Effigy Collection (page 8)

Tomb of Abbot Guilliam, 1537, in Bristol Cathedral (w / c on paper)
2831346 Tomb of Abbot Guilliam, 1537, in Bristol Cathedral (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Facetious undertakers (colour litho)
2779627 Facetious undertakers (colour litho) by French School, (20th century); Private Collection; (add.info.: Facetious undertakers)

Effigies of Sir Thomas Pope, founder of Trinity College, Oxford, and his wife Margaret in the college chapel (engraving)
3626720 Effigies of Sir Thomas Pope, founder of Trinity College, Oxford, and his wife Margaret in the college chapel (engraving) by English School

The Effigy in Panyer-alley, Paternoster-row (engraving)
2807981 The Effigy in Panyer-alley, Paternoster-row (engraving) by English School, (19th century); Private Collection; (add.info.: The Effigy in Panyer-alley, Paternoster-row)

Guy Fawkes Night in London (chromolitho)
2782704 Guy Fawkes Night in London (chromolitho) by European School, (19th century); Private Collection; (add.info.: Guy Fawkes Night in London)

Monument of the 12th Century in Danbury Church, Essex (coloured engraving)
972875 Monument of the 12th Century in Danbury Church, Essex (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Monument of the 12th Century in Danbury Church)

In Danbury Church, Essex (coloured engraving)
972874 In Danbury Church, Essex (coloured engraving) by English School, (19th century); Private Collection; (add.info.: In Danbury Church, Essex)

The State of Ireland, Demonstration on Mr Parnells Estate, Avondale, Wicklow, Friends ploughing his Land (engraving)
1624134 The State of Ireland, Demonstration on Mr Parnells Estate, Avondale, Wicklow, Friends ploughing his Land (engraving) by O Kelly

Tomb of the Black Prince, Canterbury Cathedral, Kent
Tomb of the Black Prince (Edward of Woodstock, Prince of Wales, 1330-1376), Canterbury Cathedral, Kent. Date: circa 1900s

John Peckham, Archbishop of Canterbury
John (Johannis) Peckham (1230-1292), Archbishop of Canterbury from 1279 to 1292. He was a native of Sussex, educated at Lewes Priory, becoming a Friar Minor about 1250

Barbarian scenes in Seville (colour litho)
2778053 Barbarian scenes in Seville (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Barbarian scenes in Seville)

Giants procession in Valenciennes, France (colour litho)
2779628 Giants procession in Valenciennes, France (colour litho) by French School, (20th century); Private Collection; (add.info.: Giants procession in Valenciennes, France)

Traditional custom on Easter Saturday in Spain (colour litho)
2779283 Traditional custom on Easter Saturday in Spain (colour litho) by French School, (20th century); Private Collection; (add.info.: Traditional custom on Easter Saturday in Spain)

Effigy of William Canynges in St Mary Redcliffe (and the other effigy on reverse
2831518 Effigy of William Canynges in St Mary Redcliffe (and the other effigy on reverse) (pencil & w/c on paper) by Carter, John (1748-1817); Bristol Museum and Art Gallery

Monument to Sir Thomas Mede in St Mary Redcliffe, 1823 (w / c wash over pencil on paper)
2831474 Monument to Sir Thomas Mede in St Mary Redcliffe, 1823 (w/c wash over pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery, UK; eBristol Museums

Effigy on Tomb of Walter Frampton in St Johns Church (pencil & w / c on paper)
2831881 Effigy on Tomb of Walter Frampton in St Johns Church (pencil & w/c on paper) by Homes, Marcus H. (1803-1854); Bristol Museum and Art Gallery, UK; eBristol Museums

Tomb of Abbot Newland, in Bristol Cathedral (pencil & w / c on paper)
2831351 Tomb of Abbot Newland, in Bristol Cathedral (pencil & w/c on paper) by Cashin, Edward (fl.1823-26); Bristol Museum and Art Gallery, UK; eBristol Museums

Brass effigy of John Barstaple and his Wife in the Chapel of Alderman Stephens
2832232 Brass effigy of John Barstaple and his Wife in the Chapel of Alderman Stephens Almshouses, Old Market (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery

Effigy of Henry of Gaunt in St Marks (pencil & w / c on paper)
2832077 Effigy of Henry of Gaunt in St Marks (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Effigy of Robert, Duke of Normandy, in St Philips (pencil & w / c on paper)
2832207 Effigy of Robert, Duke of Normandy, in St Philips (pencil & w/c on paper) by Homes, Marcus H. (1803-1854); Bristol Museum and Art Gallery, UK; eBristol Museums

Effigies of Sir Thomas and Lady Berkeley (pencil & w / c on paper)
2832074 Effigies of Sir Thomas and Lady Berkeley (pencil & w/c on paper) by Homes, Marcus H. (1803-1854); Bristol Museum and Art Gallery, UK; eBristol Museums

The people of Dinant mocking an effigy of Charles the Bold, Duke of Burgundy (colour litho)
3621678 The people of Dinant mocking an effigy of Charles the Bold, Duke of Burgundy (colour litho) by Job, pseudonym for Onfray de Breville

Effigy of Eleanor of Castile, Queen of Edward I, in Westminster Abbey (engraving)
664887 Effigy of Eleanor of Castile, Queen of Edward I, in Westminster Abbey (engraving) by English School, (19th century); Private Collection; (add.info.: Effigy of Eleanor of Castile)

The Smythe Tomb, St. Peters Church, Elford, Staffordshire, England
741544 The Smythe Tomb, St. Peters Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) (see also 779750 & 779760) by Richardson, Edward M

Tomb of Hermentrude (825-69) (stone)
XIR232691 Tomb of Hermentrude (825-69) (stone) by French School, (13th century); Basilique Saint-Denis, France; (add.info.: wife of Charles II Le Chauve (823-77); ); French, out of copyright

Nantes, St. Peter and St. Paul Cathedral, Tomb of Francis II
XIR345888 Nantes, St. Peter and St. Paul Cathedral, Tomb of Francis II, Duke of Brittany and Marguerite of Foix, detail of Fortitude, 1502-07 (plaster cast from marble) (b/w photo) by Colombe

16th century room, Musee de Sculpture comparee, future Musee des Monuments Francais, c
XIR345876 16th century room, Musee de Sculpture comparee, future Musee des Monuments Francais, c.1905 (b/w photo) by Giraudon, studio (1912-53); Paris

A representation of the figures exhibited and paraded through the streets of Philadelphia
AQS331984 A representation of the figures exhibited and paraded through the streets of Philadelphia on Saturday, the 30th of September 1780 (engraving) by American School

Front view of one of the canopic coffins, from the Tomb of Tutankhamun (c
XIR321395 Front view of one of the canopic coffins, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (beaten gold inlaid with coloured glass & cornelian) (see also 227990-92)

Tomb of Henri II (973-1024) and his wife Kunigunde, detail of the Death of the Emperor
XIR245107 Tomb of Henri II (973-1024) and his wife Kunigunde, detail of the Death of the Emperor, 1499-1513 (stone) by Riemenschneider, Tilman (c.1460-1531); Bamberg Cathedral, Bavaria

Effigy of Queen Philippa (engraving)
603641 Effigy of Queen Philippa (engraving) by Blore, Edward (1789-1879); Private Collection; (add.info.: Effigy of Queen Philippa, in Westminster Abbey, London)

Count Gyula Andrassy (colour litho)
613418 Count Gyula Andrassy (colour litho) by English School, (19th century); Private Collection; (add.info.: Count Gyula Andrassy, Hungary in effigy, 6 January 1877)

Effigies of Philippe VI (1293-1350) de Valois and Jean II (1319-64) Le Bon (marble)
XIR208693 Effigies of Philippe VI (1293-1350) de Valois and Jean II (1319-64) Le Bon (marble) by Beauneveu, Andre (c.1335-1403/13); Basilique Saint-Denis, France; French, out of copyright

Tomb of Gustav I in Uppsala Cathedral, from Teckningar efter Naturen Sverige
STC444711 Tomb of Gustav I in Uppsala Cathedral, from Teckningar efter Naturen Sverige Interiuer och Exteriuer, published c.1853-64 (colour litho) by Billmark

Interior of the Tomb of Alexander Severus, 1833 (etching with brown wash)
STC384921 Interior of the Tomb of Alexander Severus, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

John Lowthe, 1427 (brass)
NCO434816 John Lowthe, 1427 (brass) by English School, (15th century); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: John Lowthe, fellow of New College, Oxford; ); English

Richard Malford, 1403 (brass)
NCO434815 Richard Malford, 1403 (brass) by English School, (15th century); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Richard Malford)

Richard Wyard, 1478 (brass)
NCO434806 Richard Wyard, 1478 (brass) by English School, (15th century); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Richard Wyard)

Archbishop Thomas Cranley, 1417 (brass)
NCO434801 Archbishop Thomas Cranley, 1417 (brass) by English School, (15th century); Courtesy of the Warden and Scholars of New College

Monument to Barbara Manfredi, c. 1475 (marble)
ALI414895 Monument to Barbara Manfredi, c.1475 (marble) by Ferrucci, Francesco di Simone da Fiesole (1437-93); Abbey of San Mercuriale, Forli

Tomb of Catherine de Medici (1519-89) and Henri II (1519-59
XIR172687 Tomb of Catherine de Medici (1519-89) and Henri II (1519-59) detail of the effigies of Catherine and Henri, 1562-73 (marble) by Pilon, Germain (1535-90); Basilique Saint-Denis

Tomb of Philip the Handsome (1478-1506) and Joanna the Mad (1479-1555) c. 1519 (marble)
MAE175200 Tomb of Philip the Handsome (1478-1506) and Joanna the Mad (1479-1555) c.1519 (marble) by Ordonez, Bartolome (d.1520); Capilla Real, Granada

Nantes, St. Peter and St. Paul Cathedral, Tomb of Francis II
XIR345886 Nantes, St. Peter and St. Paul Cathedral, Tomb of Francis II, Duke of Brittany and Marguerite of Foix, detail of Marguerite de Foix

Detail of a Sarcophagus (stone)
MAE340504 Detail of a Sarcophagus (stone) by Spanish School; Monastery of Vallbona de les Monges, Catalonia, Spain; (add.info)

John Palmer, 1479 (brass)
NCO434811 John Palmer, 1479 (brass) by English School, (15th century); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: John Palmer, fellow of New College Oxford; ); English

John London, 1508 (brass)
NCO434810 John London, 1508 (brass) by English School, (16th century); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: John London, scribe of Oxford University; ); English

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"Effigy: A Multifaceted Reflection of History and Art" Daylight Raid from my Studio Window, July: Capturing the essence of chaos and destruction, an effigy symbolizes the resilience of humanity amidst adversity. Britain-Stamp-Queen Elizabeth II-Gas Mask: An unconventional tribute to a monarch's reign, this effigy encapsulates the spirit of survival during times of war. Statue of Athena in the Parthenon of ancient Athens: A majestic effigy honoring wisdom and strategic prowess, standing tall as a testament to ancient civilizations' grandeur. The Cross Bearers, WW1 battlefield by Matania: In remembrance of fallen heroes, this poignant effigy immortalizes their sacrifice on the blood-stained battlefields. NATIVE AMERICAN CARVINGS. Southeastern Native American (Calusa) carved wooden cat figures, c1450, excavated at Key Marco, Florida: These intricate feline effigies serve as cultural artifacts that provide glimpses into indigenous traditions and beliefs. Britain-Entertainment-Music-Glastonbury: Amidst a sea of music enthusiasts at Glastonbury Festival stands an awe-inspiring musical effigy that unites thousands through shared passion. Ghostly apparition produced by reflection: A hauntingly beautiful spectacle created by light and shadow; an ethereal effigy captivating imaginations with its spectral allure. Monument of William Herbert, Earl of Pembroke in old St Pauls Cathedral City London 1656: This regal marble effigy commemorates a nobleman's legacy while showcasing exquisite craftsmanship from centuries past. The Veiled Christ 1753 (marble): A masterpiece sculpted in stone reveals profound emotions beneath its delicate veil – an enigmatic yet powerful religious effigy. 1937 Poster Featuring Fred Astaire Poster in Joyeuse divorce: An iconic image capturing Astaire's elegance and charm becomes more than just a promotional tool; it becomes an effigy of his timeless talent.