Doomsday Collection

Last Judgement, Novgorod Icon (tempera on wood)
3469089 Last Judgement, Novgorod Icon (tempera on wood) by Russian School (15th century); 162x115 cm; Tretyakov Gallery, Moscow

WAR IN HEAVEN, 1480. War in Heaven - the Beast (Revelation XII, 7-10 and Revelation XIII): woodcut from the Cologne Bible, 1478-80

No! : Soviet poster, 1958, by Albert Aslyan
RUSSIA: ANTI-NUCLEAR, 1958. No! : Soviet poster, 1958, by Albert Aslyan

FOUR HORSEMEN. The Four Horsemen of the Apocalypse. Color woodcut, German, 1523

HARROWING OF HELL. St John with Prochoros: manuscript illumination from a Greek Gospel Lectionary, 11th century

Domesday mosaics of the Last Judgement, dating from the 12th century Byzantine period, Cathedral of Santa Maria Assunta (Duomo Santa Maria dell Assunta), Torcello Island, Venice Lagoon

The Crucifixion; The Last Judgment, c. 1440-41 (oil on canvas transferred from wood)
3493064 The Crucifixion; The Last Judgment, c.1440-41 (oil on canvas transferred from wood) by Eyck, Jan van (c.1390-1441); 56.5x19.7 cm; Metropolitan Museum of Art, New York, USA; Netherlandish

Adams dream of the Day of Judgment (engraving)
5207626 Adams dream of the Day of Judgment (engraving) by German School, (19th century); Private Collection; (add.info.: Adams dream of the Day of Judgment)

An Ascent of Snowdon (engraving)
1047374 An Ascent of Snowdon (engraving) by English School, (19th century); Private Collection; (add.info.: An Ascent of Snowdon)

Doomsday book prefented to William the I (engraving)
727008 Doomsday book prefented to William the I (engraving) by English School, (19th century); Private Collection; (add.info.: Doomsday book prefented to William the I)

The Last Judgment, c. 1540 (fresco)
3472324 The Last Judgment, c.1540 (fresco) by Buonarroti, Michelangelo (1475-1564); 1, 370x1, 220 cm; Vatican Museums and Galleries, Vatican City; (add.info.: In Christian belief)

Last Judgment, c. 1500 (oil on panel)
3709964 Last Judgment, c.1500 (oil on panel) by German School, (15th century); 149x175 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Christ on a rainbow with Mary and John the Baptist)

Last Judgement, c. 1435 (tempera on oak)
JLJ4690625 Last Judgement, c.1435 (tempera on oak) by Lochner, Stephan (fl.1442-1451); Wallraf Richartz Museum, Cologne, Germany; (add.info)

The Last Judgement, detail, 1860 (stained glass)
3474689 The Last Judgement, detail, 1860 (stained glass) by Clayton, John Richard (1827-1913); Church of St.Mary, Hanley Castle, Worcestershire

The Last Judgement (stained glass)
PC344946 The Last Judgement (stained glass) by French School, (13th century); Saint-Etienne Cathedral, Bourges, France; French, out of copyright

NEW JERUSALEM. New Jerusalem (Revelation 21: 12). Manuscript illumination, Belgian, from The Apocalypse of Margaret of York, c1475

FOUR HORSEMEN. The Four Horsemen of the Apocalypse. Woodcut from the Cologne Bible, 1479

FOUR HORSEMEN. Four Horsemen of the Apocalypse. Woodcut, German, 1553

REVELATION OF ST. JOHN. (Apocalypse) The Sea Monster and the Beast with the lambs horns (Revelation 13, 1-13; 14, 14-17). Woodcut, 1498, by Albrecht Durer

VOLCANIC LIGHTNING, 1963. Lightning in the clouds above the Surtsey volcano, off the southern coast of Iceland. Photographed by Sigurgeir Jonasson, December 1963

WORLD WAR II: NURSES. An instructor guides a group of U.S. Army nurses through a cloud of smoke in a gas mask drill during training at Scott Field, Illinois. Photograph, c1942

DURER: REVELATION, 1498. The Revelation Of St
DRER: REVELATION, 1498. The Revelation Of St. John (Apocalypse). St. John and The Twenty-Four Elders In Heaven (Revelation 4, 1-10; 5, 1-8). Woodcut, 1498, by Albrecht Drer

DURER: APOCALYPSE, 1498. The Revelation of St
DRER: APOCALYPSE, 1498. The Revelation of St. John (Apocalypse) the seven Trumpets are given to the angels, and the results of the first four calls. Woodcut, 1498, by Albrecht Drer

LAST JUDGEMENT. Woodcut from Epistole e Evangelii, published at Florence in 1495

A space shuttle tries to avoid the gravity well of a supermassive black hole
An astronaut works desperately to repair his engine, before being caught in the gravity well of a supermassive black hole

An apocalyptic scene showing a gravity caused destruction of a moon

The colonized moon is escaping, the zenith in the war between United Nations and Lunatics

The Hand of Destiny Nebula is devouring the star Abigor
The Hand of Destiny Nebula, also known as the Hand of Ukobach, is devouring the star Abigor. The struggle between the two monstrous powers is causing all of Abigors planets to boil away their lighter

A planetary nebula is forming as the star expells its outer layers
This is the final apocalyptic ending to many medium to low mass stars; a planetary nebula is forming as the star expells its outer layers in violent pulsations of solar wind

Artists concept of a supernova about to incinerate this planetary system

Vision of a black hole destroying a sun

Mining colony on an asteroid

A black hole is slowly destroying an entire solar system

Artists depiction of a large meteor entering Earths atmosphere
An artists depiction of a large meteor entering Earths atmosphere and about to impact in a mountainous area

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"Doomsday: An Artistic Journey into the Final Judgment" Step into a world where time stands still, and the fate of humanity hangs in the balance. The Novgorod Icon whispers ancient prophecies, its tempera on wood revealing glimpses of the Last Judgement. Aslyan's Soviet poster from 1958 warns us with urgency, but this is not a mere political statement; it is an echo of something far greater. In "War in Heaven" (1480), brushstrokes depict a cosmic battle between good and evil as described in Revelation XII and XIII. The Four Horsemen gallop through German woodcuts from 1523, their presence foretelling chaos and destruction. St John illuminates manuscripts with Prochoros by his side, recounting the Harrowing of Hell in vivid detail. The Byzantine mosaics from the 12th century transport us to Domesday scenes—a mosaic tapestry depicting souls facing judgment day. Yet amidst these visions lies hope—an asteroid deflection scheme that seeks to protect our fragile existence. "The Four Horsemen of the Apocalypse" (1887) emerge once more on canvas, their colors evoking both fear and fascination. In "The Crucifixion; The Last Judgment" (c. 1440-41), oil transfers reveal profound contemplation about life's ultimate reckoning. Adam's dream unveils haunting engravings—his vision of the Day of Judgment etched forever onto paper. And as we ascend Snowdon through an engraving’s lens, nature itself seems to whisper secrets about what lies beyond our earthly realm. Finally, we encounter William I receiving the Doomsday Book—an engraving that symbolizes accountability for all mankind. Doomsday beckons us to ponder our mortality—to reflect upon our actions before it arrives unannounced. It reminds us that every stroke on canvas or chisel mark on stone carries a message, urging us to live with purpose and compassion.