Dispossessed Collection

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Facey Romford dispossessed by the rightful heir, young
Sporting man with gun, gaiters and hound surprised by his guests. Facey Romford dispossessed by the rightful heir, young Gilroy and his governess. Who am I? I m the mistress of this ere ouse

No choice?, c. 1850 (oil on canvas)
2956903 No choice?, c.1850 (oil on canvas) by Grant, William James (1829-66) (attr. to); 30.48x26.67 cm; Private Collection; (add.info.: Most of Grants work is of subjects from history)

The Last of the Race, 1847 (oil on canvas)
1079373 The Last of the Race, 1847 (oil on canvas) by Matteson, Tompkins Harrison (1813-84); 101x127 A cm; Collection of the New-York Historical Society

Lochaber no More, 1886. Dispossessed Scottish crofters, victims of the Highland clearances, taking their last view of home as they depart on board a ship

Empress Matilda escaping from the besieged Oxford Castle, 1142 (c19th century). Matilda was the wife of Henry V of Germany, daughter of Henry I of England and mother of Henry II

Empress Matilda, daughter and dispossessed heiress of Henry I of England, c1860. Matilda (1102-1167) allowed by the King, Stephen, to leave Arundel Castle for Gloucester in 1139

Burning the Farm of a Treacherous Burgher, 2nd Boer War, c1900. A Boer farmers wife shakes her fist at the British soldiers

Highland clearances. The last view of home for dispossessed crofters. Landowners replaced their tenants with sheep which were more profitable. Engraving, 1886

Dispossessed. Illustration shows a depressed old man wearing formal clothing, sitting on the sidewalk on small railroad cars labeled Street Railways

Defending German officials house, Windhoek, SW Africa
Five men (three white and two black) ready to defend a German officials house at Windhoek, in German South West Africa (now Namibia)

Moeris & Lycidas / Virgil
Moeris tells Lycidas how he has been dispossessed of his family estates

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"Dispossessed: A Reflection on Loss and Injustice" In the etching, aquatint, burnishing & burin artwork titled "No hay que dar voces (It's no use crying out), 1863, " we witness the silent despair of those whose voices have been silenced by circumstances beyond their control. The artist captures the profound sense of powerlessness that accompanies dispossession. The color lithograph "Cause and Effect. Or, The Irish Land Question" serves as a visual testament to the consequences of land disputes. It depicts the intricate web of cause and effect that perpetuates social inequalities, leaving many dispossessed from their ancestral lands. Amidst this turmoil, Gustave Doré's oil painting "Christus Consolator, 1851" offers solace in times of distress. With gentle compassion radiating from Christ's face, it reminds us that even in our moments of displacement and loss, there is hope for comfort and redemption. Voltaire's chromolithograph portrait reveals a man who fought against injustice with his words. As a French writer and philosopher known for challenging authority figures, he symbolizes resistance against being dispossessed not only physically but also intellectually. The narrative unfolds further with Facey Romford's story – dispossessed by the rightful heir – highlighting how inheritance can lead to displacement. This tale resonates throughout history; Vienna's Hall of Lost Causes stands as a haunting reminder of countless individuals stripped away from their rights in 1882. "No choice?" asks an oil painting created around 1850. Its brushstrokes capture the anguish felt when one is forced into situations where options seem nonexistent—a poignant reflection on lives forever altered by circumstances beyond control. "The Last of the Race, " painted in 1847 on canvas, portrays a solemn scene where remnants stand as reminders of what once was—a powerful representation echoing stories untold about cultures erased through colonization or displacement.