Diaghileff Collection

Cuadro Flamenco - Diaghilev Ballets Russes - Picasso
Two of the Andalusian dancers (Rojas and El Tejero) performing the Cuadro Flamenco - during the Ballet Russes performabce by Diaghilev at the Princes Theatre

La Rubia de Jerez, Mate y Maria de Albaicin and Mate El Sin Pies performing the Cuadro Flamenco, a suite of Andalusian dances which form a key part of Diaghilevs Ballets Russes performance at Princes

Lydia Sokolova with a group of peasants in Barabau, part of Diaghileffs ballet season at His Majestys Theatre, London, 1926 Date: 1926

Alice Nikitina and Serge Lifar in The House Party, part of Diaghileffs ballet season at His Majestys Theatre, London, 1926 Date: 1926

Some member of the corps de ballet in Bontique Fantasque, part of Diaghileffs ballet season at His Majestys Theatre, London, 1926 Date: 1926

Alice Nikitina and Idzikovsky in Pulcinella, part of Diaghileffs ballet season at His Majestys Theatre, London, 1926. Music by Stravinsky and decor by Picasso Date: 1926

Sokolova in Barabau part of Diaghileffs ballet season at His Majestys Theatre, London, 1926. Scenery and costumes by Utrillo Date: 1926

Sketch by Fish showing an incident at the Russian Ballet, London witnessing the definite dismissal of the Betrothed in Pulcinella, part of Diaghileffs ballet season at His Majestys Theatre, London

The dancer Nikitina in Zephyr and Flora, a Diaghileff ballet, London, 1926 Date: 1926

Anton Dolin, the English ballet dancer who had appeared at Covent Garden with the Diaghileff Ballet, 1929 Date: 1929

A scene from the Diaghileff ballet companys production of The Prodigal Son, London, 1929 with Felia Doubrovska and Serge Lilar Date: 1929

Early successes of the Russian ballet presetned
Early successes of the Russian ballet presented in Europe by Diaghileff: Les Sylphides (top - 1909 in Paris) and Le Pavilion d Armide (bottom - 1909 Paris). Decor by Alexander Benois Date: 1931

A suite of Andalusian dances - Cuadro Flamenco performed during the Interlude of the performance of Diaghilevs Ballet Russes at the Princes Theatre, London

Russian ballet, The Cat by Saugue, Felix de Gray
Impression by Felix de Gray of a scene from the Russian ballets performance of The Cat by Saugues, performed at Royal Opera House, Covent Garden in the summer of 1929. Date: 1929

Sergei Pavlovich Diaghilev Also Spelled Diaghileff 1872 - 1929 Russian Art Critic Patron Ballet Impresario And Founder Of The Ballets Russes And Serge Lifar Sergei Mihailovich Lifar 1905 -1986

A portrait of the Russian dancer Mlle Lubov Tchernicheva, 1921. In a graceful pose from Les Sylphides. At the time she was appearing in Diaghileffs The Sleeping Princess at the Alhambra, London

Sketch of principal dances in Diaghileffs Russian Ballet, 1
Sketch of principal dances in Serge Diaghileffs Russian Ballet, 1927 : Lydia Sokolova, Serge Lifar, Leon Woizikowsky, Stanislas Idzikovsky and Olga Spressiva Date: 1927

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"Diaghileff: A Fusion of Flamenco, Ballets Russes, and Picasso" Step into the world of Diaghileff, where artistry knows no bounds. From the mesmerizing Cuadro Flamenco to the groundbreaking Diaghilev Ballets Russes, this captivating era brought together diverse talents that left an indelible mark on history. In one corner of the stage, La Rubia de Jerez enchants with her fiery moves while Mate y Maria de Albaicin and Mate El Sin Pies captivate audiences with their spellbinding performance in the Cuadro. The fusion of traditional Spanish dance and Russian ballet creates a unique spectacle that is both breathtaking and unforgettable. Meanwhile, Lydia Sokolova transports us to Barabau as she gracefully dances alongside a group of peasants. Her elegance and poise bring life to every step, capturing the essence of Diaghileff's vision. Alice Nikitina takes center stage in The House Party alongside Serge Lifar. Their chemistry ignites the atmosphere as they effortlessly glide across the floor. The passion between them is palpable, leaving spectators in awe. The corps de ballet showcases their impeccable skills in Bontique. Each member exudes grace and precision as they seamlessly move as one entity – a testament to their dedication and talent. Nikitina returns once again, this time partnering with Idzikovsky in Pulcinella. Their dynamic duet tells a story through movement – an enchanting tale that leaves viewers enthralled from start to finish. Sokolova graces us with her presence once more in Barabau - another masterpiece by Diaghileff's ballet company. Her portrayal captures emotions so vividly that it feels like stepping into another realm altogether. A sketch by Fish immortalizes an incident at the Russian theater during one of these performances – a reminder that even behind-the-scenes moments hold significance within this extraordinary world.