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Doubting Collection

"Doubting Thomas: Exploring the Depths of Skepticism and Faith" In the realm of faith, Doubting Thomas stands as an emblematic figure

Background imageDoubting Collection: Doubting Thomas

Doubting Thomas
Jesus appears, after his death, to Doubting Thomas and other disciples

Background imageDoubting Collection: Thomas the Apostle 2

Thomas the Apostle 2
THOMAS DIDYMUS is famous for doubting the resurrection of Jesus; later he went as a missionary to Parthia and India, where he was pierced with lances near Madras

Background imageDoubting Collection: Caricature of Tsar Alexander 1st of Russia in his Privy Council

Caricature of Tsar Alexander 1st of Russia in his Privy Council: solicited by the Queen of Prussia for defeat
1753681 Caricature of Tsar Alexander 1st of Russia in his Privy Council: solicited by the Queen of Prussia for defeat, collezione Colored etching BNF engraving; Bibliotheque Nationale, Paris

Background imageDoubting Collection: There was an Old Person of Barnes, whose Garments were covered with Darns (coloured engraving)

There was an Old Person of Barnes, whose Garments were covered with Darns (coloured engraving)
8634392 There was an Old Person of Barnes, whose Garments were covered with Darns (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info)

Background imageDoubting Collection: Popular Superstitions: Crossing a knife and fork (colour litho)

Popular Superstitions: Crossing a knife and fork (colour litho)
8668721 Popular Superstitions: Crossing a knife and fork (colour litho) by English School, (20th century); Private Collection; (add.info.: Crossing a knife and fork)

Background imageDoubting Collection: Khan Krum of Bulgaria (litho)

Khan Krum of Bulgaria (litho)
8661298 Khan Krum of Bulgaria (litho) by European School, (19th century); Private Collection; (add.info.: Khan Krum of Bulgaria)

Background imageDoubting Collection: Gondophares receives a Letter from St Thomas (litho)

Gondophares receives a Letter from St Thomas (litho)
8661015 Gondophares receives a Letter from St Thomas (litho) by Almond, William Douglas (1866-1916); Private Collection; (add.info.: Gondophares receives a Letter from St Thomas)

Background imageDoubting Collection: Katya

Katya
Zachar Rise

Background imageDoubting Collection: Love Memories, young woman contemplating thoughtfully a gift from a lover, 1880, Germany, Historic

Love Memories, young woman contemplating thoughtfully a gift from a lover, 1880, Germany, Historic
1 person, 1900s, 19th-century, activities, activity, adult female, adult woman, adults, affair, affairs, affection, boy, children, consider, contemplate, contemplative, dear, deliberate, depiction

Background imageDoubting Collection: Incredulity of St Thomas

Incredulity of St Thomas
3362092 Incredulity of St Thomas by Guercino (Giovanni Francesco Barbieri) (1591-1666); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageDoubting Collection: The choice of Hercules or the choice between vice and virtue, 1565 circa (oil on canvas)

The choice of Hercules or the choice between vice and virtue, 1565 circa (oil on canvas)
7146864 The choice of Hercules or the choice between vice and virtue, 1565 circa (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Galleria degli Uffizi, Florence, Tuscany

Background imageDoubting Collection: Witchcraft or the allegory of Hercules, 1540-42 (oil on canvas)

Witchcraft or the allegory of Hercules, 1540-42 (oil on canvas)
7146885 Witchcraft or the allegory of Hercules, 1540-42 (oil on canvas) by Dossi, Battista (c.1490-1548) & Dossi, Dosso (c.1486-1542); 143x144 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageDoubting Collection: Double portrait. Two friends, c. 1502 (oil on canvas)

Double portrait. Two friends, c. 1502 (oil on canvas)
7130035 Double portrait. Two friends, c.1502 (oil on canvas) by Giorgione (Giorgio da Castelfranco) (1477/78-1510) (attr.to); Museo Nazionale del Palazzo di Venezia, Rome

Background imageDoubting Collection: The denial of St Peter, 1610-1615 circa, (oil on canvas)

The denial of St Peter, 1610-1615 circa, (oil on canvas)
7128817 The denial of St Peter, 1610-1615 circa, (oil on canvas) by Galli, Giovanni Antonio (Lo Spadarino) (1585-1651/3); 98x135 cm; Pinacoteca Nazionale, Bologna

Background imageDoubting Collection: Saint Joseph's dream, 1617-19 (oil on board)

Saint Joseph's dream, 1617-19 (oil on board)
7352690 Saint Joseph's dream, 1617-19 (oil on board) by Ciampelli, Agostino (1577-1642); Chiesa S. Anna dei frati Carmelitani Scalzi, Genoa, Liguria

Background imageDoubting Collection: The calumny of Apelles, 1495 circa, (tempera on wood)

The calumny of Apelles, 1495 circa, (tempera on wood)
7146327 The calumny of Apelles, 1495 circa, (tempera on wood) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 62x91 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageDoubting Collection: The Faithless Fool, 1660-86 (brush and Indian ink on paper)

The Faithless Fool, 1660-86 (brush and Indian ink on paper)
7308529 The Faithless Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageDoubting Collection: Henri IV addressing a merchant 'I would like to know the price of a liard', 1896 (illustration)

Henri IV addressing a merchant "I would like to know the price of a liard", 1896 (illustration)
7304534 Henri IV addressing a merchant "I would like to know the price of a liard", 1896 (illustration) by Job, pseudonym for Onfray de Breville

Background imageDoubting Collection: Young woman with veil in profile

Young woman with veil in profile
7279037 Young woman with veil in profile by Unknown Artist, (19th century); Private Collection; (add.info.: Young woman with veil in profile, Historic)

Background imageDoubting Collection: Christ and St. Thomas, Orsanmichele church, Florence, Italy, 1467-83 (bronze)

Christ and St. Thomas, Orsanmichele church, Florence, Italy, 1467-83 (bronze)
7277532 Christ and St. Thomas, Orsanmichele church, Florence, Italy, 1467-83 (bronze) by Verrocchio, Andrea del (1435-88); Orsanmichele Church and Museum, Florence, Tuscany

Background imageDoubting Collection: The Incredulity of Saint Thomas, c. 1620 (oil on canvas)

The Incredulity of Saint Thomas, c. 1620 (oil on canvas)
IND380374 The Incredulity of Saint Thomas, c.1620 (oil on canvas) by Honthorst, Gerrit van (1590-1656); Prado, Madrid, Spain; Index Fototeca

Background imageDoubting Collection: Maids offer the days catch of fish and lobster to a gourmet. 1831 (engraving)

Maids offer the days catch of fish and lobster to a gourmet. 1831 (engraving)
7234808 Maids offer the days catch of fish and lobster to a gourmet.1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Background imageDoubting Collection: Ms Hunter 229 f. 13v The Incredulity of St. Thomas and Christ Walking on Water

Ms Hunter 229 f. 13v The Incredulity of St. Thomas and Christ Walking on Water, from the Hunterian Psalter, c
GUL175494 Ms Hunter 229 f.13v The Incredulity of St. Thomas and Christ Walking on Water, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) by English School

Background imageDoubting Collection: An obese man looks at a pig, 'To say that I might become that big one day!', 1856 (illustration)

An obese man looks at a pig, "To say that I might become that big one day!", 1856 (illustration)
7211595 An obese man looks at a pig, " To say that I might become that big one day!", 1856 (illustration) by Daumier

Background imageDoubting Collection: The Incredulity of St. Thomas, 1572 (oil on panel)

The Incredulity of St. Thomas, 1572 (oil on panel)
ALI380331 The Incredulity of St. Thomas, 1572 (oil on panel) by Vasari, Giorgio (1511-74); Santa Croce, Florence, Italy; Alinari

Background imageDoubting Collection: Historiated initial A depicting The Incredulity of St. Thomas, c. 1370 (vellum)

Historiated initial A depicting The Incredulity of St. Thomas, c. 1370 (vellum)
MMT215628 Historiated initial A depicting The Incredulity of St. Thomas, c.1370 (vellum) by Niccolo di Giacomo (14th century); Musee Marmottan Monet, Paris

Background imageDoubting Collection: The Incredulity of St. Thomas (tempera on panel)

The Incredulity of St. Thomas (tempera on panel)
AII58352 The Incredulity of St. Thomas (tempera on panel) by Toscani, Giovanni Francesco (1370-1430); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian

Background imageDoubting Collection: Incredulity of St. Thomas, 1466-83 (marble and bronze) (b / w photo)

Incredulity of St. Thomas, 1466-83 (marble and bronze) (b / w photo)
ALI174803 Incredulity of St. Thomas, 1466-83 (marble and bronze) (b/w photo) by Verrocchio, Andrea del (1435-88); Orsanmichele Church and Museum, Florence, Tuscany, Italy; Alinari

Background imageDoubting Collection: The Incredulity of St. Thomas

The Incredulity of St. Thomas
AII80654 The Incredulity of St. Thomas by Strozzi, Bernardo (1581-1644); 110x87.5 cm; Museo de Arte de Ponce, Puerto Rico; Italian, out of copyright

Background imageDoubting Collection: Saint John the Baptist preaching with Angels, Sybils and Prophets, c

Saint John the Baptist preaching with Angels, Sybils and Prophets, c
3496245 Saint John the Baptist preaching with Angels, Sybils and Prophets, c.1696-97 (fresco) (detail of 3496243 & 3496244) by Pagani, Paolo (c.1661-1716); Chiesa di San Martino, Castello, Valsolda

Background imageDoubting Collection: Saint John the Baptist preaching with Angels, Sybils and Prophets, c

Saint John the Baptist preaching with Angels, Sybils and Prophets, c
3496244 Saint John the Baptist preaching with Angels, Sybils and Prophets, c.1696-97 (fresco) (detail of 3496243) by Pagani, Paolo (c.1661-1716); Chiesa di San Martino, Castello, Valsolda, Como

Background imageDoubting Collection: John Bull Bother d, or The Geese alarming the Capitol

John Bull Bother d, or The Geese alarming the Capitol
NCO190470 John Bull Bother d, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint) by Gillray

Background imageDoubting Collection: Window depicting the doubting St Thomas (stained glass)

Window depicting the doubting St Thomas (stained glass)
2921828 Window depicting the doubting St Thomas (stained glass) by French School, (15th century); Eglise Saint Martin, Vatteville-la-Rue

Background imageDoubting Collection: The Incredulity of St. Thomas (oil on canvas)

The Incredulity of St. Thomas (oil on canvas)
LMG140050 The Incredulity of St. Thomas (oil on canvas) by West, Benjamin (1738-1820); 96.5x127 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; American

Background imageDoubting Collection: Oh! The Tiara! (b / w photo)

Oh! The Tiara! (b / w photo)
3102720 Oh! The Tiara! (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Oh! The Tiara! The Tiara of Saitaferne)

Background imageDoubting Collection: Christ appears to Thomas (engraving)

Christ appears to Thomas (engraving)
5207625 Christ appears to Thomas (engraving) by German School, (19th century); Private Collection; (add.info.: Christ appears to Thomas)

Background imageDoubting Collection: The Incredulity of St Thomas, John XX, 27 (engraving)

The Incredulity of St Thomas, John XX, 27 (engraving)
6005688 The Incredulity of St Thomas, John XX, 27 (engraving) by European School, (19th century); Private Collection; (add.info.: The Incredulity of St Thomas, John XX, 27)

Background imageDoubting Collection: The Incredulity of St. Thomas, 1466-83 (bronze) (detail of 241031)

The Incredulity of St. Thomas, 1466-83 (bronze) (detail of 241031)
869984 The Incredulity of St. Thomas, 1466-83 (bronze) (detail of 241031) by Verrocchio, Andrea del (1435-88); Orsanmichele Church and Museum, Florence, Tuscany

Background imageDoubting Collection: Incredulity of Saint Thomas and Christ and the Virgin Interceding with God the Father

Incredulity of Saint Thomas and Christ and the Virgin Interceding with God the Father
3597167 Incredulity of Saint Thomas and Christ and the Virgin Interceding with God the Father and The Nativity (tempera and gold leaf on panel), c.1445-50 by Witz

Background imageDoubting Collection: 'There was an Old Man of th Abruzzi, so blind that he couldn t his foot see'

"There was an Old Man of th Abruzzi, so blind that he couldn t his foot see", from A Book of Nonsense
LLM386699 " There was an Old Man of th Abruzzi, so blind that he couldn t his foot see", from A Book of Nonsense, published by Frederick Warne and Co

Background imageDoubting Collection: Christ and Thomas (engraving)

Christ and Thomas (engraving)
5992389 Christ and Thomas (engraving) by English School, (19th century); Private Collection; (add.info.: Christ and Thomas)

Background imageDoubting Collection: The Incredulity of St. Thomas, 1466-83 (bronze)

The Incredulity of St. Thomas, 1466-83 (bronze)
LEE241031 The Incredulity of St. Thomas, 1466-83 (bronze) by Verrocchio, Andrea del (1435-88); Orsanmichele Church and Museum, Florence, Tuscany, Italy; eDavid Lees Photography Archive; Italian

Background imageDoubting Collection: The Incredulity of St Thomas (photo)

The Incredulity of St Thomas (photo)
JB226879 The Incredulity of St Thomas (photo) by Spanish School, (12th century); Santo Domingo de Silos, Castilla y Leon, Spain; eJohn Bethell; Spanish, out of copyright

Background imageDoubting Collection: Madonna of the Girdle

Madonna of the Girdle
AII80347 Madonna of the Girdle by Granacci, Francesco (1477-1543); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright

Background imageDoubting Collection: The Incredulity of St. Thomas, c. 1514 (pen & ink on paper) (verso of 3551547)

The Incredulity of St. Thomas, c. 1514 (pen & ink on paper) (verso of 3551547)
FIT82783 The Incredulity of St. Thomas, c.1514 (pen & ink on paper) (verso of 3551547) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 23.1x37.7 cm; Fitzwilliam Museum, University of Cambridge

Background imageDoubting Collection: Ms Lat. Q. v. I. 126 f. 112 The Eucharist, from the Book of Hours of Louis d

Ms Lat. Q. v. I. 126 f. 112 The Eucharist, from the Book of Hours of Louis d
XJL197060 Ms Lat. Q.v.I.126 f.112 The Eucharist, from the Book of Hours of Louis d Orleans, 1469 (vellum) by Colombe, Jean (c.1430-c.93); total:225x155 cm; National Library, St

Background imageDoubting Collection: The Doubter

The Doubter
Jürgen Hartlieb

Background imageDoubting Collection: Christ and St. Thomas, panel of the former high altarpiece of the Church of Saint Peter

Christ and St. Thomas, panel of the former high altarpiece of the Church of Saint Peter
BAL49168 Christ and St. Thomas, panel of the former high altarpiece of the Church of Saint Peter and Saint Paul in CsAiksomlyAo, c.1480 (egg tempera on panel) by Hungarian School



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"Doubting Thomas: Exploring the Depths of Skepticism and Faith" In the realm of faith, Doubting Thomas stands as an emblematic figure. Known as Thomas the Apostle 2, he questioned and sought evidence before believing in miracles. Just like Love Memories, a young woman contemplating thoughtfully a gift from her lover in 1880 Germany, doubt can often consume our thoughts. The Incredulity of St. Thomas painting captures this moment perfectly - his outstretched hand reaching for proof. Similarly, The Choice of Hercules showcases the eternal struggle between vice and virtue; doubting which path to take is a common human dilemma. Witchcraft or the Allegory of Hercules further emphasizes how doubts can cloud judgment, leading us astray. However, Double Portrait reminds us that sometimes we find solace in friendship when grappling with uncertainty. The Denial of St Peter portrays another form of doubt - self-doubt - as Peter denies his association with Jesus three times. Saint Joseph's Dream also explores this theme through dreams that challenge one's beliefs and convictions. Meanwhile, The Calumny of Apelles depicts how doubts can be used maliciously to defame others unjustly. It serves as a reminder to question our own biases before casting judgment upon others. Lastly, The Faithless Fool illustrates the consequences that arise from succumbing entirely to doubt without seeking truth or understanding. Doubt is an intrinsic part of human nature; it challenges us to seek answers beyond blind acceptance. Whether we identify with Doubting Thomas or any other character depicted in these artworks throughout history, it is through questioning that we grow intellectually and spiritually.