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Eishōsai Chōki Collection

Eishōsai Chōki, a renowned artist of the mid-1790s, captured the essence of Japanese culture and society through his exquisite artworks

Background imageEishōsai Chōki Collection: Catching Fireflies, Mid-1790s. Creator: Eishosai Choki

Catching Fireflies, Mid-1790s. Creator: Eishosai Choki
Catching Fireflies, Mid-1790s

Background imageEishōsai Chōki Collection: The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki

The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki
The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Detail from a larger artwork

Background imageEishōsai Chōki Collection: The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki

The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki
The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Detail from a larger artwork

Background imageEishōsai Chōki Collection: The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki

The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki
The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Detail from a larger artwork

Background imageEishōsai Chōki Collection: Good and Evil Influences (Zendama akudama), c. 1795. Creator: Eishosai Choki

Good and Evil Influences (Zendama akudama), c. 1795. Creator: Eishosai Choki
Good and Evil Influences (Zendama akudama), c. 1795. Detail from a larger artwork

Background imageEishōsai Chōki Collection: Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Creator: Eishosai Choki
Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Courtesans lighting pipes, putting on make up. Detail from a larger artwork

Background imageEishōsai Chōki Collection: Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Creator: Eishosai Choki
Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Courtesans making tea. Detail from a larger artwork

Background imageEishōsai Chōki Collection: Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Creator: Eishosai Choki
Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Courtesans sleeping. Detail from a larger artwork

Background imageEishōsai Chōki Collection: Moto, a Waitress of the Yoshidaya, and the Geisha Mizue, c. 1794. Creator: Eishosai Choki

Moto, a Waitress of the Yoshidaya, and the Geisha Mizue, c. 1794. Creator: Eishosai Choki
Moto, a Waitress of the Yoshidaya, and the Geisha Mizue, c. 1794

Background imageEishōsai Chōki Collection: Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), c. 1795. Courtesans lighting pipes, putting on make up and making tea while others still sleep

Background imageEishōsai Chōki Collection: The Courtesan Hinazuru of the Chojiya and Her Attendants, early 1790s

The Courtesan Hinazuru of the Chojiya and Her Attendants, early 1790s

Background imageEishōsai Chōki Collection: Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka, c. 1796 / 97

Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka, c. 1796 / 97
Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka, c. 1796/97

Background imageEishōsai Chōki Collection: Moon viewing, c. 1794. Creator: Eishosai Choki

Moon viewing, c. 1794. Creator: Eishosai Choki
Moon viewing, c. 1794

Background imageEishōsai Chōki Collection: The Cock Fight - Ohisa of the Takashimaya and Okita of the Naniwaya, c. 1791

The Cock Fight - Ohisa of the Takashimaya and Okita of the Naniwaya, c. 1791

Background imageEishōsai Chōki Collection: The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki

The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800. Creator: Eishosai Choki
The Front Room of the Naniwaya (Naniwaya misesaki), c. 1800

Background imageEishōsai Chōki Collection: Hanaogi of the Ogiya, from the series 'Beauties of the Pleasure Quarters', c

Hanaogi of the Ogiya, from the series "Beauties of the Pleasure Quarters", c
Hanaogi of the Ogiya, from the series " Beauties of the Pleasure Quarters (Seiro bijin awase)", c. 1793/97

Background imageEishōsai Chōki Collection: Good and Evil Influences (Zendama akudama), c. 1795. Creator: Eishosai Choki

Good and Evil Influences (Zendama akudama), c. 1795. Creator: Eishosai Choki
Good and Evil Influences (Zendama akudama), c. 1795

Background imageEishōsai Chōki Collection: The Entertainer Tamino and the Serving Girl Nui of the Sumiyoshiya, c. 1792

The Entertainer Tamino and the Serving Girl Nui of the Sumiyoshiya, c. 1792

Background imageEishōsai Chōki Collection: Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya, c. 1794

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya, c. 1794

Background imageEishōsai Chōki Collection: The Actor Bando Mitsugoro II in Ceremonial Robes with Kamishimo, 1751-1788

The Actor Bando Mitsugoro II in Ceremonial Robes with Kamishimo, 1751-1788

Background imageEishōsai Chōki Collection: The New Year Niwaka Festival in the Pleasure Quarters, ca. 1796. Creator: Eishosai Choki

The New Year Niwaka Festival in the Pleasure Quarters, ca. 1796. Creator: Eishosai Choki
The New Year Niwaka Festival in the Pleasure Quarters, ca. 1796

Background imageEishōsai Chōki Collection: Woman and Child Catching Fireflies, ca. 1793. Creator: Eishosai Choki

Woman and Child Catching Fireflies, ca. 1793. Creator: Eishosai Choki
Woman and Child Catching Fireflies, ca. 1793

Background imageEishōsai Chōki Collection: Takao Sange no Den, ca. 1798. Creator: Eishosai Choki

Takao Sange no Den, ca. 1798. Creator: Eishosai Choki
Takao Sange no Den, ca. 1798

Background imageEishōsai Chōki Collection: A Party of Geisha in a Suzumi-bune, i. e. 'cooling-off boat

A Party of Geisha in a Suzumi-bune, i. e. "cooling-off boat
A Party of Geisha in a Suzumi-bune, i.e. " cooling-off boat." (Second Scene of a Boating Party), ca. 1796

Background imageEishōsai Chōki Collection: End of the Year. Creator: Eishosai Choki

End of the Year. Creator: Eishosai Choki
End of the Year

Background imageEishōsai Chōki Collection: The Courtesan Kisegawa of Matsubaya, 1796. Creator: Eishosai Choki

The Courtesan Kisegawa of Matsubaya, 1796. Creator: Eishosai Choki
The Courtesan Kisegawa of Matsubaya, 1796

Background imageEishōsai Chōki Collection: Binzasara, A Dance with Clappers…. early 1790s. Creator: Eishosai Choki (Japanese)

Binzasara, A Dance with Clappers…. early 1790s. Creator: Eishosai Choki (Japanese)
Binzasara, A Dance with Clappers (From the series Entertainments at the Height of the Niwaka Festival in the Pleasure Quarters), early 1790s

Background imageEishōsai Chōki Collection: Year Edo period 1615-1868 Japan Polychrome woodblock print

Year Edo period 1615-1868 Japan Polychrome woodblock print
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Eishōsai Chōki, a renowned artist of the mid-1790s, captured the essence of Japanese culture and society through his exquisite artworks. In "Catching Fireflies, " he transports us to a magical summer night, where children chase after these glowing creatures with pure delight. "Moto, a Waitress of the Yoshidaya, and the Geisha Mizue" showcases Eishōsai Chōki's talent in portraying the grace and elegance of geishas. The intricate details in their kimonos and delicate expressions reveal their captivating beauty. In "Rain the Morning After in the Pleasure Quarter, " we witness Chōki's ability to capture atmospheric scenes. The raindrops falling on umbrellas create a serene ambiance that contrasts with the vibrant life of this bustling district. "The Courtesan Hinazuru of the Chojiya and Her Attendants" takes us back to early 1790s Japan. Through this artwork, we glimpse into the opulent world of courtesans surrounded by their devoted attendants. Chōki's art also delves into specific characters like "Osumi, a Tayu of Tsuchiya. " This piece portrays her allure as she captivates audiences with her performance skills while adorned in traditional attire. With "Moon viewing, " Chōki invites us to appreciate nature's beauty alongside two women who are mesmerized by its ethereal glow. Their tranquil expressions reflect an appreciation for simplicity amidst life's complexities. "The Cock Fight - Ohisa of Takashimaya and Okita Naniwaya" captures an intense moment frozen in time. It depicts two fierce competitors engaged in battle while spectators eagerly watch from afar. "The Front Room of Naniwaya" offers insight into daily life within an establishment known for entertainment and pleasure during 1800. Its detailed depiction allows viewers to imagine themselves immersed in this lively atmosphere.