b/w photo) by Clouet, Francois (c.1510-72); Bibliotheque Nationale, Paris, France; (add.info.: Marie Stuart)

Portrait of Thomas Egerton (c. 1540-1617) from Lodges British Portraits
XJF275088 Portrait of Thomas Egerton (c.1540-1617) from Lodges British Portraits, 1823 (engraving) (b/w photo) by English School

Reading a letter to Queen Elizabeth I (engraving) (b / w photo)
XJF283121 Reading a letter to Queen Elizabeth I (engraving) (b/w photo) by English School; Private Collection; (add.info.: Queen Elizabeth I (1533-1603); Roger Ascham (1515-68); ); English

Buckingham before the Council (engraving) (b / w photo)
XJF271611 Buckingham before the Council (engraving) (b/w photo) by English School; Private Collection; (add.info.: George Villiers (1592-1628) 1st Duke of Buckingham; ); English, out of copyright

Queen Elizabeth and her Suitors (engraving) (b / w photo)
XJF271605 Queen Elizabeth and her Suitors (engraving) (b/w photo) by English School, (19th century); Private Collection; (add.info.: Queen Elizabeth 1 (1533-1603); ); English, out of copyright

Queen Elizabeth at Tilbury (engraving) (b / w photo)
XJF271604 Queen Elizabeth at Tilbury (engraving) (b/w photo) by Ridley, Matthew White (1837-88); Private Collection; (add.info.: Queen Elizabeth 1 (1533-1603); ); English, out of copyright

Queen Elizabeth entering London (engraving) (b / w photo)
XJF271603 Queen Elizabeth entering London (engraving) (b/w photo) by English School, (19th century); Private Collection; (add.info.: Queen Elizabeth 1 (1533-1603); ); English, out of copyright

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"Step back in time with the elegance of Elizabethan dress" Immerse yourself in the grandeur and opulence of the Elizabethan era as we explore the captivating world of Elizabethan dress. From lavish gowns to intricate details, these garments were a true reflection of status and style during this iconic period. Intriguingly, even sports like tennis had their own unique fashion statement. The engraving of "Elizabethan Tennis" showcases players adorned in elaborate attire, proving that fashion was not limited to formal occasions alone. The Portrait of Mary Herbert, Countess of Pembroke, from Lodge's work captures her regal grace through her exquisite gown, and is a testament to how clothing played an essential role in defining one's social standing during this time. Mary Stuart's oil painting portrays her majestic presence through her intricately embroidered dress. Every stitch tells a story and reflects the artistry involved in creating such masterpieces. Even amateur productions embraced the allure of Elizabethan fashion. A scene from "The Taming of the Shrew" transports us to a world where ruffled collars and voluminous skirts take center stage. Shakespeare's plays often featured characters dressed in stunning attire. Lorenzo and Jessica from "The Merchant of Venice" epitomize romance amidst their beautifully crafted costumes. But it wasn't just about beauty; clothing also conveyed power and authority. Illustrations like "But thou, thou meagre lead, " "You saw the mistress, I beheld the maid, " and "With Bated Breath and Whispering Humbleness" depict characters asserting themselves through their commanding outfits. Portia's illustration showcases her intelligence alongside her striking ensemble—a reminder that intellect could be as captivating as any garment worn during this period. Lastly, let us not forget celebrations. The Wedding Feast illustration brings forth images of merriment while showcasing extravagant wedding attire fit for royalty—another example highlighting how clothes were an integral part of Elizabethan culture.