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Early 17th Century Collection (page 5)

Step back in time to the early 17th century, where art and history intertwine

Background imageEarly 17th Century Collection: Ballet costume of fury, 1621-73 (gouache)

Ballet costume of fury, 1621-73 (gouache)
903924 Ballet costume of fury, 1621-73 (gouache) by Gissey, Henri de (1621-1673); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageEarly 17th Century Collection: Map of the northern Mexican archipelago and the West Indies, 1688 (engraving)

Map of the northern Mexican archipelago and the West Indies, 1688 (engraving)
VNK284160 Map of the northern Mexican archipelago and the West Indies, 1688 (engraving) by Coronelli, Vincenzo Maria (1650-1718); Vorontsov Palace, Crimea

Background imageEarly 17th Century Collection: A Girl at the Window (oil on board)

A Girl at the Window (oil on board)
NGW238892 A Girl at the Window (oil on board) by Schalcken, Godfried (1643-1706); 32.2x26.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEarly 17th Century Collection: The aldermen of Paris leave the Hotel de Ville for Notre Dame to give thanks after the victory of

The aldermen of Paris leave the Hotel de Ville for Notre Dame to give thanks after the victory of Seneffe in 1674
905704 The aldermen of Paris leave the Hotel de Ville for Notre Dame to give thanks after the victory of Seneffe in 1674, c.1681 (oil on canvas) by Coypel

Background imageEarly 17th Century Collection: Flowers in a Glass Vase, c.1670 (oil on canvas mounted on oak))

Flowers in a Glass Vase, c.1670 (oil on canvas mounted on oak))
BAL99456 Flowers in a Glass Vase, c.1670 (oil on canvas mounted on oak)) by Walscapelle, Jacob van (1644-1727); 59.8x47.5 cm; National Gallery, London, UK; (add.info.: by Jacob van Walscapelle)

Background imageEarly 17th Century Collection: Cinera Cum Flore, 1613 (colour engraving)

Cinera Cum Flore, 1613 (colour engraving)
986365 Cinera Cum Flore, 1613 (colour engraving) by Ziesenis, Johann Georg (1716-76); 55.5x42.3 cm; Private Collection; (add.info.: Cinera Cum Flore)

Background imageEarly 17th Century Collection: Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. Creator: Unknown

Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. Creator: Unknown
Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. Father Jerome Xavier (1549-1617) of the Society of Jesus, also known as the Jesuit order of Catholic priests

Background imageEarly 17th Century Collection: Portrait of Gabriel Hanotaux (1853-1944), French historian, academician and politician

Portrait of Gabriel Hanotaux (1853-1944), French historian, academician and politician. Photography late 19th century
JEB4835629 Portrait of Gabriel Hanotaux (1853-1944), French historian, academician and politician. Photography late 19th century

Background imageEarly 17th Century Collection: Dyrham Park, the west front, from Country Houses of the Cotswolds (b/w photo)

Dyrham Park, the west front, from Country Houses of the Cotswolds (b/w photo)
CLF320691 Dyrham Park, the west front, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Background imageEarly 17th Century Collection: Chastleton House, from Country Houses of the Cotswolds (b/w photo)

Chastleton House, from Country Houses of the Cotswolds (b/w photo)
CLF320681 Chastleton House, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: built by Walter Jones, a rich wool merchange from Witney)

Background imageEarly 17th Century Collection: Doughton Manor, from Country Houses of the Cotswolds (b/w photo)

Doughton Manor, from Country Houses of the Cotswolds (b/w photo)
CLF320620 Doughton Manor, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: built by Richard Talboys, completed 1641;); © Country Life

Background imageEarly 17th Century Collection: Dixton Manor, from Country Houses of the Cotswolds (b/w photo)

Dixton Manor, from Country Houses of the Cotswolds (b/w photo)
CLF320617 Dixton Manor, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: mainly built in 17th century)

Background imageEarly 17th Century Collection: Uffington House, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

Uffington House, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311882 Uffington House, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageEarly 17th Century Collection: Tomb of Sir George Villiers and his wife Mary, Countess of Buckingham, in St

Tomb of Sir George Villiers and his wife Mary, Countess of Buckingham, in St
CLF294223 Tomb of Sir George Villiers and his wife Mary, Countess of Buckingham, in St. Nicholas Chapel, Westminster Abbey (b/w photo) (see also 294206) by Evans

Background imageEarly 17th Century Collection: Mells Manor, 1917, from The English Manor House (b/w photo)

Mells Manor, 1917, from The English Manor House (b/w photo)
CLF294554 Mells Manor, 1917, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info.: Mells Manor was purchased in 1543 by Thomas Horner)

Background imageEarly 17th Century Collection: Cranborne Manor, from The English Manor House (b/w photo)

Cranborne Manor, from The English Manor House (b/w photo)
CLF294527 Cranborne Manor, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info.: originally one of King John's hunting lodges)

Background imageEarly 17th Century Collection: Bibury Court, from Country Houses of the Cotswolds (b/w photo)

Bibury Court, from Country Houses of the Cotswolds (b/w photo)
CLF320690 Bibury Court, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: the north wing dates from the 16th century)

Background imageEarly 17th Century Collection: Alderley Grange, from Country Houses of the Cotswolds (b/w photo)

Alderley Grange, from Country Houses of the Cotswolds (b/w photo)
CLF320636 Alderley Grange, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Background imageEarly 17th Century Collection: The west wing, Owlpen Manor, from Country Houses of the Cotswolds (b/w photo)

The west wing, Owlpen Manor, from Country Houses of the Cotswolds (b/w photo)
CLF320623 The west wing, Owlpen Manor, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Background imageEarly 17th Century Collection: Harlaxton Manor, view of the front entrance through the forecourt screen

Harlaxton Manor, view of the front entrance through the forecourt screen, from 100 Favourite Houses (b/w photo)
CLF310446 Harlaxton Manor, view of the front entrance through the forecourt screen, from 100 Favourite Houses (b/w photo) by English Photographer

Background imageEarly 17th Century Collection: Poulton Manor, from Country Houses of the Cotswolds (b/w photo)

Poulton Manor, from Country Houses of the Cotswolds (b/w photo)
CLF320724 Poulton Manor, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: built late 17th century;); © Country Life

Background imageEarly 17th Century Collection: The south front, Owlpen Manor, from Country Houses of the Cotswolds (b/w photo)

The south front, Owlpen Manor, from Country Houses of the Cotswolds (b/w photo)
CLF320668 The south front, Owlpen Manor, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Background imageEarly 17th Century Collection: South loggia on the Troco Terrace, Bramshill, from The English Country House (b/w photo)

South loggia on the Troco Terrace, Bramshill, from The English Country House (b/w photo)
CLF306248 South loggia on the Troco Terrace, Bramshill, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built by Edward Zouche)

Background imageEarly 17th Century Collection: Easton Lodge, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

Easton Lodge, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311719 Easton Lodge, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageEarly 17th Century Collection: Owlpen Manor, view of the Jacobean west wing from the loggia below the gazebo

Owlpen Manor, view of the Jacobean west wing from the loggia below the gazebo
CLF320622 Owlpen Manor, view of the Jacobean west wing from the loggia below the gazebo, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Background imageEarly 17th Century Collection: The sitting room at the Manor House, Sutton Courtenay in 1931

The sitting room at the Manor House, Sutton Courtenay in 1931, from The English Manor House (b/w photo)
CLF294558 The sitting room at the Manor House, Sutton Courtenay in 1931, from The English Manor House (b/w photo) by English Photographer

Background imageEarly 17th Century Collection: The north front, Cranborne Manor, from The English Manor House (b/w photo)

The north front, Cranborne Manor, from The English Manor House (b/w photo)
CLF294526 The north front, Cranborne Manor, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info.: originally one of King John's hunting lodges)

Background imageEarly 17th Century Collection: Daneway House, from The English Manor House (b/w photo)

Daneway House, from The English Manor House (b/w photo)
CLF294515 Daneway House, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info.: the oldest part of the house dates from the 13th century; the tall gabled wing)

Background imageEarly 17th Century Collection: Kelmscott Manor, the approach from the east, from Country Houses of the Cotswolds (b/w photo)

Kelmscott Manor, the approach from the east, from Country Houses of the Cotswolds (b/w photo)
CLF320711 Kelmscott Manor, the approach from the east, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Background imageEarly 17th Century Collection: The grand staircase at Rolls Park, Essex, from England's Lost Houses by Giles Worsley (1961-2006)

The grand staircase at Rolls Park, Essex, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311867 The grand staircase at Rolls Park, Essex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageEarly 17th Century Collection: The west front of Easton Neston, from 100 Favourite Houses (b/w photo)

The west front of Easton Neston, from 100 Favourite Houses (b/w photo)
CLF310438 The west front of Easton Neston, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info)

Background imageEarly 17th Century Collection: Asthall Manor, from Country Houses of the Cotswolds (b/w photo)

Asthall Manor, from Country Houses of the Cotswolds (b/w photo)
CLF320618 Asthall Manor, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Background imageEarly 17th Century Collection: Monument to George Villiers, 1st Duke of Buckingham, Westminster Abbey, London (b/w photo)

Monument to George Villiers, 1st Duke of Buckingham, Westminster Abbey, London (b/w photo)
CLF294194 Monument to George Villiers, 1st Duke of Buckingham, Westminster Abbey, London (b/w photo) by Evans, Frederick Henry (1853-1943); (add.info)

Background imageEarly 17th Century Collection: Paintings for the Library of the Merced Calzada in Seville: friar Hernando De Santiago

Paintings for the Library of the Merced Calzada in Seville: friar Hernando De Santiago, 1633 (oil on canvas)
7413374 Paintings for the Library of the Merced Calzada in Seville: friar Hernando De Santiago, 1633 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 199x122

Background imageEarly 17th Century Collection: La Serrana or, Madonna and Child with the infant St. John (oil on canvas)

La Serrana or, Madonna and Child with the infant St. John (oil on canvas)
GLS314065 La Serrana or, Madonna and Child with the infant St. John (oil on canvas) by Murillo, Bartolome Esteban (1618-82); Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageEarly 17th Century Collection: The Drawbridge, 1660-72 (oil on panel)

The Drawbridge, 1660-72 (oil on panel)
7414903 The Drawbridge, 1660-72 (oil on panel) by Velde, Adriaen van de (1636-72) & Heyden, Jan van der (1637-1712) ; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Cityscape by Van der Heyden)

Background imageEarly 17th Century Collection: Country Kermis (oil on panel)

Country Kermis (oil on panel)
7414901 Country Kermis (oil on panel) by Dusart, Cornelis (1660-1704); 36.5--32.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Cornelis Dusart)

Background imageEarly 17th Century Collection: De Waag (Weighing House) and Crane on the Spaarne, Haarlem, 1660-98 (oil on panel)

De Waag (Weighing House) and Crane on the Spaarne, Haarlem, 1660-98 (oil on panel)
7414900 De Waag (Weighing House) and Crane on the Spaarne, Haarlem, 1660-98 (oil on panel) by Berckheyde, Gerrit Adriaensz (1638-98); 35--45.5 cm; Rijksmuseum, Amsterdam

Background imageEarly 17th Century Collection: James Gregory (1638-75), Scottish mathematician and astronomer

James Gregory (1638-75), Scottish mathematician and astronomer, from Crabb's Historical Dictionary, pub
4071120 James Gregory (1638-75), Scottish mathematician and astronomer, from Crabb's Historical Dictionary, pub. 1825 (print) by Unknown Artist

Background imageEarly 17th Century Collection: Saint Jerome, 1626-27 (oil on canvas)

Saint Jerome, 1626-27 (oil on canvas)
7413368 Saint Jerome, 1626-27 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 198x125 cm; Museo de Bellas Artes, Seville

Background imageEarly 17th Century Collection: Portrait of Portrait of Philip IV on horseback, c. 1635 (oil on canvas)

Portrait of Portrait of Philip IV on horseback, c. 1635 (oil on canvas)
7413339 Portrait of Portrait of Philip IV on horseback, c.1635 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660)

Background imageEarly 17th Century Collection: Portrait of the painter Edouard Manet (1832 - 1883)

Portrait of the painter Edouard Manet (1832 - 1883)
GIE4830960 Portrait of the painter Edouard Manet (1832 - 1883). by Nadar, Paul (1856-1939); (add.info.: Portrait of the painter Edouard Manet (1832 - 1883).); Photo © Effigie

Background imageEarly 17th Century Collection: Frontispiece to Dialogo sopra i due massimi sistemi del mondo by Galileo

Frontispiece to Dialogo sopra i due massimi sistemi del mondo by Galileo, published in 1632 (engraving)
533634 Frontispiece to Dialogo sopra i due massimi sistemi del mondo by Galileo, published in 1632 (engraving by Bella, Stefano della (1610-64); (add.info.: Dialogo dei Massimi Sistemi)

Background imageEarly 17th Century Collection: Wall tiles patterned with pomegranates and grapes, Dutch early 17th century (ceramic)

Wall tiles patterned with pomegranates and grapes, Dutch early 17th century (ceramic)
BAL3623 Wall tiles patterned with pomegranates and grapes, Dutch early 17th century (ceramic) by Dutch School, (17th century); Victoria & Albert Museum, London, UK

Background imageEarly 17th Century Collection: Portrait of Mother Jeronima de la Fuente, 1620 (oil on canvas)

Portrait of Mother Jeronima de la Fuente, 1620 (oil on canvas)
7413321 Portrait of Mother Jeronima de la Fuente, 1620 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); 107x86 cm; Prado, Madrid

Background imageEarly 17th Century Collection: 7419544

7419544

Background imageEarly 17th Century Collection: Sick woman in a bed, maybe Saskia, wife of the painter, 1640 (pen, brush & gouache)

Sick woman in a bed, maybe Saskia, wife of the painter, 1640 (pen, brush & gouache)
7414366 Sick woman in a bed, maybe Saskia, wife of the painter, 1640 (pen, brush & gouache) by Rembrandt Harmensz. van Rijn (1606-69); 16.5x14.5 cm; Musee de la Ville de Paris, Musee du Petit-Palais

Background imageEarly 17th Century Collection: View of a Town (oil on panel)

View of a Town (oil on panel)
7414902 View of a Town (oil on panel) by Vrel or Frel, Jacobus (fl.1654-62); 36--27.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Jacob Vrel)



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Step back in time to the early 17th century, where art and history intertwine. Marvel at masterpieces like "The Continence of Scipio, " a captivating oil on canvas painting from around 1706 that tells the tale of ancient Rome's noble general. Immerse yourself in the chaos of war with "Royalist cavalry, Battle of Naseby, " a vivid color lithograph depicting a pivotal moment during the English Civil War in 1645. Gaze upon the regal visage of Charles I captured in chromolitho form, showcasing his power and influence during this tumultuous period. Experience the joyous celebration depicted in "The Wedding Dance, " an enchanting oil painting on panel that transports you to a lively scene filled with music and merriment. Delve into religious themes with "The Temptation of Saint Anthony, " an evocative oil on canvas artwork that explores temptation and spirituality. Witness the grandeur and opulence displayed in "The Queens of Persia at the feet of Alexander" (also known as The Tent of Darius), an exquisite oil painting from around 1660 that showcases both beauty and submission. Discover miracles through art with "Saint Luke healing the hydropic child, " a touching painting from the 17th century that portrays faith's ability to overcome illness. Contemplate redemption with powerful depictions such as "Penitent Magdalen" or "Saint Mary Magdalene penitent, " both striking oil paintings capturing moments of repentance and spiritual transformation. Explore academia through engravings like those found at the University of Leiden in Netherlands, established back in 1614—a testament to knowledge-seeking during this era. Finally, witness Michelangelo Caravaggio's mastery firsthand through his profound work titled "The Laying in the Tomb. " This hauntingly beautiful depiction captures Christ's descent into death with unparalleled realism.