Dyce Collection

Club members at 58 Lincolns Inn Fields, Monday the 2nd of December 1844 (engraving)
583215 Club members at 58 Lincolns Inn Fields, Monday the 2nd of December 1844 (engraving) by Maclise, Daniel (Croquis, Alfred) (1806-70); Private Collection; (add.info)

The Woman of Samaria, 1860. Creator: William Dyce
The Woman of Samaria, 1860

Mrs John Clerk Maxwell (nee Frances Cay) and her Son James, 1833. Creator: William Dyce
Mrs John Clerk Maxwell (nee Frances Cay) and her Son James, 1833

Culver Cliff, Isle of Wight, 1847. Creator: William Dyce
Culver Cliff, Isle of Wight, 1847

William Dyce, 1860s. Creator: John & Charles Watkins
William Dyce, 1860s

Aberdeen AB21 7 Map
Postcode Sector Map of Aberdeen AB21 7

Francesca da Rimini, 1837. Creator: Dyce, William (1806-1864)
Francesca da Rimini, 1837. Found in the Collection of National Gallery of Scotland, Edinburgh

George Herbert at Bemerton, Salisbury, 1860, (c1902). Creator: Unknown
George Herbert at Bemerton, Salisbury, 1860, (c1902). After a painting in the Guildhall Art Gallery, London. George Herbert (1593-1633), religious poet, orator and priest

Henry VI at Towton, 1860. Artist
Henry VI at Towton, 1860. The Battle of Towton (1461) took place near Towton in Yorkshire and was one of the bloodiest ever battles fought in Britain. It part of the Wars of the Roses

The Baptism of Ethelbert King of Kent, 597 (1878). Artist: Robert Anderson
The Baptism of Ethelbert King of Kent, 597 (1878). After William Dyce (1806?1864). From Pictures and Royal Portraits Illustrative of English and Scottish History, by Thomas Archer

The Baptism of Ethelbert King of Kent, by St Augustine, Canterbury in 597, (19th century). Artist: R Anderson
The Baptism of Ethelbert King of Kent, by St Augustine, Canterbury in 597, (19th century). Ethelbert King of Kent is converted to Christianity

The Knights of the Round Table about to Depart in Quest of the Holy Grail, 1849. Artist: Dyce, William (1806-1864)
The Knights of the Round Table about to Depart in Quest of the Holy Grail, 1849. Found in the collection of the National Gallery of Scotland, Edinburgh

View at Malta, ca. 1849. Artist: Dyce, Charles Andrew (1816-1853)
View at Malta, ca. 1849. Found in the collection of the Yale University

Alexander Dyce - 2
ALEXANDER DYCE Scottish editor with his autograph Date: 1798 - 1869

Culver Cliff Isle Wight 1847 Watercolor colored chalks
Artokoloro

de Havilland DH89 Dragon Rapide G-ADAH of Allied Airways
de Havilland DH89 Dragon Rapide, G-ADAH, of Allied Airways at Dyce post-war

Alexander Dyce / Cdv
Alexander Dyce Scholar

William Dyce
WILLIAM DYCE Scottish painter. Director of the Government School of Design. Professor of Fine Arts

Mary with Jesus (Dyce)
Mary reads a prayer book while Jesus watches

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"Dyce: A Journey Through Art, History, and Beauty" Step into the world of Dyce, a renowned artist whose works have left an indelible mark on history. From the prestigious club members at 58 Lincolns Inn Fields to the esteemed Royal Academicians, Dyce's influence extended far and wide. In his masterpiece "The Woman of Samaria, " created in 1860, Dyce captures a poignant moment with incredible detail and emotion. The painting transports us back in time to witness this powerful encounter firsthand. Another captivating piece by Dyce is "Mrs John Clerk Maxwell and her Son James" from 1833. This portrait showcases his ability to capture not only physical likeness but also the deep bond between mother and child. Dyce's love for nature shines through in "Culver Cliff, Isle of Wight" painted in 1847. With meticulous brushstrokes, he brings to life the rugged beauty of this coastal landscape. A glimpse into William Dyce's personal life can be seen in a photograph taken during the 1860s by John & Charles Watkins. It offers an intimate portrayal of the artist himself - a man dedicated to his craft. Beyond his own creations, Dyce was also known for his collaborations. In "Francesca da Rimini" from 1837, he worked alongside other talented artists to bring Dante Alighieri's tragic tale to life on canvas. Not limited to paintings alone, Dyce ventured into illustrations as well. One such example is "George Herbert at Bemerton, " depicting a scene from Salisbury around 1860. This artwork beautifully combines literature and visual artistry. Dyce's historical pieces are equally remarkable; one notable work being "Henry VI at Towton. " Painted with precision and skill in 1860 by an unknown artist inspired by Dyce’s vision; it depicts a crucial moment during the Wars of the Roses.