Egeria Collection
Egeria, a name that echoes through time, evoking both mourning and enchantment
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Egeria, a name that echoes through time, evoking both mourning and enchantment. From the wall decorations depicting the captivating story and Numa Pompilius in the 17th to 18th centuries, to Robert MacPherson's mesmerizing portrayal of The Grotto in Rome during the mid-19th century, this nymph has left an indelible mark on art and mythology. Numa Pompilius sought counsel from none other than Egeria herself, as seen in vivid chromolithographs capturing their mystical encounter. The coffered Library ceiling adorned with gilded stucco framework surrounding spandrels transports us into a world where gods and mortals intertwine. But it is not only within these artistic realms that Egeria's presence can be felt. In nature's realm, we find Phalangipus indicus crab scuttling along its path, perhaps reminiscent of the nymph's graceful movements. And then there are engravings showcasing the Wood and Grotto nestled in the Campagna - a sanctuary where ancient secrets whisper through moss-covered stones. Numa himself was drawn to this sacred place; his visits immortalized in intricate engravings that capture his contemplation amidst nature's beauty, and is here that he found solace and guidance from his ethereal companion. Yet beyond mythological tales lies another facet - one intertwined with human endeavors. Spinnakers billow against azure skies while yachts glide across Solent waters - scenes etched onto paper by skilled hands paying homage to her name. And finally, we come face-to-face with J H Foley's engraved depiction herself - a statue brought to life through delicate lines etched onto paper. Her visage speaks volumes about her significance throughout history. Egeria mourns for what has been lost, but her story lives on.