Diminishing Perspective Collection (page 9)

The Yellow Screen, (oil on board)
822736 The Yellow Screen, (oil on board) by Maurer, Alfred Henry (1868-1932); 91.4x64.7 cm; Private Collection; (add.info.: The Yellow Screen. Alfred Henry Maurer (1868-1932). Oil on board

Le Gouter sous Bois, Gerberoy, 1925 (oil on canvas)
656188 Le Gouter sous Bois, Gerberoy, 1925 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 150.5x126 cm; Private Collection; (add.info.: Le Gouter sous Bois, Gerberoy)

Vineyards Under the Pines; Les Vignobles sous les Pins, c. 1898 (oil on canvas)
656176 Vineyards Under the Pines; Les Vignobles sous les Pins, c. 1898 (oil on canvas) by Ranson, Paul (1863-1909); 65x81 cm; Private Collection; (add.info)

Rouen; La Seine et le Pont Corneill, 1895 (oil on canvas)
653585 Rouen; La Seine et le Pont Corneill, 1895 (oil on canvas) by Boudin, Eugene Louis (1824-98); 51x76 cm; Private Collection; (add.info.: Rouen; La Seine et le Pont Corneill)

Paris, the Henri IV Bridge, in the Morning; Paris, Le Pont Henri IV, le Matin
653289 Paris, the Henri IV Bridge, in the Morning; Paris, Le Pont Henri IV, le Matin, (oil on canvas) by Loiseau, Gustave (1865-1935); 51x61 cm; Private Collection; (add.info.: Paris)

Bazincourt Prairie, Autumn; Prairies de Bazincourt, Automne, 1894 (oil on canvas)
653104 Bazincourt Prairie, Autumn; Prairies de Bazincourt, Automne, 1894 (oil on canvas) by Pissarro, Camille (1830-1903); 46x55 cm; Private Collection; (add.info.: Bazincourt Prairie)

La Chaine des Maures, June, 1906-April 1907 (oil on canvas)
652794 La Chaine des Maures, June, 1906-April 1907 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 65.1x81.3 cm; Private Collection; (add.info.: La Chaine des Maures)

Banks of the River; Au Bord de la Riviere, (oil on canvas)
652274 Banks of the River; Au Bord de la Riviere, (oil on canvas) by Martin, Henri (1860-1943); 90x64 cm; Private Collection; (add.info.: Banks of the River; Au Bord de la Riviere)

Lucerne from the Lake, 1862 (pencil and watercolour)
652085 Lucerne from the Lake, 1862 (pencil and watercolour) by Callow, William (1812-1908); 27.3x73.9 cm; Private Collection; (add.info.: Lucerne from the Lake. William Callow (1812-1908)

Figures on a Road Near Galle, Ceylon, (watercolour heightened with white)
652040 Figures on a Road Near Galle, Ceylon, (watercolour heightened with white) by Lear, Edward (1812-88); 40.6x26.3 cm; Private Collection; (add.info.: Figures on a Road Near Galle, Ceylon)

Jardin des Plantes, Paris, 1904 (watercolour and pencil on paper)
651375 Jardin des Plantes, Paris, 1904 (watercolour and pencil on paper) by Besnier, Fernand Auguste (d.1927); 53.6x69.8 cm; Private Collection; (add.info.: Jardin des Plantes, Paris)

Liverpool Docks, (oil on canvas)
828458 Liverpool Docks, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 30.5x45.7 cm; Private Collection; (add.info.: Liverpool Docks. John Atkinson Grimshaw (1836-1893). Oil on canvas

A Bleaching Ground, (oil on panel)
827919 A Bleaching Ground, (oil on panel) by Brueghel, Jan (1601-78) & Momper, Joos de (1564-1635); 80.7x144.2 cm; Private Collection; (add.info.: A Bleaching Ground)

The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk
827585 The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk, pen and brown ink) by Bellotto, Bernardo (1720-80); 21.7x38.4 cm; Private Collection; (add.info.: The Grand Canal)

The Terrace at Marquayrol; Le Terrasse de Marquayrol, 1920 (oil on canvas)
825717 The Terrace at Marquayrol; Le Terrasse de Marquayrol, 1920 (oil on canvas) by Martin, Henri (1860-1943); 78.7x106.7 cm; Private Collection; (add.info)

Tangier, the White City, 1893 (oil on canvas)
826837 Tangier, the White City, 1893 (oil on canvas) by Lavery, John (1856-1941); 61x81.4 cm; Private Collection; (add.info.: Tangier, the White City. Sir John Lavery (1856-1941). Oil on canvas

Cliffs in Brittany; Falaises en Bretagne, (pastel on paper)
825529 Cliffs in Brittany; Falaises en Bretagne, (pastel on paper) by Schuffenecker, Claude Emile (1851-1934); 38.1x47 cm; Private Collection; (add.info.: Cliffs in Brittany; Falaises en Bretagne)

Normandy Countryside; Paysage en Normandie, 1895 (oil on canvas)
826564 Normandy Countryside; Paysage en Normandie, 1895 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 41.8x56 cm; Private Collection; (add.info.: Normandy Countryside; Paysage en Normandie)

Beal; Le Beal, 1905 (oil on canvas)
825254 Beal; Le Beal, 1905 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 46x57 cm; Private Collection; (add.info.: Beal; Le Beal. Pierre Auguste Renoir (1841-1919). Oil on canvas

Le Fond de St, 1876 (oil on canvas)
825253 Le Fond de St, 1876 (oil on canvas) by Pissarro, Camille (1830-1903); 59x71 cm; Private Collection; (add.info.: Le Fond de St. Antoine, Pontoise. Camille Pissarro (1830-1903). Oil on canvas

Interior of the Jeu de Paume, Versailles (oil on canvas)
1766810 Interior of the Jeu de Paume, Versailles (oil on canvas) by Boilly, Louis Leopold (1761-1845); Private Collection; (add.info.: Interior of the Jeu de Paume, Versailles)

The Path to Louveciennes; Un Chemin a Louveciennes, 1876 (oil on canvas)
1765148 The Path to Louveciennes; Un Chemin a Louveciennes, 1876 (oil on canvas) by Sisley, Alfred (1839-99); Private Collection; (add.info.: The Path to Louveciennes; Un Chemin a Louveciennes)

Place de la Concorde, (watercolour and pencil on paper)
985375 Place de la Concorde, (watercolour and pencil on paper) by Robinson, Florence Vincent (1874-1937); 35.7x47.1 cm; Private Collection; (add.info.: Place de la Concorde)

Along the Shore, 1870 (oil on canvas)
985366 Along the Shore, 1870 (oil on canvas) by Richards, William Trost (1833-1905); 36.5x67 cm; Private Collection; (add.info.: Along the Shore. William Trost Richards (1833-1905). Oil on canvas

Jersey City with a Glimpse of New York From the Bergen Canal, 1854 (watercolour
985356 Jersey City with a Glimpse of New York From the Bergen Canal, 1854 (watercolour, pencil and gouache on paper) by Miller

Cap Noir, St. Pierre, 1902 (oil on canvas)
985138 Cap Noir, St. Pierre, 1902 (oil on canvas) by Glackens, William James (1870-1938); 63.5x76.2 cm; Private Collection; (add.info.: Cap Noir, St. Pierre. William James Glackens (1870-1938)

The Battery and Harbour, New York, c. 1811-1812 (oil on canvas)
985116 The Battery and Harbour, New York, c.1811-1812 (oil on canvas) by Birch, Thomas (1779-1851); 73x103.5 cm; Private Collection; (add.info.: The Battery and Harbour, New York)

Hourtide, (oil on canvas)
984924 Hourtide, (oil on canvas) by Potthast, Edward Henry (1857-1927); 61x76.7 cm; Private Collection; (add.info.: Hourtide. Edward Henry Potthast (1857-1927). Oil on canvas

Above Lake Garda (at San Vigilio), 1913 (watercolour and gouache on paper)
984923 Above Lake Garda (at San Vigilio), 1913 (watercolour and gouache on paper) by Sargent, John Singer (1856-1925); 34.9x53.4 cm; Private Collection; (add.info.: Above Lake Garda (at San Vigilio)

Poster advertising Zermatt, Switzerland, 1908 (colour lithograph)
1197949 Poster advertising Zermatt, Switzerland, 1908 (colour lithograph) by Cardinaux, Emil (1877-1936); 103x72 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

The Iron Mill in The Hague, 1882 (gouache, w / c, wash, pen and India ink, pencil on paper)
1195957 The Iron Mill in The Hague, 1882 (gouache, w/c, wash, pen and India ink, pencil on paper) by Gogh, Vincent van (1853-90); 35.8x60.4 cm; Private Collection; Photo eChristies Images; Dutch

Amsterdam at Night, 1870s (oil on canvas)
1195881 Amsterdam at Night, 1870s (oil on canvas) by Bogolyubov, Aleksei Petrovich (1824-96); 32x50 cm; Private Collection; (add.info.: Bogolyubov)

The Road to the Village; La route au village, c. 1908-1912 (oil on canvas)
1195749 The Road to the Village; La route au village, c.1908-1912 (oil on canvas) by Baranoff-Rossine, Daniel Vladimir (1888-1942); 70.9x90 cm; Private Collection; Photo eChristies Images; Russian

View of the Iimperial Winter Palace, 1818 (pen & ink, w / c on paper)
1195633 View of the Iimperial Winter Palace, 1818 (pen & ink, w/c on paper) by VorobOev, Maksim Nikiforovich (1787-1855); 32.8x51.5 cm; Private Collection; (add.info.: Vorobev)

The Kotwali Gate, Gaur, Bengal, (pencil and w / c)
1196890 The Kotwali Gate, Gaur, Bengal, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 53.4x55.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Factory at Sevres; La Manufacture de Sevres, 1879 (oil on canvas)
656710 Factory at Sevres; La Manufacture de Sevres, 1879 (oil on canvas) by Sisley, Alfred (1839-99); 60x73.4 cm; Private Collection; (add.info.: Factory at Sevres; La Manufacture de Sevres)

Still Life with Melon and Tomatoes; Nature Morte au Melon et Tomates, c
656432 Still Life with Melon and Tomatoes; Nature Morte au Melon et Tomates, c.1900 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 30x39.9 cm; Private Collection; (add.info)

Crozard Road, Little Fog and Frost; Route de Crozard, Petit Brouillard et Gelee Blanche
656396 Crozard Road, Little Fog and Frost; Route de Crozard, Petit Brouillard et Gelee Blanche, 1910 (oil on canvas) by Guillaumin

Pourville Near Dieppe; Pourville Pres de Dieppe, 1882 (oil on canvas)
656330 Pourville Near Dieppe; Pourville Pres de Dieppe, 1882 (oil on canvas) by Monet, Claude (1840-1926); 60.4x79.1 cm; Private Collection; (add.info)

Jerusalem (looking South), 1860 (oil on canvas)
828484 Jerusalem (looking South), 1860 (oil on canvas) by Roberts, David (1796-1864); 122.5x183.5 cm; Private Collection; (add.info.: Jerusalem (looking South). David Roberts (1796-1864)

A Bird s-Eye View of the Docks at Buenos Aires, (watercolour)
828300 A Bird s-Eye View of the Docks at Buenos Aires, (watercolour) by Martino, Eduardo de (1838-1912); 60.9x91.4 cm; Private Collection; (add.info.: A Bird s-Eye View of the Docks at Buenos Aires)

The Marriage at Cana, (on copper)
827938 The Marriage at Cana, (on copper) by Platzer, Johann Georg (1704-61); 43.6x63.5 cm; Private Collection; (add.info.: The Marriage at Cana. Johann Georg Platzer (1704-1761). Oil on copper

The Church of Saint Jacques in Dieppe in the Morning Sun;L
825668 The Church of Saint Jacques in Dieppe in the Morning Sun; L eglise Saint-Jacques a Dieppe Matin, Soleil, 1901 (oil on canvas) by Pissarro

Sunny Morning at Saint Mammes; Soleil du Matin a Saint-Mammes, 1884 (oil on canvas)
825623 Sunny Morning at Saint Mammes; Soleil du Matin a Saint-Mammes, 1884 (oil on canvas) by Sisley, Alfred (1839-99); 49x65 cm; Private Collection; (add.info)

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As the dawn mist envelops Glastonbury Tor, a sense takes hold. The ancient hill seems to rise above the clouds, its mystical aura captivating all who gaze upon it. In Aberystwyth, West Wales, a similar phenomenon occurs as the horizon stretches endlessly into the distance. Hammocks sway gently on White Bay in Jost Van Dyke, their occupants lost in thoughts of tranquility and introspection. Pen-y-ghent and Ribblehead Viaduct stand tall amidst the vastness of Yorkshire Dales National Park. Here, one can't help but feel small against nature's grandeur as perspective diminishes with every step taken. Trinity College's Long Room in Dublin holds countless volumes of knowledge that seem to extend beyond comprehension – an infinite expanse of wisdom waiting to be explored. St. Andrews Harbour unveils its beauty before dawn breaks over Fife, Scotland; a moment when time stands still and perspectives shift ever so subtly. Across the Atlantic Ocean lies Loretto's Makers Mark Bourbon Distillery in Kentucky, where aging bourbon barrels symbolize the passage of time and changing perspectives on craftsmanship. Clearwater Beach in Florida beckons with its endless stretch of sand meeting sea – a reminder that even vast landscapes can offer moments of serenity amidst life's chaos. Camber Sands' sand dunes create an illusionary landscape where dimensions blur and perspectives become distorted. The Sistine Chapel by Michelangelo within Vatican Museums transports visitors into another realm altogether – where art defies boundaries and challenges our understanding of space and perception itself. Chatsworth House nestled within Peak District National Park invites us to explore opulence against nature's backdrop - reminding us that even great estates are mere specks compared to Earth's majesty. Finally, standing before Isle of Skye's Old Man Storr evokes awe-inspiring wonderment at nature’s power to shape landforms over millennia.