Ecclesiastical Collection (page 8)

Salisbury, the Cathedral (colour litho)
3105590 Salisbury, the Cathedral (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Salisbury, the Cathedral)

Wells, the Ruins of the Banqueting Hall (colour litho)
3105452 Wells, the Ruins of the Banqueting Hall (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Wells, the Ruins of the Banqueting Hall)

Lichfield, the West Front (colour litho)
3105440 Lichfield, the West Front (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Lichfield, the West Front)

Durham, Elvet Bridge (colour litho)
3105434 Durham, Elvet Bridge (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Durham, Elvet Bridge)

Durham, Framwell Gate Bridge (colour litho)
3105426 Durham, Framwell Gate Bridge (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Durham, Framwell Gate Bridge)

Soul Strivings from Struggle Into Calm, from Wrens City Churches, engraved by G. Allen, 1883 (mezzotint)
6146531 Soul Strivings from Struggle Into Calm, from Wrens City Churches, engraved by G. Allen, 1883 (mezzotint) by Mackmurdo, Arthur Heygate (1851-1942); 29.53--23.5 cm; Dallas Museum of Art, Texas

Scribe at work with quill and knife at a writing desk, seated on a chair with footrest, 9th century
6338982 Scribe at work with quill and knife at a writing desk, seated on a chair with footrest, 9th century by Villain (19th century); (add.info)

Chapel of the blessed Virgin or of the Assunta, 1529-34 (fresco)
2629920 Chapel of the blessed Virgin or of the Assunta, 1529-34 (fresco) by Ferrari, Gaudenzio (1474/80-1546); Church of San Cristoforo, Vercelli, Italy; (add.info.: Vercelli)

Pope Pius V (coloured engraving)
1720951 Pope Pius V (coloured engraving) by French School, (19th century); (add.info.: Pope Pius V (17 January 1504 - 1 May 1572), born Antonio Ghislieri (from 1518 called Michele Ghislieri, O.P.)

The Crucifixion (stained glass)
499366 The Crucifixion (stained glass) by Baldovinetti, Alessio (1425-99); Santa Croce, Florence, Italy; Photo © Nicolo Orsi Battaglini; Italian, out of copyright

Towers of Laon, 1912 (oil on canvas)
XKH463058 Towers of Laon, 1912 (oil on canvas) by Delaunay, Robert (1885-1941); Hamburger Kunsthalle, Hamburg, Germany; French, out of copyright

Detail of the choir with a panel depicting St. Jerome, 1471 (wood)
4073996 Detail of the choir with a panel depicting St. Jerome, 1471 (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli

Detail of a bench with intarsia panels (wood)
4073990 Detail of a bench with intarsia panels (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli; Italian, out of copyright

Newstead Abbey, Nottinghamshire, from the Upper Lake, 1884 (oil on canvas)
3744696 Newstead Abbey, Nottinghamshire, from the Upper Lake, 1884 (oil on canvas) by Taylor, George William (fl.19th century); 68.5x98 cm; Nottingham City Museums and Galleries (Newstead Abbey)

York, the Shambles (colour litho)
3105607 York, the Shambles (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: York, the Shambles)

London, St. Pauls and Ludgate Hill (colour litho)
3105604 London, St. Pauls and Ludgate Hill (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: London, St. Pauls and Ludgate Hill)

Exeter, Interior of the Nave (colour litho)
3105595 Exeter, Interior of the Nave (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Exeter, Interior of the Nave)

Lincoln, the Steep Hill (colour litho)
3105482 Lincoln, the Steep Hill (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Lincoln, the Steep Hill)

Gloucester from the Paddock (colour litho)
3105476 Gloucester from the Paddock (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Gloucester from the Paddock)

Ely from the Fens (colour litho)
3105475 Ely from the Fens (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Ely from the Fens)

Ely, the Market Place (colour litho)
3105472 Ely, the Market Place (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Ely, the Market Place)

Ripon, the Cathedral (colour litho)
3105467 Ripon, the Cathedral (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Ripon, the Cathedral)

Chester, Eastgate Street (colour litho)
3105462 Chester, Eastgate Street (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Chester, Eastgate Street)

Chester, St. Werburgh Street (colour litho)
3105461 Chester, St. Werburgh Street (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Chester, St. Werburgh Street)

Wells, Cathedral and the Pools (colour litho)
3105458 Wells, Cathedral and the Pools (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Wells, Cathedral and the Pools)

Peterborough, the Market Place (colour litho)
3105443 Peterborough, the Market Place (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Peterborough, the Market Place)

Canterbury, the Baptistery and Chapter House (colour litho)
3105416 Canterbury, the Baptistery and Chapter House (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Canterbury, the Baptistery and Chapter House)

Winchester, St. Cross (colour litho)
3105620 Winchester, St. Cross (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Winchester, St. Cross)

Winchester, the North Aisle (colour litho)
3105614 Winchester, the North Aisle (colour litho) by Collins, William Wiehe (1862-1951); Private Collection; (add.info.: Winchester, the North Aisle)

St Paul s, before 1928 (oil on canvas)
1213293 St Paul s, before 1928 (oil on canvas) by Walton, Allan (1891-1948); 91.9x76.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; Tyne & Wear Archives & Museums

The Churchwardens (oil on canvas)
868511 The Churchwardens (oil on canvas) by Jonas, Lucien Hector (1880-1947); Musee Municipal, Cambrai, France; (add.info.: The Marguilliers)

Wells Cathedral: view from the South-east
BAL25523 Wells Cathedral: view from the South-east by Braddon, Paul (J.L.Crees) (1866-1938); Victoria & Albert Museum, London, UK

Templo Santo Domingo
Mexico; Oaxaca; Oaxaca City; Santo Domingo de Guzman;

MS Hunter 229 f. 9v Angel ordering the sacrifice of Isaac and the Angel arresting the sacrifice of Isaac
5675697 MS Hunter 229 f.9v Angel ordering the sacrifice of Isaac and the Angel arresting the sacrifice of Isaac, from the Hunterian Psalter, c.1170 (pen & ink)

MS Hunter 229 f. 1v February, from the Hunterian Psalter, c. 1170 (pen & ink, and tempera on vellum)
5675687 MS Hunter 229 f.1v February, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum) by English School, (12th century); 29.2x19.1 cm; Glasgow University Library

MS Hunter 229 ff. 15v-16r Pentecost and Christ in Glory, from the Hunterian Psalter, c
5675686 MS Hunter 229 ff.15v-16r Pentecost and Christ in Glory, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum) by English School

MS Hunter 229 ff. 11v-12r Christs Temptation, His Raising of Lazarus, Christs Breaking of Bread at Emmaus
5675684 MS Hunter 229 ff.11v-12r Christs Temptation, His Raising of Lazarus, Christs Breaking of Bread at Emmaus, His Appearance to the Disciples, from the Hunterian Psalter, c.1170 (pen & ink)

MS Hunter 229 f. 4v August, from the Hunterian Psalter, c. 1170 (pen & ink, and tempera on vellum)
5675692 MS Hunter 229 f.4v August, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum) by English School, (12th century); 29.2x19.1 cm; Glasgow University Library

Ms Hunter 229 f. 17v an Angel holding a vacant scroll and presenting a palm to the Blessed Virgin, below
GUL175498 Ms Hunter 229 f.17v an Angel holding a vacant scroll and presenting a palm to the Blessed Virgin, below, the Virgin showing the palm to S

MS Hunter 229 f. 5r September, from the Hunterian Psalter, c. 1170 (pen & ink, and tempera on vellum)
5675693 MS Hunter 229 f.5r September, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum) by English School, (12th century); 29.2x19.1 cm; Glasgow University Library

MS Hunter 229 f. 2v April, from the Hunterian Psalter, c. 1170 (pen & ink, and tempera on vellum)
5675690 MS Hunter 229 f.2v April, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum) by English School, (12th century); 29.2x19.1 cm; Glasgow University Library

MS Hunter 229 f. 3r May, from the Hunterian Psalter, c. 1170 (pen & ink, and tempera on vellum)
5675691 MS Hunter 229 f.3r May, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum) by English School, (12th century); 29.2x19.1 cm; Glasgow University Library

Man kneeling in prayer, seen from the back (metalpoint with gouache on paper)
CTS413051 Man kneeling in prayer, seen from the back (metalpoint with gouache on paper) by Italian School, (15th century); 23.5x18.2 cm; The Devonshire Collections

MS Hunter 229 f. 1r January, from the Hunterian Psalter, c. 1170 (pen & ink, and tempera on vellum)
5675688 MS Hunter 229 f.1r January, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum) by English School, (12th century); 29.2x19.1 cm; Glasgow University Library

Ms Hunter 229 f. 13v The Incredulity of St. Thomas and Christ Walking on Water, from the Hunterian Psalter, c
GUL175494 Ms Hunter 229 f.13v The Incredulity of St. Thomas and Christ Walking on Water, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) by English School

Choir Stalls (wood)
XIR439918 Choir Stalls (wood) by Italian School, (15th century); San Francesco, Upper Church, Assisi, Italy; (add.info.: cabbage stalls, wood; )

Ms Hunter 229 f. 6r Feeding acorns to the pigs, from the Hunterian Psalter, c. 1170 (pen & ink and tempera on vellum)
GUL51382 Ms Hunter 229 f.6r Feeding acorns to the pigs, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) by English School

MS Hunter 229 f. 22r from the Hunterian Psalter, c. 1170 (pen & ink, and tempera on vellum)
5675698 MS Hunter 229 f.22r from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum) by English School, (12th century); 29.2x19.1 cm; Glasgow University Library

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"Ecclesiastical Marvels: A Glimpse into Sacred Spaces" The serene Statue of St Peter stands tall, radiating a sense of divinity in front of the magnificent Basilica di San Giovanni in Laterano. Transport yourself to 1905 Cornwall with a captivating view of St Pirans Oratory, adorned with intricate railings that add an ethereal touch to this ancient site. Step back in time to around 1870 and witness the grandeur of St Mary's Church in Truro, Cornwall - a testament to architectural brilliance and religious devotion. Immerse yourself in the early 1900s as you explore St Michaels Church nestled amidst the picturesque village of Porthilly, exuding timeless charm and spiritual tranquility. Journey inside Brompton Oratory and be captivated by its awe-inspiring interior, where every corner whispers tales of faith and reverence. Discover the Holy Monastery of Kykkos perched amidst Cyprus' Troodos Mountains - a sanctuary that has witnessed centuries-old prayers echoing through its hallowed halls. Delve into history with Manning's remarkable photograph from 1890, offering a glimpse into an era when spirituality was deeply intertwined with daily life. Reflect on Vatican Council's momentous gathering in 1870 as it shaped Catholicism's course for generations to come - an event etched forever within ecclesiastical history. Marvel at Quethiock parish church's slate altar tomb dedicated to Hugh Vashmond (1931), reminding us that even after departing this world, our legacies endure through sacred memorials. Travel back to September 13th, 1920, when T. F. G Dexter stood before St Pirans Oratory - his presence adding another layer of significance to this cherished place steeped in tradition.