Edward Theodore Chalmers Werner Collection
Edward Theodore Chalmers Werner, a man of mystery and intrigue, left an indelible mark on the world with his collection of captivating artworks
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Edward Theodore Chalmers Werner, a man of mystery and intrigue, left an indelible mark on the world with his collection of captivating artworks. Among them are "The Kitchen-God, " a masterpiece from 1922 whose creator remains unknown. This enigmatic piece transports us to a realm where culinary deities reign supreme. In another stroke of artistic brilliance, Werner presents us with "The Door-God - Military" and "The Door-God - Civil. " These stunning works from 1922 depict guardians who protect thresholds against malevolent forces. The artist's identity may elude us, but their talent shines through in every brushstroke. Werner's fascination with mythology is evident in his portrayal of "The Eight Immortals Crossing the Sea. " Created by an anonymous artist in 1922, this enchanting artwork brings to life ancient Chinese legends that have captivated generations. Among Werner's diverse subjects is Tou Mu, Goddess of the North Star. Crafted by an unknown hand in 1922, this ethereal depiction showcases her celestial beauty and power over destiny. Chang Tao-Ling emerges as yet another enigma within Werner's collection. In this mysterious work from 1922, we catch a glimpse into the life of one of China's legendary figures—a founder of Taoism—whose story continues to inspire seekers of spiritual enlightenment. Delving deeper into Chinese folklore, we encounter both The Taoist Triad and The Buddhist Triad—two awe-inspiring compositions shrouded in secrecy regarding their creators' identities. These masterpieces transport viewers into realms where divine beings hold sway over mortal affairs. Werner also introduces us to Wen Chang, Kuei Hsing, and Chu I—an intriguing trio brought to life by an unknown artist in 1922. Their presence evokes wisdom and scholarly pursuits while leaving us yearning for more knowledge about their origins. Nu Kua Shih stands as a testament to Werner's fascination with mythological creatures.