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Doubleday Collection

"Doubleday: A Glimpse into the Past" Union Brig. Gen

Background imageDoubleday Collection: Union Brig. Gen. Abner Doubleday, early 1862 (b / w photo)

Union Brig. Gen. Abner Doubleday, early 1862 (b / w photo)
869211 Union Brig. Gen. Abner Doubleday, early 1862 (b/w photo) by Brady, Mathew (1823-96) & studio; Private Collection; (add.info.: Portrait of 42-year-old U.S. Artillery Maj)

Background imageDoubleday Collection: While Yukis fortune was being told I photographed her, c1900, (1921). Artist: Julian Leonard Street

While Yukis fortune was being told I photographed her, c1900, (1921). Artist: Julian Leonard Street
While Yukis fortune was being told I photographed her, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Ceremonial Tea served by a lovely lJapanese hands, c1900, (1921). Artist: Julian Leonard Street

Ceremonial Tea served by a lovely lJapanese hands, c1900, (1921). Artist: Julian Leonard Street
Ceremonial Tea served by a lovely lJapanese hands, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: The bath is a large barrel with charcoal stove. Frequently out of doors, c1900, (1921)

The bath is a large barrel with charcoal stove. Frequently out of doors, c1900, (1921). Artist: Julian Leonard Street
The bath is a large barrel with charcoal stove. Frequently out of doors, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Sawing and planing are made with a pulling instead of a driving motion, c1900, (1921)

Sawing and planing are made with a pulling instead of a driving motion, c1900, (1921). Artist: Julian Leonard Street
Sawing and planing are made with a pulling instead of a driving motion, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: With his drum and monkey he is Japans equivalent to our old-style organ grinder, c1900, (1921)

With his drum and monkey he is Japans equivalent to our old-style organ grinder, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Peasants of the region of Fuji not by name but merely as O Yama, the Honourable Mountain, c1900

Peasants of the region of Fuji not by name but merely as O Yama, the Honourable Mountain, c1900
Peasants of the region of Fuji, O Yama, the Honourable Mountain, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: At the top of the temple steps, above Lake Biwa, c1900, (1921). Artist: Marguerite Leonard

At the top of the temple steps, above Lake Biwa, c1900, (1921). Artist: Marguerite Leonard
At the top of the temple steps, above Lake Biwa, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Saki, the housekeeper sleeps on a mattress with hard pillow under a quilted kimono, c1900, (1921)

Saki, the housekeeper sleeps on a mattress with hard pillow under a quilted kimono, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: At Asakusa, the great temple of Tokyo, the fortune-telling business is brisk, c1900, (1921)

At Asakusa, the great temple of Tokyo, the fortune-telling business is brisk, c1900, (1921). Two or three priests are busy all the time. From Mysterious Japan, by Julian Street

Background imageDoubleday Collection: Middle-aged coolie hurriedly seated himself on the bank to pass us in review, c1900, (1921)

Middle-aged coolie hurriedly seated himself on the bank to pass us in review, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Three generations of women moving a cart with grandmother at the rear, pushing, c1900, (1921)

Three generations of women moving a cart with grandmother at the rear, pushing, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Nor could a grande dame in an opera box have exhibited more aplomb, c1900, (1921)

Nor could a grande dame in an opera box have exhibited more aplomb, c1900, (1921). Artist: Julian Leonard Street
Nor could a grande dame in an opera box have exhibited more aplomb, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Gates of the Tanjo-ji temple, dedicated to Nichiren, c1900, (1921). Artist: Julian Leonard Street

Gates of the Tanjo-ji temple, dedicated to Nichiren, c1900, (1921). Artist: Julian Leonard Street
Gates of the Tanjo-ji temple, dedicated to Nichiren, c1900, (1921). Tanjo-ji is a temple of the Nichiren Shu located in the city of Kamogawa in Chiba Prefecture, Japan, From Mysterious Japan

Background imageDoubleday Collection: The theatre street in Kyoto is one of the most interesting highways in the world, c1900, (1921)

The theatre street in Kyoto is one of the most interesting highways in the world, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Tai-no-ura - fishing boats, men and women with nets and baskets, c1900, (1921)

Tai-no-ura - fishing boats, men and women with nets and baskets, c1900, (1921). Artist: Julian Leonard Street
Tai-no-ura - fishing boats, men and women with nets and baskets, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Viscount Kentaro Kaneko, (1853-1942), c1900, (1921). Artist: Julian Leonard Street

Viscount Kentaro Kaneko, (1853-1942), c1900, (1921). Artist: Julian Leonard Street
Viscount Kentaro Kaneko, (1853-1942), c1900, (1921). Attended Harvard 1878. Privy Councilor to the Emperor, President of the America-Japan Society of Tokyo. From Mysterious Japan, by Julian Street

Background imageDoubleday Collection: Tai-no-ura - Tiny houses on a margin of sand with fishing boats, c1900, (1921)

Tai-no-ura - Tiny houses on a margin of sand with fishing boats, c1900, (1921). Artist: Julian Leonard Street
Tai-no-ura - Tiny houses on a margin of sand with fishing boats, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Large family of young fisherman at Nabuto, with nine children, c1900, (1921)

Large family of young fisherman at Nabuto, with nine children, c1900, (1921). Artist: Julian Leonard Street
Large family of young fisherman at Nabuto, with nine children, c1900, (1921). Fifty years ago Japan had a population of 33, 000, 000. Today it is nearing 60, 000, 000

Background imageDoubleday Collection: Viscount Shibusawa, (1840-1931) wearing his samurai swords, c1900, (1921)

Viscount Shibusawa, (1840-1931) wearing his samurai swords, c1900, (1921). Artist: Julian Leonard Street
Viscount Shibusawa, (1840-1931) wearing his samurai swords, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: A tea-house garden, Tokyo. Landscape gardening with theme of volcanic origins, c1900, (1921)

A tea-house garden, Tokyo. Landscape gardening with theme of volcanic origins, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Mrs. Charles Burnett in a 15th-Century Japanese Court costume. Mrs

Mrs. Charles Burnett in a 15th-Century Japanese Court costume. Mrs. Burnetts poems written in Japa Artist
Mrs. Charles Burnett in 15th-Century Japanese Court costume, c1900, (1921). Mrs. Burnetts poems written in Japanese have received Imperial recognition. From Mysterious Japan, by Julian Street

Background imageDoubleday Collection: It takes two hours for a geishas hairstyle, the coiffure, lasts several days, c1900, (1921)

It takes two hours for a geishas hairstyle, the coiffure, lasts several days, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Dancing girl Kimi-chiyo attender almost every Japanese-style party in Tokyo c1900, (1921)

Dancing girl Kimi-chiyo attender almost every Japanese-style party in Tokyo c1900, (1921). She carried herself with the placid confidence of an established belle

Background imageDoubleday Collection: Family luncheon a la Japonaise, c1900, (1921). Artist: Julian Leonard Street

Family luncheon a la Japonaise, c1900, (1921). Artist: Julian Leonard Street
Family luncheon a la Japonaise, c1900, (1921). Family luncheon a la Japonaise. The serving maid is kneeling in the corner at the back

Background imageDoubleday Collection: Sweet natured smile of tea-house maid, called nesan - elder sister, c1900, (1921)

Sweet natured smile of tea-house maid, called nesan - elder sister, c1900, (1921). Artist: Julian Leonard Street
Sweet natured smile of tea-house maid, called nesan - elder sister, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: 5000 silkworms eat 125 lbs of mulberry for 8 skeins of silk, making one kimono, c1900, (1921)

5000 silkworms eat 125 lbs of mulberry for 8 skeins of silk, making one kimono, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Digging clams at low-tide in Tokyo Bay, c1900, (1921). Artist: Julian Leonard Street

Digging clams at low-tide in Tokyo Bay, c1900, (1921). Artist: Julian Leonard Street
Digging clams at low-tide in Tokyo Bay, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: You cannot understand Japan without understanding the Japanese woman, c1900, (1921)

You cannot understand Japan without understanding the Japanese woman, c1900, (1921). Artist: Julian Leonard Street
You cannot understand Japan without understanding the Japanese woman, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: A laundry on the rivers brim, c1900, (1921). Artist: Julian Leonard Street

A laundry on the rivers brim, c1900, (1921). Artist: Julian Leonard Street
A laundry on the rivers brim, c1900, (1921). From Mysterious Japan, by Julian Street. [Doubleday, Page & Company, New York & Toronto, 1921]

Background imageDoubleday Collection: Henry Doubleday Photo

Henry Doubleday Photo
HENRY DOUBLEDAY Entomologist, ornothologist, grocer, ironmonger & insurance agent, noted for his work on the systematics of Lepidoptera (Butterflies & Moths) Date: 1808-1875

Background imageDoubleday Collection: COWBOY: BEN PICKETT. Studio portrait of Ben Pickett, American cowboy and rodeo performer

COWBOY: BEN PICKETT. Studio portrait of Ben Pickett, American cowboy and rodeo performer, formerly misidentified as his brother, fellow rodeo performer Bill Pickett (1870-1932)

Background imageDoubleday Collection: ABNER DOUBLEDAY (1819-1893). American army officer. Oil over a photograph, n. d

ABNER DOUBLEDAY (1819-1893). American army officer. Oil over a photograph, n. d
ABNER DOUBLEDAY (1819-1893). American army officer. Oil over a photograph, n.d

Background imageDoubleday Collection: Henry Doubleday (1808-1875)

Henry Doubleday (1808-1875)
Painting of Henry Doubleday, an ornithologist and entomologist. Oil on board, artist unknown, c. 1857. Original held at the Natural History Museum, London

Background imageDoubleday Collection: Miss Jane Doubleday

Miss Jane Doubleday Date: 1963

Background imageDoubleday Collection: Cowgirls at milk fund rodeo

Cowgirls at milk fund rodeo, St. Louis, MO, Doubleday

Background imageDoubleday Collection: Eddie Holdencamp, Bulldogging Ranch Rodeo

Eddie Holdencamp, Bulldogging Ranch Rodeo, Doubleday


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"Doubleday: A Glimpse into the Past" Union Brig. Gen. Abner Doubleday, early 1862 (b / w photo): In this black and white photograph, we catch a rare glimpse of Union Brigadier General Abner Doubleday during the early days of 1862. His stern expression reflects the weight of responsibility he carried as a military leader during one of America's most tumultuous periods. While Yukis fortune was being told I photographed her, c1900, (1921). Artist: Julian Leonard Street: Captured by artist Julian Leonard Street in 1921, this captivating image transports us to a time when fortunes were told with great intrigue and mystique. The delicate beauty of Yuki shines through as she awaits her destiny to unfold. Ceremonial Tea served by lovely Japanese hands, c1900, (1921). Artist: Julian Leonard Street: Step into the world of ancient traditions with this enchanting artwork by Julian Leonard Street from 1921. Immerse yourself in the elegance and gracefulness as you witness tea being ceremoniously served by skilled Japanese hands. The bath is a large barrel with charcoal stove. Frequently out of doors, c1900, (1921). Artist: Julian Leonard Street: Experience an unconventional bathing ritual depicted in this artwork from 1921. As you gaze upon it, imagine immersing yourself in nature's embrace while enjoying the warmth emanating from a large barrel filled with water heated by a charcoal stove. Sawing and planing are made with pulling instead of driving motion, c1900, (1921). Artist: Julian Leonard Street: This intriguing piece showcases traditional woodworking techniques employed in Japan during the early 20th century. Witness how sawing and planing were executed using unique pulling motions rather than conventional driving methods. The Japanese are not slaves to possessions; most can move house by hand-cart, c1900, (1921). Artist.