Domenico Beccafumi Collection

The Sacrifice of Isaac, 1586. Creator: Andrea Andreani
The Sacrifice of Isaac, 1586

Seated Male Nude with Outstretched Left Arm, n.d. Creator: Unknown
Seated Male Nude with Outstretched Left Arm, n.d

Saint Philip standing holding a book and a cross, ca. 1590-1600

Portrait of Domenico di Pace Beccafumi, Italian Renaissance Mannerist painter, 1486-1551
6338658 Portrait of Domenico di Pace Beccafumi, Italian Renaissance Mannerist painter, 1486-1551 by Italian School, (16th-17th century); (add.info.: Portrait of Domenico di Pace Beccafumi)

The Holy Family with the Infant Saint John the Baptist, (oil on panel)
990270 The Holy Family with the Infant Saint John the Baptist, (oil on panel) by Beccafumi, Domenico (1486-1551); 89.5 cm; Private Collection; (add.info)

An Apostle (Saint Bartholomew?), c. 1540-50 (chiaroscuro woodcut)
659471 An Apostle (Saint Bartholomew?), c. 1540-50 (chiaroscuro woodcut) by Beccafumi, Domenico (1486-1551); 41.6x21.1 cm; Private Collection; (add.info.: An Apostle (Saint Bartholomew?)

Eve, 1587. Creator: Andrea Andreani
Eve, 1587

The Holy Family with Angels, c. 1545 / 1550. Creator: Domenico Beccafumi
The Holy Family with Angels, c. 1545/1550

The forger standing by an anvil pulling a man in chains, from the series The var... ca
The forger standing by an anvil pulling a man in chains, from the series The various operations of alchemy, ca. 1540-1550

Saint Philip, ca. 1540-1550. Creator: Domenico Beccafumi
Saint Philip, ca. 1540-1550

Saint Peter, ca. 1547. Creator: Domenico Beccafumi
Saint Peter, ca. 1547

Four Doctors of the Church, ca. 1540-1550. Creator: Domenico Beccafumi
Four Doctors of the Church, ca. 1540-1550

Saint Peter, c. 1547. Creator: Domenico Beccafumi (Italian, 1486-1551)
Saint Peter, c. 1547. Beccafumi was an important and extremely versatile Sienese artist--a painter of altarpieces, frescoes, and furniture, a sculptor in wood, stucco, and bronze

Three Male Nudes, c. 1540-1547. Creator: Domenico Beccafumi (Italian, 1486-1551)
Three Male Nudes, c. 1540-1547. Chiaroscuro drawing, a common technique in the 1500s, is usually done on a medium toned sheet with dark colours indicating the outlines and shadows

Three Male Nudes, second quarter 1500s. Creator: Domenico Beccafumi (Italian, 1486-1551)
Three Male Nudes, second quarter 1500s. Domenico Beccafumi was a Mannerist painter and sculptor who completed several religious and civic commissions in his home town of Siena

Study of an old Mans head with a beard, c1535. Artist: Domenico Beccafumi
Study of an old Mans head with a beard, c1535. Beccafumi, Domenico (1486-1551). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Saint Peter 1547 Domenico Beccafumi Italian 1486-1551
Saint Peter, c. 1547. Domenico Beccafumi (Italian, 1486-1551). Chiaroscuro woodcut printed in four shades of brown; sheet: 41.2 x 21.4 cm (16 1/4 x 8 7/16 in.)

Vulcan Forge Woodcut sheet 6 3 / 4 x 4 9 / 16 17. 2 11. 6 cm
Artokoloro

Landscape Catacombs 1530-40 Pen ink brush brown wash
Artokoloro

Copy Reverse Design Orientation Based Group Reclining Figures
Artokoloro

Saint Matthew 1538 Brush brown beige cream-colored tempera
Artokoloro

Saint Mark 1538 Brush brown beige cream-colored tempera
Artokoloro

Master HFE after Domenico Beccafumi (Italian, active first half 16th century), The Adoration of the Shepherds, etching

Domenico Beccafumi (Italian, c. 1485 - 1551), Study for The Four Doctors of
Domenico Beccafumi (Italian, c. 1485 - 1551), Study for " The Four Doctors of the Church", pen and brown ink with brown wash and red chalk heightened with white on laid paper

Andrea Andreani after Domenico Beccafumi, Eve, Italian, 1558-1559 - 1629, 1586, chiaroscuro woodcut

Domenico Beccafumi (Italian, 1486 - 1551). Christ Disputing with the Doctors in the Temple, before 1551. Engraving. Plate: 360 mm x 227 mm (14.17 in. x 8.94 in.)

Study for the Figure of Abraham; Domenico Beccafumi, Italian, 1484 - 1551; 1547; Pen and brown ink and brown wash; 15.2 x 9.4 cm (6 x 3 11/16 in.)

The Miraculous Communion of Saint Catherine of Siena; Domenico Beccafumi, Italian, 1484 - 1551; Italy, Europe; about 1513 - 1515; Oil and gold leaf on panel; Unframed

Saint Catherine of Siena Receiving the Stigmata; Domenico Beccafumi, Italian, 1484 - 1551; Italy, Europe; about 1513 - 1515; Oil and gold leaf on panel; Unframed: 28.6 x 41.3cm (11 1/4 x 16 1/4 in.)

Domenico Beccafumi, The Holy Family with Angels, Italian, c. 1485-1551, c. 1545-1550, oil on panel

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Domenico Beccafumi, an Italian Renaissance Mannerist painter born in 1486, left a lasting legacy through his remarkable artworks. His talent and skill are evident in pieces such as "Saint Ignatius of Antioch Disemboweled by Trajans Torturers" (1525/27), which depicts the martyrdom of Saint Ignatius with vivid detail and emotion. In another masterpiece titled "Saint Philip standing holding a book and a cross" (ca. 1590-1600), Beccafumi captures the saint's serene expression as he holds symbols of his faith. The artist also painted his own portrait, showcasing himself as a distinguished figure within the art world. Beccafumi's religious themes continue to shine in works like "The Holy Family with the Infant Saint John the Baptist, " where he portrays tender familial love amidst divine presence. He further explores biblical figures in chiaroscuro woodcuts like "An Apostle (Saint Bartholomew?)" from around 1540-50. Not limited to religious subjects, Beccafumi also delved into mythological scenes such as "Eve" (1587) created by Andrea Andreani based on his design. This captivating portrayal showcases Eve's beauty while hinting at her role in humanity's fall from grace. "The Holy Family with Angels" (c. 1545/1550) exemplifies Beccafumi's ability to depict heavenly beings alongside earthly figures harmoniously—a testament to his artistic prowess and spiritual sensitivity. Beyond painting, Beccafumi dabbled in printmaking too; one notable piece is "The forger standing by an anvil pulling a man in chains. " This work belongs to the series called The var. . Ca. , highlighting social commentary through its powerful imagery. Returning to religious subjects, we find more depictions of saints like Saint Philip and Saint Peter—both radiating a sense of divine presence and spiritual devotion.