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Drypoint Collection (page 8)

Drypoint is a versatile and captivating printmaking technique that has been used by artists throughout history to create stunning works of art

Background imageDrypoint Collection: Portrait of Princess Colonna, 1873. Creator: Marcellin-Gilbert Desboutin

Portrait of Princess Colonna, 1873. Creator: Marcellin-Gilbert Desboutin
Portrait of Princess Colonna, 1873

Background imageDrypoint Collection: Portrait of Edgar Degas, wearing a hat, 1876. Creator: Marcellin-Gilbert Desboutin

Portrait of Edgar Degas, wearing a hat, 1876. Creator: Marcellin-Gilbert Desboutin
Portrait of Edgar Degas, wearing a hat, 1876

Background imageDrypoint Collection: Portrait of Madame Bouquet de la Grye, 1879. Creator: Marcellin-Gilbert Desboutin

Portrait of Madame Bouquet de la Grye, 1879. Creator: Marcellin-Gilbert Desboutin
Portrait of Madame Bouquet de la Grye, 1879

Background imageDrypoint Collection: Femme de metier (etude de jeune fille appuyee sur une chaise), 1889?

Femme de metier (etude de jeune fille appuyee sur une chaise), 1889?. Creator: Marcellin-Gilbert Desboutin
Femme de metier (etude de jeune fille appuyee sur une chaise), 1889?

Background imageDrypoint Collection: George Washington, late 18th century. Creator: Jospeh Wright

George Washington, late 18th century. Creator: Jospeh Wright
George Washington, late 18th century

Background imageDrypoint Collection: A Game at Chess, 1780. Creator: James Bretherton

A Game at Chess, 1780. Creator: James Bretherton
A Game at Chess, 1780

Background imageDrypoint Collection: La Sortie de bebe, 1878. Creator: Marcellin-Gilbert Desboutin

La Sortie de bebe, 1878. Creator: Marcellin-Gilbert Desboutin
La Sortie de bebe, 1878

Background imageDrypoint Collection: Portrait of Comte Lepic, 1876. Creator: Marcellin-Gilbert Desboutin

Portrait of Comte Lepic, 1876. Creator: Marcellin-Gilbert Desboutin
Portrait of Comte Lepic, 1876

Background imageDrypoint Collection: Mlle Chabot, danseuse de l Opera, ou Jeune fille au chien, 1888

Mlle Chabot, danseuse de l Opera, ou Jeune fille au chien, 1888. Creator: Marcellin-Gilbert Desboutin
Mlle Chabot, danseuse de l Opera, ou Jeune fille au chien, 1888

Background imageDrypoint Collection: Venus in the Waves, c. 1931 (colour etching and drypoint)

Venus in the Waves, c. 1931 (colour etching and drypoint)
1195072 Venus in the Waves, c. 1931 (colour etching and drypoint) by Icart, Louis (1888-1950); 50.7x40.2 cm; Private Collection; Photo © Christies Images

Background imageDrypoint Collection: Lady with Two Doves, 1922 (etching and drypoint, heightened with blue, red and green)

Lady with Two Doves, 1922 (etching and drypoint, heightened with blue, red and green)
1195010 Lady with Two Doves, 1922 (etching and drypoint, heightened with blue, red and green) by Icart, Louis (1888-1950); 47x34.5 cm; Private Collection; Photo © Christies Images

Background imageDrypoint Collection: Casanova, (drypoint and aquatint)

Casanova, (drypoint and aquatint)
990998 Casanova, (drypoint and aquatint) by Icart, Louis (1888-1950); 51x33 cm; Private Collection; (add.info.: Casanova. Louis Icart (1888-1950). Drypoint and aquatint. 51 x 33cm

Background imageDrypoint Collection: Spilled Milk, 1925 (colour etching and drypoint)

Spilled Milk, 1925 (colour etching and drypoint)
990944 Spilled Milk, 1925 (colour etching and drypoint) by Icart, Louis (1888-1950); 75x56 cm; Private Collection; (add.info.: Spilled Milk. Louis Icart (c.1888-1950). Colour etching and drypoint

Background imageDrypoint Collection: Tosca, 1928 (colour etching and drypoint)

Tosca, 1928 (colour etching and drypoint)
990943 Tosca, 1928 (colour etching and drypoint) by Icart, Louis (1888-1950); 54x34 cm; Private Collection; (add.info.: Tosca. Louis Icart (c.1888-1950). Colour etching and drypoint. Etched in 1928

Background imageDrypoint Collection: Three Women Relaxing by a Screen, (etching and drypoint)

Three Women Relaxing by a Screen, (etching and drypoint)
990942 Three Women Relaxing by a Screen, (etching and drypoint) by Icart, Louis (1888-1950); 56x46 cm; Private Collection; (add.info.: Three Women Relaxing by a Screen. Louis Icart (c.1888-1950)

Background imageDrypoint Collection: Horsewoman, 1948 (colour etching and drypoint)

Horsewoman, 1948 (colour etching and drypoint)
991035 Horsewoman, 1948 (colour etching and drypoint) by Icart, Louis (1888-1950); 66.5x55 cm; Private Collection; (add.info.: Horsewoman. Louis Icart (1888-1950). Colour etching and drypoint

Background imageDrypoint Collection: Meditation, 1908 (drypoint printed in colours)

Meditation, 1908 (drypoint printed in colours)
828014 Meditation, 1908 (drypoint printed in colours) by Milliere, Maurice (1871-1946); 71x55 cm; Private Collection; (add.info.: Meditation. Maurice Milliere (1871-1946)

Background imageDrypoint Collection: Reclining Nude with Apples, (drypoint and etching)

Reclining Nude with Apples, (drypoint and etching)
990993 Reclining Nude with Apples, (drypoint and etching) by Icart, Louis (1888-1950); 55x74 cm; Private Collection; (add.info.: Reclining Nude with Apples. Louis Icart (1888-1950)

Background imageDrypoint Collection: Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit)

Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit)
1195011 Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit) by Icart, Louis (1888-1950); 47x34.5 cm; Private Collection; Photo © Christies Images

Background imageDrypoint Collection: Arrival, c. 1941 (etching and drypoint)

Arrival, c. 1941 (etching and drypoint)
991016 Arrival, c.1941 (etching and drypoint) by Icart, Louis (1888-1950); 44x31 cm; Private Collection; (add.info.: Arrival. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1941

Background imageDrypoint Collection: Departure, c. 1941 (etching and drypoint)

Departure, c. 1941 (etching and drypoint)
991015 Departure, c.1941 (etching and drypoint) by Icart, Louis (1888-1950); 44.5x31 cm; Private Collection; (add.info.: Departure. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1941

Background imageDrypoint Collection: La Poeme, (drypoint and aquatint)

La Poeme, (drypoint and aquatint)
990997 La Poeme, (drypoint and aquatint) by Icart, Louis (1888-1950); 45.2x54.5 cm; Private Collection; (add.info.: La Poeme. Louis Icart (1888-1950). Drypoint and aquatint. 45.2 x 54.5cm

Background imageDrypoint Collection: The Sofa, c. 1937 (etching and drypoint, mounted and framed)

The Sofa, c. 1937 (etching and drypoint, mounted and framed)
991017 The Sofa, c.1937 (etching and drypoint, mounted and framed) by Icart, Louis (1888-1950); 44.3x66 cm; Private Collection; (add.info.: The Sofa. Louis Icart (1888-1950)

Background imageDrypoint Collection: Behind the Fan, 1922 (etching and drypoint)

Behind the Fan, 1922 (etching and drypoint)
991013 Behind the Fan, 1922 (etching and drypoint) by Icart, Louis (1888-1950); 37.8x49.5 cm; Private Collection; (add.info.: Behind the Fan. Louis Icart (1888-1950). Etching and drypoint

Background imageDrypoint Collection: Wisteria, 1940 (colour etching an drypoint)

Wisteria, 1940 (colour etching an drypoint)
985633 Wisteria, 1940 (colour etching an drypoint) by Icart, Louis (1888-1950); 45.5x55 cm; Private Collection; (add.info.: Wisteria. Louis Icart (1888-1950). Colour etching an drypoint

Background imageDrypoint Collection: Hydrangeas, (etching and drypoint)

Hydrangeas, (etching and drypoint)
991012 Hydrangeas, (etching and drypoint) by Icart, Louis (1888-1950); 42x53.5 cm; Private Collection; (add.info.: Hydrangeas. Louis Icart (1888-1950). Etching and drypoint

Background imageDrypoint Collection: Self Portrait (drypoint)

Self Portrait (drypoint)
5894121 Self Portrait (drypoint) by Boldini, Giovanni (1842-1931); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageDrypoint Collection: Portrait of Countess Orsay (drypoint)

Portrait of Countess Orsay (drypoint)
5894119 Portrait of Countess Orsay (drypoint) by Boldini, Giovanni (1842-1931); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageDrypoint Collection: Bewilderment, 1920 (colour etching and drypoint)

Bewilderment, 1920 (colour etching and drypoint)
991055 Bewilderment, 1920 (colour etching and drypoint) by Icart, Louis (1888-1950); 49.5x39 cm; Private Collection; (add.info.: Bewilderment. Louis Icart (1888-1950). Colour etching and drypoint

Background imageDrypoint Collection: Petit Chiens, 1925 (colour etching and drypoint)

Petit Chiens, 1925 (colour etching and drypoint)
990945 Petit Chiens, 1925 (colour etching and drypoint) by Icart, Louis (1888-1950); 54x42.5 cm; Private Collection; (add.info.: Petit Chiens. Louis Icart (c.1888-1950). Colour etching and drypoint

Background imageDrypoint Collection: Speed II, 1933 (colour etching and drypoint)

Speed II, 1933 (colour etching and drypoint)
991063 Speed II, 1933 (colour etching and drypoint) by Icart, Louis (1888-1950); 38x63 cm; Private Collection; (add.info.: Speed II. Louis Icart (1888-1950). Colour etching and drypoint

Background imageDrypoint Collection: Lady with Camellias, c. 1917 (etching and drypoint)

Lady with Camellias, c. 1917 (etching and drypoint)
991010 Lady with Camellias, c.1917 (etching and drypoint) by Icart, Louis (1888-1950); 42x53 cm; Private Collection; (add.info.: Lady with Camellias. Louis Icart (1888-1950). Etching and drypoint

Background imageDrypoint Collection: Leda and the Swan, c. 1934 (etching and drypoint, printed in colours)

Leda and the Swan, c. 1934 (etching and drypoint, printed in colours)
985609 Leda and the Swan, c.1934 (etching and drypoint, printed in colours) by Icart, Louis (1888-1950); 52x79.2 cm; Private Collection; (add.info.: Leda and the Swan. Louis Icart (1888-1950)

Background imageDrypoint Collection: Attic Room, 1940 (colour etching, drypoint)

Attic Room, 1940 (colour etching, drypoint)
991036 Attic Room, 1940 (colour etching, drypoint) by Icart, Louis (1888-1950); 36.2x42.1 cm; Private Collection; (add.info.: Attic Room. Louis Icart (1888-1950). Colour etching and drypoint

Background imageDrypoint Collection: In the Nest, c. 1922 (etching and drypoint)

In the Nest, c. 1922 (etching and drypoint)
991014 In the Nest, c.1922 (etching and drypoint) by Icart, Louis (1888-1950); 49.5x29.5 cm; Private Collection; (add.info.: In the Nest. Louis Icart (1888-1950). Etching and drypoint

Background imageDrypoint Collection: Puppets, c. 1922 (etching and drypoint)

Puppets, c. 1922 (etching and drypoint)
991011 Puppets, c.1922 (etching and drypoint) by Icart, Louis (1888-1950); 37.6x49 cm; Private Collection; (add.info.: Puppets. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1922

Background imageDrypoint Collection: Melody hour, c. 1934 (etching and drypoint in colours)

Melody hour, c. 1934 (etching and drypoint in colours)
1195102 Melody hour, c.1934 (etching and drypoint in colours) by Icart, Louis (1888-1950); 45.7x57.7 cm; Private Collection; Photo © Christies Images

Background imageDrypoint Collection: Drypoint Number One: Portrait, 1909. Creator: Donald Shaw MacLaughlan

Drypoint Number One: Portrait, 1909. Creator: Donald Shaw MacLaughlan
Drypoint Number One: Portrait, 1909

Background imageDrypoint Collection: Mill Stream, 1899. Creator: Donald Shaw MacLaughlan

Mill Stream, 1899. Creator: Donald Shaw MacLaughlan
Mill Stream, 1899

Background imageDrypoint Collection: A Lion, 1900. Creator: Donald Shaw MacLaughlan

A Lion, 1900. Creator: Donald Shaw MacLaughlan
A Lion, 1900

Background imageDrypoint Collection: Drypoint Number Two: Portrait, 1909. Creator: Donald Shaw MacLaughlan

Drypoint Number Two: Portrait, 1909. Creator: Donald Shaw MacLaughlan
Drypoint Number Two: Portrait, 1909

Background imageDrypoint Collection: Drypoint Number Four: Portrait, 1909. Creator: Donald Shaw MacLaughlan

Drypoint Number Four: Portrait, 1909. Creator: Donald Shaw MacLaughlan
Drypoint Number Four: Portrait, 1909

Background imageDrypoint Collection: Jack, 1902. Creator: Donald Shaw MacLaughlan

Jack, 1902. Creator: Donald Shaw MacLaughlan
Jack, 1902

Background imageDrypoint Collection: Three Girls, 1909. Creator: Donald Shaw MacLaughlan

Three Girls, 1909. Creator: Donald Shaw MacLaughlan
Three Girls, 1909

Background imageDrypoint Collection: Portrait of the Artist, 1902. Creator: Donald Shaw MacLaughlan

Portrait of the Artist, 1902. Creator: Donald Shaw MacLaughlan
Portrait of the Artist, 1902

Background imageDrypoint Collection: Sketch from the Walls of San Gimignano, 1909. Creator: Donald Shaw MacLaughlan

Sketch from the Walls of San Gimignano, 1909. Creator: Donald Shaw MacLaughlan
Sketch from the Walls of San Gimignano, 1909

Background imageDrypoint Collection: Drypoint Number Three: Portrait, 1909. Creator: Donald Shaw MacLaughlan

Drypoint Number Three: Portrait, 1909. Creator: Donald Shaw MacLaughlan
Drypoint Number Three: Portrait, 1909

Background imageDrypoint Collection: Idillio, Venice, 1908. Creator: Donald Shaw MacLaughlan

Idillio, Venice, 1908. Creator: Donald Shaw MacLaughlan
Idillio, Venice, 1908



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Drypoint is a versatile and captivating printmaking technique that has been used by artists throughout history to create stunning works of art. From Edvard Munch's iconic "The Kiss" to ancient maps depicting the travels of the Apostle Paul and the wanderings of the Israelites, it has left its mark on various artistic genres. In Munch's masterpiece, "The Kiss, " we can see how drypoint adds depth and texture to his portrayal of love and passion. The delicate lines etched into the plate bring out every emotion in this intimate moment. Moving away from romantic scenes, it also finds its place in historical engravings like the detailed map of Berlin or ancient Jerusalem. These intricate prints showcase not only geographical accuracy but also highlight the meticulousness required for creating such fine details using this technique. During times of war, artists like James McBey utilized drypoint to capture intense moments like "A Sixty-Five Pounder Opening Fire. " The sharp lines etched onto metal plates perfectly depict the chaos and destruction experienced during World War I. Religious themes are not exempt from being portrayed through drypoint either. In depictions such as "The Last Supper" or Rembrandt van Rijn's "Christ Preaching (La Petite Tombe), " this technique adds an ethereal quality that enhances their spiritual significance. Not limited to traditional subjects, it also captures everyday life with incredible precision. Mary Cassatt's tender piece, "Maternal Caress, " showcases her mastery in capturing human emotions through delicate lines etched onto copper plates. Exploring further into French artistry, Felix Bracquemond's 1862 work demonstrates how even abstract compositions can benefit from drypoint techniques. His unknown piece invites viewers to interpret its meaning while appreciating the artist's skillful use of line and shading. Jean Louis Forain takes us into a different realm with his depiction of a seated nude woman from the back.