Dilettante Collection

The Art Historian, Professor Dr. Karl Voll (1867-1917) 1911 (oil on canvas)
XKH152165 The Art Historian, Professor Dr. Karl Voll (1867-1917) 1911 (oil on canvas) by Slevogt, Max (1868-1932); 120x93 cm; Hamburger Kunsthalle, Hamburg

Interior view of Somerset House showing an exhibition of the Royal Academy of Arts in 1787, 1787 (etching)
GHL165406 Interior view of Somerset House showing an exhibition of the Royal Academy of Arts in 1787, 1787 (etching) by Ramberg, Johann Heinrich (1763-1840); London Metropolitan Archives

Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving)
2962517 Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving) by Rowlandson, Thomas (1756-1827); Private Collection; The Stapleton Collection; English

Portrait of David Garrick (1717-79) (left) and William Windham of Felbrigg (1717-61
PAR87629 Portrait of David Garrick (1717-79) (left) and William Windham of Felbrigg (1717-61) (right) c.1745 by Hayman, Francis (1708-76); 99x84 cm; Private Collection; ePartridge Fine Arts, London

Portrait of Mademoiselle Victorine de Bellio (1863-1957) 1892 (oil on canvas)
MMT181281 Portrait of Mademoiselle Victorine de Bellio (1863-1957) 1892 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 55x46 cm; Musee Marmottan Monet, Paris

Edwardian Gentleman
GG40054 Edwardian Gentleman by Fuchs, Emil (1866-1929); Private Collection; Photo eGavin Graham Gallery, London, UK; American, out of copyright

No. 889-6 Morning Amusements before a Trip to Tivoli (pen and wash, pencil)
FIT88898 No.889-6 Morning Amusements before a Trip to Tivoli (pen and wash, pencil) by Dance, George (1741-1825); Fitzwilliam Museum, University of Cambridge

I am a painter too or Dilettante or The painters studio
3497603 I am a painter too or Dilettante or The painters studio, 1885 (oil on canvas) (detail of 3497601) by Sottocornola, Giovanni (1855-1917); Fondazione Cariplo, Milan, Lombardy

The Exhibition of the Royal Academy, 1787, engraved by Pietro Antonio Martini (1738-97)
TOL166102 The Exhibition of the Royal Academy, 1787, engraved by Pietro Antonio Martini (1738-97), 1787 (engraving) by Ramberg

Charles Townley and his Friends in the Towneley Gallery, 33 Park Street, Westminster
THA2288 Charles Townley and his Friends in the Towneley Gallery, 33 Park Street, Westminster, 1781-83 (oil on canvas) by Zoffany

Luman Reed (1785-1836) 1835 (oil on canvas)
NYH150016 Luman Reed (1785-1836) 1835 (oil on canvas) by Durand, Asher Brown (1796-1886); 76.2x63.5 cm; Collection of the New-York Historical Society, USA; eNew York Historical Society; American

The Fortunate Macaroni, pub. by N. Dandy, 16 March 1772 (engraving) (b / w photo)
XJF137472 The Fortunate Macaroni, pub. by N. Dandy, 16 March 1772 (engraving) (b/w photo) by English School, (18th century); Private Collection; (add.info)

Charles Townley and his Friends in the Towneley Gallery
THA100427 Charles Townley and his Friends in the Towneley Gallery, detail of Charles Townley (1737-1805) 1781-83 (oil on canvas) (detail of 2288) by Zoffany

I am a painter too or Dilettante or The painters studio, 1885 (oil on canvas)
3497601 I am a painter too or Dilettante or The painters studio, 1885 (oil on canvas) by Sottocornola, Giovanni (1855-1917); 127.8x74.7 cm; Fondazione Cariplo, Milan, Lombardy

Wat Pho, 1890 (b / w photo)
LIT389958 Wat Pho, 1890 (b/w photo) by Lenz, Robert (fl.1890s); Bangkok, Thailand; (add.info.: Also known as the Temple of the Reclining Buddha; ); Photo eLuca Tettoni; out of copyright

The Conoisseurs, 1883 (oil on panel)
476639 The Conoisseurs, 1883 (oil on panel) by Roybet, Ferdinand (1840-1920); 78.8x61.9 cm; Private Collection; Photo eChristies Images; French, out of copyright

I am a painter too or Dilettante or The painters studio
3497602 I am a painter too or Dilettante or The painters studio, 1885 (oil on canvas) (detail of 3497601) by Sottocornola, Giovanni (1855-1917); Fondazione Cariplo, Milan, Lombardy

The Oppidans Museum, or Eton Court of Claims at the Christopher
STC255142 The Oppidans Museum, or Eton Court of Claims at the Christopher, from The English Spy, by Charles Molloy Westmacott (1788-1868) published London, 1825 (colour litho) by Cruikshank

Charles Townleys (1737-1805) Visiting Card (engraving)
THA220598 Charles Townleys (1737-1805) Visiting Card (engraving) by Skelton, William (1763-1848); Towneley Hall Art Gallery and Museum, Burnley

Perspective View of the Salon of the Royal Academy of Painting
STC169279 Perspective View of the Salon of the Royal Academy of Painting and Sculpture at the Louvre, Paris (engraving) by French School

Interior view of Somerset House showing King George III (1738-1820)
GHL165405 Interior view of Somerset House showing King George III (1738-1820), Queen Charlotte (1744-1818) and the Royal family viewing an exhibition of the Royal Academy of Arts in 1788

Society for the Encouragement of Arts, from Ackermanns Microcosm of London
STC170342 Society for the Encouragement of Arts, from Ackermanns Microcosm of London, engraved by John Bluck (fl.1791-1831), 1809 (aquatint) by Rowlandson, T. (1756-1827) & Pugin, A.C

Cartoon, Dilettanti Theatricals
Contemporary society. Cartoon, Dilettanti Theatricals, or, a Peep at the Green Room, Vide Pic-Nic Orgies, by James Gillray

The Dilettante. circa 1840

Robert Merry
ROBERT MERRY - dilettante poet and playwright, for some time in Florence but quarrelled continually, much mocked by Walpole and others : married actress Ann Brunton. Date: 1755 - 1798

The Archduke Leopold Wilhelm (1614-62) in his Picture Gallery in Brussels, 1651
XAM65661 The Archduke Leopold Wilhelm (1614-62) in his Picture Gallery in Brussels, 1651 (see also 738) by Teniers, David the Younger (1610-90); 123x163 cm; Kunsthistorisches Museum, Vienna

Portrait of Georg E. Hsen, 1913 (oil on canvas)
BAL172713 Portrait of Georg E. Hsen, 1913 (oil on canvas) by Vallotton, Felix Edouard (1865-1925); 82.5x100.5 cm; Private Collection; (add.info.: collector of Impressionist works of art; ); Swiss

James Grant of Grant, John Mytton, the Honorable Thomas Robinson and Thomas Wynne, c
XYC162478 James Grant of Grant, John Mytton, the Honorable Thomas Robinson and Thomas Wynne, c.1760 (oil on canvas) by Dance-Holland

The Fly Catching Macaroni, engraved by Whipcord, pub. by N. Darly, 12 July 1772
XJF137471 The Fly Catching Macaroni, engraved by Whipcord, pub. by N. Darly, 12 July 1772 (engraving) (b/w photo) by English School

Macaronies Drawn After the Life, pub. by N. Darly, December 1773 (engraving) (b / w photo)
XJF137469 Macaronies Drawn After the Life, pub. by N. Darly, December 1773 (engraving) (b/w photo) by English School, (18th century); Private Collection; (add.info)

A New Method of Macaroni Making as Practised at Boston in North America, 12 October 1774
XJF137468 A New Method of Macaroni Making as Practised at Boston in North America, 12 October 1774 (litho) (b/w photo) by English School

The Macaroni Print Shop, pub. by N. Darley, 1772 (engraving) (b / w photo)
XJF137467 The Macaroni Print Shop, pub. by N. Darley, 1772 (engraving) (b/w photo) by Jopham, E (18th century); Private Collection; (add.info)

The Connoisseurs, c. 1790 (pen, ink and w / c over graphite on mounted wove paper)
XYC150243 The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper) by Rowlandson, Thomas (1756-1827); 23.8x31.8 cm; Yale Center for British Art, Paul Mellon Collection

JULES BOIS French author, dilettante student of occultism

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"Dilettante: Exploring the Artistic World Through Various Mediums" Step into the world of art with "Dilettante, " a captivating journey through different artistic expressions. From oil paintings to engravings, this collection showcases the diverse talents and interests of artists throughout history. In "The Art Historian, " Professor Dr. Karl Voll immerses himself in his subject matter, capturing his intense focus and dedication on canvas. The painting serves as a testament to the passion that drives scholars in their pursuit of knowledge. "Interior view of Somerset House showing an exhibition of the Royal Academy of Arts in 1787" takes us back to a time when art exhibitions were grand events, attracting visitors from all walks of life. This etching offers a glimpse into the bustling atmosphere and vibrant displays that captivated audiences during that era. With "Italian Picture Dealers Humbuging My Lord Anglaise, " we witness satirical commentary on the art market's tricks and deceptions. This hand-colored engraving exposes some dubious practices employed by dealers, reminding us that even within such esteemed circles, not everything is as it seems. A striking portrait captures our attention next – "Portrait of David Garrick (1717-79) (left) and William Windham of Felbrigg (1717-61). " These two gentlemen epitomize elegance and sophistication while showcasing their individuality through fashion choices, reflecting both personal taste and societal norms. Moving forward in time, we encounter "Portrait of Mademoiselle Victorine de Bellio. " Painted in 1892, this oil-on-canvas masterpiece reveals an enchanting young woman whose gaze invites contemplation about her story beyond what meets the eye. "The Exhibition of the Royal Academy, 1787" engraved by Pietro Antonio Martini transports us back to one particular year where creativity flourished under prestigious institutions' patronage. This intricate print immortalizes an event that celebrated artistic achievements and fostered inspiration for generations to come.