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Doom Collection (page 19)

"Unveiling the Dark Symphony: Trapped in the Clutches of Doom" As a fishing boat valiantly battles through treacherous waves

Background imageDoom Collection: View of the System IV (500 BC-850 AD)

View of the System IV (500 BC-850 AD)
LRI4680004 View of the System IV (500 BC-850 AD) by Zapotec; Monte Alban, Oaxaca State, Mexico; (add.info.: Precolombian art, Zapotec civilization: view of the site of Monte Alban (500 BC-850 AD)

Background imageDoom Collection: Temple of the masks, 7th-11th century

Temple of the masks, 7th-11th century
LRI4679879 Temple of the masks, 7th-11th century by Mayan (11th century); Kabah, Yucatan, Mexico; (add.info.: Precolombian art, Mayan civilization: view of the site of Kabah)

Background imageDoom Collection: Sculpture and temple of the jaguars, 750-1200

Sculpture and temple of the jaguars, 750-1200
LRI4679791 Sculpture and temple of the jaguars, 750-1200 by Mayan, (8th century AD); Chichen Itza, Yucatan State, Mexico; (add.info.: Precolombian art)

Background imageDoom Collection: Pyramid of the Magician, 6th Century

Pyramid of the Magician, 6th Century
LRI4679756 Pyramid of the Magician, 6th Century by Mayan; Uxmal, Yucatan, Mexico; (add.info.: Precolombian Art, Mayan Civilization: View of the Pyramid of the 6th Century Devin Uxmal)

Background imageDoom Collection: View of the Roman Theatre

View of the Roman Theatre
LRI4679539 View of the Roman Theatre by Roman, (1st century BC); Caesarea, Israel; (add.info.: Roman Art: view of the Roman Theatre of Cesaree, 1st century BC (View of the Roman Theatre)

Background imageDoom Collection: Millstone

Millstone
LRI4679508 Millstone by Jewish School; Synagogue of Capernaum, Galilee, Israel; (add.info.: Stone wheel from the site of the synagogue in Capernaum (Capernaum)

Background imageDoom Collection: Hindu temple of Lad Khan located in Aihole

Hindu temple of Lad Khan located in Aihole
LRI4679197 Hindu temple of Lad Khan located in Aihole, by Indian School, (5th century); Karnataka, India; (add.info.: Hinduism)

Background imageDoom Collection: Ruins of the houses of the inhabitants, village of the craftsmen (photography)

Ruins of the houses of the inhabitants, village of the craftsmen (photography)
LRI4682639 Ruins of the houses of the inhabitants, village of the craftsmen (photography) by Egyptian; Deir el-Medina, Thebes

Background imageDoom Collection: Stelae of Pharaoh Ramses II in the courtyard of the Ramasseum (photography)

Stelae of Pharaoh Ramses II in the courtyard of the Ramasseum (photography)
LRI4682402 Stelae of Pharaoh Ramses II in the courtyard of the Ramasseum (photography) by Egyptian 19th Dynasty (c.1292-1187 BC); Ramesseum, Thebes

Background imageDoom Collection: Street going down towards the lido, 5th century BC-1st century AD

Street going down towards the lido, 5th century BC-1st century AD
LRI4724389 Street going down towards the lido, 5th century BC-1st century AD by Roman; Herculaneum, Naples, Campania, Italy; (add.info.: Roman antiquite)

Background imageDoom Collection: View of the medieval church of san Biagio, built on the temple of Demetra, 480-470 BC

View of the medieval church of san Biagio, built on the temple of Demetra, 480-470 BC
LRI4723835 View of the medieval church of san Biagio, built on the temple of Demetra, 480-470 BC by Sicilian School; Agrigento, Sicily, Italy; (add.info.: View of the medieval church of san Biagio)

Background imageDoom Collection: View of the greek fortifications and the pinch bulwark, 6th-5th century BC

View of the greek fortifications and the pinch bulwark, 6th-5th century BC
LRI4723830 View of the greek fortifications and the pinch bulwark, 6th-5th century BC by Greek, (6th century BC); Agrigento, Sicily

Background imageDoom Collection: View of the Temple of Juno Lacinia, 450 BC

View of the Temple of Juno Lacinia, 450 BC
LRI4723689 View of the Temple of Juno Lacinia, 450 BC by Greek, (5th century BC); Agrigento, Sicily, Italy; (add.info.: View of the ruins of the temple of Hera (Lacinian Juno), valley of temples

Background imageDoom Collection: View of the temple E, eastern hill, 460-450 BC

View of the temple E, eastern hill, 460-450 BC
LRI4723612 View of the temple E, eastern hill, 460-450 BC by Greek, (5th century BC); Selinunte, Sicily, Italy; (add.info.: Greek art: view of the temple E of Selinonte (or Selinous), east hill

Background imageDoom Collection: View of the shops (2500-2000 BC)

View of the shops (2500-2000 BC)
LRI4733648 View of the shops (2500-2000 BC) by Harappan; Harappa, Pakistan; (add.info.: Harappa civilization of the valley of the Indus (2500-2000 BC): view of the ruins of shops

Background imageDoom Collection: View of the Double-headed Eagle Stupa at Sirkap (180-80 BC)

View of the Double-headed Eagle Stupa at Sirkap (180-80 BC)
LRI4733638 View of the Double-headed Eagle Stupa at Sirkap (180-80 BC) by Gandhara School, (2nd-1st century BC); Taxila, Pakistan; (add.info.: Art of Gandhara (or Greco-Buddhism)

Background imageDoom Collection: View of archeological site, 3rd to 2nd millennium BC

View of archeological site, 3rd to 2nd millennium BC
LRI4732727 View of archeological site, 3rd to 2nd millennium BC by Phoenician; Byblos, Lebanon; (add.info.: Panoramic view on the site of the city of Byblos (Goubla, Jebal, Gebal, Jbeil)

Background imageDoom Collection: View of the temple of Jupiter, 1st century BC

View of the temple of Jupiter, 1st century BC
LRI4739386 View of the temple of Jupiter, 1st century BC by Roman, (1st century BC); Axur, Lazio, Italy; (add.info.: Italic civilization (volsque)

Background imageDoom Collection: Roman art: view of the ruins of the capitol, archeological site of Ostia, 120 AD

Roman art: view of the ruins of the capitol, archeological site of Ostia, 120 AD
LRI4739146 Roman art: view of the ruins of the capitol, archeological site of Ostia, 120 AD, Ostia antica, Italy (Roman art: general view of capitolium, 120 AD, Ostia antica)

Background imageDoom Collection: Roman Art: view of the ruins of the sanctuary of the divinite Attis (or Atys), region IV

Roman Art: view of the ruins of the sanctuary of the divinite Attis (or Atys), region IV
LRI4739052 Roman Art: view of the ruins of the sanctuary of the divinite Attis (or Atys), region IV, 1st century BC-1st century AD Ostia antica

Background imageDoom Collection: View of the Tetrapylon (Photography)

View of the Tetrapylon (Photography)
LRI4738674 View of the Tetrapylon (Photography) by Roman, (3rd century AD); Palmyra, Syria; (add.info.: View of the ruins of the site of Palmyra, Tetrapyle, Syria (View of Palmyra remains)

Background imageDoom Collection: Landscape of Roman ruins with remains of a temple of Saturn or '

Landscape of Roman ruins with remains of a temple of Saturn or "
JEB4896155 Landscape of Roman ruins with remains of a temple of Saturn or " the archeologist" (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); Palais de Longchamp

Background imageDoom Collection: Ship against a ruined colonnade (drawing)

Ship against a ruined colonnade (drawing)
JEB4873377 Ship against a ruined colonnade (drawing) by Puget, Pierre (1620-94); 36x51 cm; Palais de Longchamp, Marseille, France; eJean Bernard; French, out of copyright

Background imageDoom Collection: Antiquite Architecture: The Temple of Kom Ombo, Egypt

Antiquite Architecture: The Temple of Kom Ombo, Egypt
JLJ4665522 Antiquite Architecture: The Temple of Kom Ombo, Egypt by Egyptian; Kom Ombo, Egypt; (add.info.: Antiquite Architecture: The Temple of Kom Ombo, Egypt)

Background imageDoom Collection: Cardo IV, 5th century BC-1st century AD

Cardo IV, 5th century BC-1st century AD
LRI4724186 Cardo IV, 5th century BC-1st century AD by Roman; Herculaneum, Naples, Campania, Italy; (add.info.: Roman Antiquite: view of Cardo IV)

Background imageDoom Collection: View of the temple of Heracles, 6th-5th century BC

View of the temple of Heracles, 6th-5th century BC
LRI4723948 View of the temple of Heracles, 6th-5th century BC by Greek, (6th century BC); Agrigento, Sicily, Italy; (add.info.: View of the temple of Heracles (Hercules), 6th-5th BC, Agrigento

Background imageDoom Collection: View of the temple of Heracles, 6th-5th century BC

View of the temple of Heracles, 6th-5th century BC
LRI4723898 View of the temple of Heracles, 6th-5th century BC by Greek, (6th century BC); Agrigento, Sicily, Italy; (add.info.: View of the temple of Heracles (Hercules), 6th-5th BC, Agrigento

Background imageDoom Collection: Colossal head of Zeus equivalent of Ahura Mazda, Site of the mausolee of King Antiochus I

Colossal head of Zeus equivalent of Ahura Mazda, Site of the mausolee of King Antiochus I
LRI4677911 Colossal head of Zeus equivalent of Ahura Mazda, Site of the mausolee of King Antiochus I of Commagene (62 BC) by Greek, (1st century BC); Nemrut Dagi, Anatolia

Background imageDoom Collection: View of the mausolee of King Antiochus I of Commagene (62 BC)

View of the mausolee of King Antiochus I of Commagene (62 BC)
LRI4677879 View of the mausolee of King Antiochus I of Commagene (62 BC) by Greek, (1st century BC); Nemrut Dagi, Anatolia

Background imageDoom Collection: Theatre, built around 300 BC

Theatre, built around 300 BC
LRI4677731 Theatre, built around 300 BC by Greek, (4th century BC); Miletus, Turkey; (add.info.: Theatre of the city of Miletus, ancient Ionian Greek city. Built around 300 BC)

Background imageDoom Collection: View of the theatre of Epidaurus, Argolide, realized in the 4th century BC to host

View of the theatre of Epidaurus, Argolide, realized in the 4th century BC to host
JLJ4670151 View of the theatre of Epidaurus, Argolide, realized in the 4th century BC to host the Asclepeia, sports competitions

Background imageDoom Collection: Ruins of a Roman villa near Brading on the island of Wight

Ruins of a Roman villa near Brading on the island of Wight
GIA4802279 Ruins of a Roman villa near Brading on the island of Wight. by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageDoom Collection: View of the Place de la Bourse in Trieste (during the Austrian period)

View of the Place de la Bourse in Trieste (during the Austrian period)
GIA4792817 View of the Place de la Bourse in Trieste (during the Austrian period), engraving of the 19th century by Unknown Artist

Background imageDoom Collection: Photograph from a personal album of an infantry lieutenant during the first months of

Photograph from a personal album of an infantry lieutenant during the first months of
JLJ4692047 Photograph from a personal album of an infantry lieutenant during the first months of the First World War (1st, Iere)

Background imageDoom Collection: Photograph from a personal album of an infantry lieutenant during the first months of

Photograph from a personal album of an infantry lieutenant during the first months of
JLJ4691837 Photograph from a personal album of an infantry lieutenant during the first months of the First World War (1st, Iere)

Background imageDoom Collection: Photograph from a personal album of an infantry lieutenant during the first months of

Photograph from a personal album of an infantry lieutenant during the first months of
JLJ4691699 Photograph from a personal album of an infantry lieutenant during the first months of the First World War (1st, Iere)

Background imageDoom Collection: The Red Laughter, Satirical in Colours, 1918_5_11: War of 14 -18

The Red Laughter, Satirical in Colours, 1918_5_11: War of 14 -18
ICA4847042 The Red Laughter, Satirical in Colours, 1918_5_11: War of 14 -18: these froussards of rich " If its not unfortunate, I had found an exhilarating tenant for the summer

Background imageDoom Collection: The Baionette, Satirical in Colours, 1917_6_7: War of 14 -18

The Baionette, Satirical in Colours, 1917_6_7: War of 14 -18
ICA4852114 The Baionette, Satirical in Colours, 1917_6_7: War of 14 -18, Belligerants and symbols - the blind, allies of Prussia- Illustration by Gerda Wegener (1889-1940) by Wegener

Background imageDoom Collection: Cover of 'The Red Laughter', Satirical in Colors

Cover of "The Red Laughter", Satirical in Colors
ICA4847520 Cover of " The Red Laughter", Satirical in Colors, 1917_11_24: War of 14 -18: Return of permission, What do they say to Pantruche

Background imageDoom Collection: The six columns at the Temple of Jupiter, 1st-2nd century

The six columns at the Temple of Jupiter, 1st-2nd century
LRI4732474 The six columns at the Temple of Jupiter, 1st-2nd century by Roman, (2nd century AD); Baalbek, Lebanon; (add.info.: Ancient Rome)

Background imageDoom Collection: Detail of the gate of Ishtar, 580 BC

Detail of the gate of Ishtar, 580 BC
LRI4732395 Detail of the gate of Ishtar, 580 BC by Babylonian, (6th century BC); Babylon, Iraq; (add.info.: Mesopotamia: view of the ruins of the Ishtar Gate, inferior citation of Babylon, 580 BC)

Background imageDoom Collection: View of the Palace of Shapur I and the Arch of Chosroesq, 1st century BC-3rd century AD

View of the Palace of Shapur I and the Arch of Chosroesq, 1st century BC-3rd century AD
LRI4732360 View of the Palace of Shapur I and the Arch of Chosroesq, 1st century BC-3rd century AD by Parthian; Ctesiphon

Background imageDoom Collection: View of Roman temple, 1st century BC-1st century AD

View of Roman temple, 1st century BC-1st century AD
LRI4732163 View of Roman temple, 1st century BC-1st century AD by Roman; Hatra, Iraq; (add.info.: Roman antiquite and parthian: view of Roman temple)

Background imageDoom Collection: Ruins of the Ekklesiasterion, open theatre, in the Valley of the Temples (photography)

Ruins of the Ekklesiasterion, open theatre, in the Valley of the Temples (photography)
LRI4731696 Ruins of the Ekklesiasterion, open theatre, in the Valley of the Temples (photography) by Greek; Agrigento, Sicily, Italy; (add.info.: Ruins of the Ekklesiasterion (Ecclesiasterion)

Background imageDoom Collection: Calm and unafraid, Pliny goes to his bath while Pompeii crashes to its doom (colour litho)

Calm and unafraid, Pliny goes to his bath while Pompeii crashes to its doom (colour litho)
6002695 Calm and unafraid, Pliny goes to his bath while Pompeii crashes to its doom (colour litho) by English School, (20th century); Private Collection; (add.info.: Calm and unafraid)

Background imageDoom Collection: Meeting of Mary and Elizabeth, Luke I, ver 40 (engraving)

Meeting of Mary and Elizabeth, Luke I, ver 40 (engraving)
6021631 Meeting of Mary and Elizabeth, Luke I, ver 40 (engraving) by English School, (19th century); Private Collection; (add.info.: Meeting of Mary and Elizabeth, Luke I, ver 40)



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"Unveiling the Dark Symphony: Trapped in the Clutches of Doom" As a fishing boat valiantly battles through treacherous waves, it nears the foreboding Camel Estuary in Padstow, Cornwall. The early 1900s witnessed an era where doom seemed to lurk around every corner. In this enigmatic journey, we encounter Charles George Gordon, known as Chinese Gordon, whose life was intertwined with shadows and uncertainty. A man who faced his own demons while navigating through uncharted waters. The sight of inverted skull and crossbones sends shivers down our spines; a symbol that warns us of impending danger. Yet even when facing certain doom, hope flickers like a candle in the wind - for there is another depiction of skull and crossbones standing tall against adversity. We delve into history's tapestry of despair - the Apocalypse Tapestry or Apocalypse of Angers from 1375-80. Its intricate threads weave tales of chaos and destruction that once engulfed humanity. Le Petit Journal reveals an eerie confession between Otto Von Bismarck and Death itself. In their chilling embrace, they whisper secrets only known to those on the brink of their ultimate fate. The launch of Titanic stands as an ominous reminder that even grandeur can succumb to destiny's cruel hand. A haunting reminder etched forever in maritime history. Yet amidst these dark omens lies a tale entwined with enchantment - mermaid and lover united against all odds; love defying its inevitable downfall. A medieval wall painting portrays souls blessed but haunted by imminent peril within St Nicholas Church in Lower Oddington, Gloucestershire during the 1930s. Their ethereal existence dances on thin ice between salvation and damnation. Driving towards her doom lies a shipwreck lost amidst unforgiving tides; its wreckage serving as a somber testament to mankind's vulnerability against nature's wrath.