Disciple Collection (page 19)

Agony in the Garden, c. 1460 (tempera on panel)
3247722 Agony in the Garden, c.1460 (tempera on panel) by Mantegna, Andrea (1431-1506); 62.9x80 cm; National Gallery, London, UK; Italian, out of copyright

Supper at Emmaus, c. 1638 (oil on canvas)
3247717 Supper at Emmaus, c.1638 (oil on canvas) by Rubens, Peter Paul (1577-1640); 144x157 cm; Prado, Madrid, Spain; (add.info.: The resurrected but incognito Jesus)

The Apostle Simon, c. 1618 (oil on panel)
3077053 The Apostle Simon, c.1618 (oil on panel) by Dyck, Anthony van (1599-1641); 63.8x47.9 cm; J. Paul Getty Museum, Los Angeles, USA; Flemish, out of copyright

The Life of Christ, from the Stein Quadriptych (vellum)
WLT275945 The Life of Christ, from the Stein Quadriptych (vellum) by Bening, Simon (c.1483-1561); Walters Art Museum, Baltimore, USA; Flemish, out of copyright

Louis-Philippe (1773-1850) as St. Philip, Sevres Workshop (stained glass)
XIR247248 Louis-Philippe (1773-1850) as St. Philip, Sevres Workshop (stained glass) by Ingres, Jean Auguste Dominique (1780-1867) (after); Chapelle Royale, Dreux

The Last Supper, 1796-97
XJL186965 The Last Supper, 1796-97 by Goya y Lucientes, Francisco Jose de (1746-1828); Museo Historico Municipal, Cadiz, Spain; Spanish, out of copyright

The Multiplication of the Loaves and Fishes, 1795-96
XJL186963 The Multiplication of the Loaves and Fishes, 1795-96 by Goya y Lucientes, Francisco Jose de (1746-1828); Museo Historico Municipal, Cadiz, Spain; Spanish, out of copyright

Ms 404 fol. 7v Christ washing the disciples feet, 12th-13th century (vellum)
XIR180663 Ms 404 fol.7v Christ washing the disciples feet, 12th-13th century (vellum) by Armenian School; Armenian Cathedral and Museum, Julfa, Isfahan, Iran; Armenian, out of copyright

St. James the Great (oil on canvas)
XIR146968 St. James the Great (oil on canvas) by Ribera, Jusepe de (lo Spagnoletto) (c.1590-1652); 202x146 cm; Prado, Madrid, Spain; Italian, out of copyright

The Great Apostolic Mission (oil on panel)
MNK129600 The Great Apostolic Mission (oil on panel) by Polish School; 212.5x153 cm; National Museum in Cracow, Poland; Polish, out of copyright

Christ and St. Thomas, panel of the former high altarpiece of the Church of Saint Peter
BAL49168 Christ and St. Thomas, panel of the former high altarpiece of the Church of Saint Peter and Saint Paul in CsAiksomlyAo, c.1480 (egg tempera on panel) by Hungarian School

Detail of Güell cellar in El Garraf, work by Francesc Berenguer i Mestres (1866 - 1914)
Detail of Guell cellar in El Garraf, work by Francesc Berenguer i Mestres (1866 - 1914), a disciple of Antoni Gaudi

Representation of an altarpiece in the Church of St Mary, Whitechapel, London, c1810. Scene showing the last supper

Ticket for the London Hospital showing Christ and the disciples, c1825

The Last Supper, c1810-c1844. Artist: Henry Corbould
The Last Supper, c1810-c1844

Christ Walking on the Water, c1810-c1844. Artist: Henry Corbould
Christ Walking on the Water, c1810-c1844. Christ on the water with Peter, on the left, sinking. Behind, the disciples watch from a boat

The Miraculous Draught of Fishes, c1810-c1844. Artist: Henry Corbould
The Miraculous Draught of Fishes, c1810-c1844. Christ in a fishing boat with Simon Peter, James and John. One of the disciples struggles to pull in the bursting nets

The Black Calf of St. Luke (wood engraving)

Lion of St Mark, 1931, (wood engraving)

Angel of St. Matthew, 1931, (wood engraving)

Christ at the Sea of Galilee, c1575-1580 Artist: Jacopo Tintoretto
Christ at the Sea of Galilee, c1575-1580. The painting is part of the Kress Collection, National Gallery of Art, Washington DC

Disciples, with the women, early at the Sepulchure of Christ, c1900. From Journey in All Lands - Palestine. [Realistic Travels, London, Cape Town, Bombay, Melbourne, Toronto, c1900]

The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection, c1898, (1912). Painting held at the Musee d Orsay, Paris. From Bibbys Annual 1912, [J

Disciples at Emmaus, c1905, (1912). Artist: Eugene Alexis Girardet
Disciples at Emmaus, c1905, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Ceremony of washing the Disciples feet at the Church of the Holy Sepulchure, c1900. From Journey in All Lands - Palestine. [Realistic Travels, London, Cape Town, Bombay, Melbourne, Toronto, c1900]

The Agony in the Garden, c1458, (1909). Artist: Andrea Mantegna
The Agony in the Garden, c1458, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

The Last Supper, 1898. Artist: Henry Holiday
The Last Supper, 1898. The opus sectile reredos of the east wall of St Chads Church, Kirkby. From The Studio Volume 46. [London Offices of the Studio, London, 1909]

Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Drawn in black chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

The wall painting of `The Last Supper`, at Milan, 1883. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

The Vision of the Seven Candlesticks, 1498 (1906). Artist: Albrecht Durer
The Vision of the Seven Candlesticks, 1498 (1906). Scene from the Apocalypse. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig

The Martyrdom of St John, 1498 (1906). Artist: Albrecht Durer
The Martyrdom of St John, 1498 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Agony in the Garden, 1515 (1906). Artist: Albrecht Durer
Agony in the Garden, 1515 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

The Last Supper, 1494-1498. Artist: Leonardo da Vinci
The Last Supper, 1494-1498. The mural painting was for the refectory of the Convent of Santa Maria delle Grazie, Milan and was commissioned as part of a scheme of renovations to the church

No. III. -St. John Preaching, 1635, (1924). Artist: Jacques Callot
No. III. -St. John Preaching, 1635. From The Connoisseur Vol LXVIII [Otto Limited, London, 1924.]

St John Preaching in the Wilderness, c1620-1635, (1924). Artist: Jacques Callot
St. John Preaching in the Wilderness. From The Connoisseur Vol LXVIII [Otto Limited, London, 1924.]

Christs friendly warning to Peter, 1814. Artist: P Rothwell
Christs friendly warning to Peter, 1814. But I have prayed for thee, that thy faith fail not: and when thou art converted, strengthen thy brethren. From the Bible, Luke 22:32

The Last Supper, 1498 (1870). After the painting by Leonardo da Vinci in the Convent of Santa Maria delle Grazie, Milan. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris

Holy men, 15th century (1849). Artist: H Moulin
Holy men, 15th century (1849). A 19th century version based on a 15th century original in the chapter house of St Marks Convent, Florence

St Matthew the Evangelist, 1886. Published in Butlers Lives of the Saints, DIV 7, by the Rev Alban Butler, London & Dublin, 1886

St John the Evangelist, 1886. Published in Butlers Lives of the Saints, DIV 5, by the Rev Alban Butler, London & Dublin, 1886

St Andrew the Apostle, 1886. Published in Butlers Lives of the Saints, DIV 3, by the Rev Alban Butler, London & Dublin, 1886

St Peter, 1886. Published in Butlers Lives of the Saints, DIV 3, by the Rev Alban Butler, London & Dublin, 1886

St Mary Magdalene, 1886. Devoted disciple of Jesus. Published in Butlers Lives of the Saints, DIV 1, by the Rev Alban Butler, London & Dublin, 1886

All Professionally Made to Order for Quick Shipping

"Journeying through Faith: Exploring the Essence of Discipleship" In a world where devotion and guidance intertwine, disciples emerge as beacons of spiritual enlightenment. As we delve into this captivating theme, let us embark on a visual odyssey that traverses continents and centuries. Our expedition commences in India, where the divine figures of Laksman, Rama, Sita, and Hanuman grace our presence. These Hindu gods epitomize unwavering loyalty and dedication to their higher purpose—a testament to the essence of being a disciple. Turning our gaze towards Europe, we encounter an enchanting illustration from the Book of Kells depicting St. Matthew. This intricate artwork captures the profound commitment required to follow in the footsteps of Christ—an embodiment of true discipleship. Venturing further into biblical narratives, we find solace in Jesus calming the storm on the Sea of Galilee. Here lies an eternal lesson for all disciples—to trust in their faith even amidst life's tempestuous trials. The Supper at Emmaus by Rembrandt van Rijn transports us to another epoch—depicting disciples sharing a meal with their resurrected Lord. The painting exudes both awe and humility as it encapsulates how genuine followers are nourished by divine encounters. A magnificent statue stands tall within Basilica di San Giovanni in Laterano—the figure is none other than St Peter himself. A symbol revered by countless devotees worldwide who seek inspiration from his unwavering commitment as one of Jesus' closest confidants—a paragon for aspiring disciples. Moving forward through time's tapestry brings us face-to-face with The Disciples Peter and John Running to the Sepulchre on the Morning of Resurrection—an evocative portrayal capturing fervent devotion amidst hopelessness turned jubilation. Raphael Morghen and Teodoro Matteini's rendition titled The Last Supper invites contemplation upon the disciples' unwavering loyalty to their master, Jesus Christ.