Duke Of Queensberry Collection

Spys Taken at Greenwich, 1798. Mother Windsor with four of her courtesans orders her girls to arrest Shute Barrington, the Bishop of Durham and the Duke of Queensberry

The Duke of Queensberry and Dover Presenting the Act of Union to Queen Anne (engraving)
3630962 The Duke of Queensberry and Dover Presenting the Act of Union to Queen Anne (engraving) by Wale, Samuel (1721-86) (after); Private Collection; (add.info)

Old Fashioned Sporting Pictures (colour litho)
729113 Old Fashioned Sporting Pictures (colour litho) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: Old Fashioned Sporting Pictures, and the Road in Byegone Days)

The Irish Parliament on College Green (engraving)
1061875 The Irish Parliament on College Green (engraving) by English School, (19th century); Private Collection; (add.info.: The Irish Parliament on College Green)

Queen Anne receiving the Act of Union from the Duke of Queensbury and Dover (engraving)
1107991 Queen Anne receiving the Act of Union from the Duke of Queensbury and Dover (engraving) by English School, (18th century); Private Collection; (add.info)

N. Rowe, (1674-1718), 1830. Creator: Unknown
N. Rowe, (1674-1718), 1830. Nicholas Rowe (1674-1718) English poet and dramatist educated at Highgate school, Westminster and Middle Temple

The Duke of Queensberry and Dover presenting the Act of Union to Queen Anne, 1773. James Douglas, (1662-1711) Scottish nobleman presenting the Acts of Union 1707 to Queen Anne

Premises of the Lyceum Club In An Historic House, c1935. Creator: Donald McLeish
Premises of the Lyceum Club In An Historic House, c1935. Building at number 138 Piccadilly, central London, built c1763 for William Douglas

The Act of Union presented to Queen Anne by the Duke of Queensberry and Dover, c1787. From A New, Universal and Impartial History of England: From the Earliest Authentic Records

Queen Anne receiving the Act of Union from the Duke of Queensberry, 1707 (1793). From Ashburtons History of England, by Charles Alfred Ashburton. [W. & J. Stratford, High Holborn, London, 1793]

Old Q or A Worn Out Debauchee, c1790, (1902) Artist: Thomas Rowlandson
Old Q or A Worn Out Debauchee, c1790. William Douglas, 3rd Earl March, Fourth Duke of Queensbury (1725-1810). From the original water-colour drawing in the possession of Lady Dorothy Nevill. 1902

Young Douglas Steals The Keys of Loch Leven Castle, 1902. Artist: Patten Wilson
Young Douglas Steals The Keys of Loch Leven Castle, 1902. The young Douglas Steals helped Mary Queen Of Scots escape from Lochleven Castle. After a work by Patten Wilson (1869-1934)

Scotland, Edinburgh, along The Royal Mile. St. Giles Cathedral (aka High Kirk), Gothic exterior with 15th-century tower, statue of 7th Duke of Queensberry, Walter Francis Scott

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"The Duke of Queensberry: A Historical Figure in the Making" Step into the intriguing world of the Duke of Queensberry, a prominent figure whose influence spanned across various realms. From his involvement in political affairs to his passion for sports and art, this captivating individual left an indelible mark on history. In 1798, spies captured a momentous event at Greenwich where the Duke was present. This incident sheds light on his role as a key player during times of political unrest. Another engraving showcases him presenting the Act of Union to Queen Anne, emphasizing his pivotal contribution towards uniting nations. Not only did he excel in politics, but also had an eye for aesthetics. The vibrant color litho captures old-fashioned sporting pictures that were close to his heart. These images reflect his love for sports and highlight his appreciation for artistic expression. The Irish Parliament on College Green is another engraving that immortalizes the Duke's involvement in shaping legislative matters. His dedication towards governance and diplomacy shines through as he presents yet again the Act of Union to Queen Anne. Nestled within these historical accounts is N. Rowe's depiction from 1830 - an unknown creator capturing a significant moment between Queen Anne and our enigmatic protagonist. This artwork serves as a testament to their relationship and further solidifies the Duke's importance during this era. Delving deeper into time, we discover premises once occupied by Lyceum Club - an establishment housed within an iconic historic house circa 1935 - showcasing how even after centuries have passed since its inception, remnants of the Duke's legacy still remain. As we journey back to c1787, we witness yet another presentation ceremony where Queen Anne receives the Act of Union from none other than our illustrious Duke himself. This event symbolizes not only unity but also highlights their enduring partnership throughout tumultuous times. But who was this multifaceted man behind these grand events.