Divine Light Collection

Engraving depicting the first appearance of the divine light in the darkness that existed in the beginning
5309341 Engraving depicting the first appearance of the divine light in the darkness that existed in the beginning, 17th century; (add.info)

The Martyrdom of St. Symphorian, 1834 (oil on canvas)
NUL385957 The Martyrdom of St. Symphorian, 1834 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 407x339 cm; Cathedral of St

Simeons Song of Praise, 1631 (oil on panel)
5672002 Simeons Song of Praise, 1631 (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 60.9x47.9 cm; Mauritshuis, The Hague

The Liberation of St. Peter, in the Stanza D Eliodoro, 1512-14 (fresco)
ALI405101 The Liberation of St. Peter, in the Stanza D Eliodoro, 1512-14 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Annunciation
AII78582 Annunciation by Fetti, Lucrina (17th century); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright

The Ascension
RAF81420 The Ascension by West, Benjamin (1738-1820); Private Collection; Photo eRafael Valls Gallery, London, UK; American, out of copyright

The Denial of Saint Peter (oil on canvas)
6335005 The Denial of Saint Peter (oil on canvas) by Coster, Adam de (c.1586-1643); 107.3x153.3 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

St. Francis receiving the stigmata
AII80461 St. Francis receiving the stigmata by Barocci or Baroccio, Federico Fiori (c.1535-1612); Palazzo Ducale, Urbino, Italy; Italian, out of copyright

Annunciation (oil on canvas)
BRN165302 Annunciation (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; Greek, out of copyright

Madonna and Child
AII79616 Madonna and Child by Dolci, Carlo (1616-86); Palazzo Pitti, Florence, Italy; Italian, out of copyright

No. 2139 Supper at Emmaus, c. 1648-9 (pen & ink and brown wash)
FIT89117 No.2139 Supper at Emmaus, c.1648-9 (pen & ink and brown wash) by Rembrandt Harmensz. van Rijn (1606-69); 19.8x18.3 cm; Fitzwilliam Museum, University of Cambridge

St. Dominic Penitent
AII79579 St. Dominic Penitent by Dolci, Carlo (1616-86); Palazzo Pitti, Florence, Italy; Italian, out of copyright

The Virgin Mourning (oil on canvas)
PWI90008 The Virgin Mourning (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Musee des Beaux-Arts, Strasbourg, France; ePeter Willi; Greek, out of copyright

Christ the Redeemer
AII79611 Christ the Redeemer by Titian (Tiziano Vecellio) (c.1488-1576); Palazzo Pitti, Florence, Italy; Italian, out of copyright

The Annunciation, c. 1575 (oil on canvas)
PWI90003 The Annunciation, c.1575 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 108x79 cm; Private Collection; (add.info.: Private Collection, Japan); ePeter Willi; Greek

Queen Katherines Dream, 1807 (pen with wash over graphite on paper)
FIT282895 Queen Katherines Dream, 1807 (pen with wash over graphite on paper) by Blake, William (1757-1827); 39.9x31.4 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Act IV)

The Crucifixion
AII80460 The Crucifixion by Barocci or Baroccio, Federico Fiori (c.1535-1612); Palazzo Ducale, Urbino, Italy; Italian, out of copyright

Sacred Heart, 1910 (pastel on paper)
XIR82617 Sacred Heart, 1910 (pastel on paper) by Redon, Odilon (1840-1916); 60x46.5 cm; Musee d Orsay, Paris, France; French, out of copyright

The Nativity at Night (oil on panel)
XCF272241 The Nativity at Night (oil on panel) by Sint Jans (de Saint-Jean), Gerrit tot (c.1465-c.95); 34x25.3 cm; National Gallery, London, UK; Netherlandish, out of copyright

The Annunciation (oil on panel)
BAL211879 The Annunciation (oil on panel) by Frigimelica, Francesco (c.1570-1646); Santo Stefano, Belluno, Italy; Italian, out of copyright

Allegory of the Hebrew Bible, print maker: Abraham Dircksz Santvoort, Joannes Maire, 1650

The Prophet Samuel (oil on canvas)
XIR157963 The Prophet Samuel (oil on canvas) by Vignon, Claude (1593-1670); 130x98 cm; Musee des Beaux-Arts, Rouen, France; French, out of copyright

The Ascent of the Blessed, detail from a panel of an alterpiece thought to be of
XIR154099 The Ascent of the Blessed, detail from a panel of an alterpiece thought to be of the Last Judgement (oil on panel) by Bosch, Hieronymus (c.1450-1516); Palazzo Ducale, Venice

Francis Xavier, Spanish missionary C015 / 5794
Francis Xavier (1506-1552), Spanish missionary and saint. Xavier was born to an aristocratic family in Xavier, then in the Kingdom of Navarre. He went to Paris in 1525 to study

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"Divine Light: Illuminating the Path of Faith and Sacrifice" Step into a world where divine light shines brightly, guiding us through the pages of history. From the intricate illuminations in Missal 558 f. 68v depicting the assassination of St. Peter the Martyr to the captivating oil on canvas painting "The Martyrdom of St. Symphorian, " we witness how this celestial radiance transcends time. In Simeon's Song of Praise, captured beautifully in 1631 on an oil panel, we see rays of heavenly light streaming down upon him as he holds baby Jesus in his arms. This ethereal glow reminds us that even in our darkest moments, there is always hope and salvation. The Liberation of St. Peter fresco adorning Stanza D Eliodoro transports us to a scene where divine intervention breaks chains and sets free those who are unjustly imprisoned. The radiant beams emanating from above symbolize liberation not only for St. Peter but also for all who seek spiritual freedom. Within Annunciation paintings, such as "The Ascension, " we witness Mary bathed in celestial luminosity as she receives news that will forever change her life and humanity itself. The divine light surrounding her signifies purity and grace, reminding us that miracles can occur when we open ourselves up to faith. Yet amidst these awe-inspiring depictions lies human frailty; "The Denial of Saint Peter" portrays his momentary weakness illuminated by a flickering candlelight against a backdrop of darkness. It serves as a poignant reminder that even those closest to divinity can stumble along their journey towards enlightenment. Stunning works like "St Francis receiving the stigmata" capture moments when individuals experience profound connection with God's love through suffering and sacrifice – their bodies aglow with otherworldly luminescence while bearing wounds reminiscent of Christ's crucifixion.