Despondency Collection

Nelson in his cabin on the H. M. S. Victory
This is a painting of Nelson in his cabin. The attitude is characteristic of the Admiral who had periods of great despondency even in his hours of greatness

Nude Boy Standing; Stehender Knabenakt, (oil on canvas)
652939 Nude Boy Standing; Stehender Knabenakt, (oil on canvas) by Rohlfs, Christian (1849-1938); 80x53.3 cm; Private Collection; (add.info.: Nude Boy Standing; Stehender Knabenakt)

Kaiser Wilhelm II of Germany seized by despondency at the progress of the war during a visit to the Eastern Front
6000295 Kaiser Wilhelm II of Germany seized by despondency at the progress of the war during a visit to the Eastern Front, World War I, 1915 (colour litho) by Damblans

Evening, Champs-Elysees (Near the Louvre), 1898 (oil on canvas)
984904 Evening, Champs-Elysees (Near the Louvre), 1898 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 34.2x27 cm; Private Collection; (add.info.: Evening, Champs-Elysees (Near the Louvre)

Tramp at Night; Un Vagabond de nuit, (oil on panel)
1197478 Tramp at Night; Un Vagabond de nuit, (oil on panel) by Munkacsy, Mihaly (1844-1900); 82.9x65.7 cm; Private Collection; Photo eChristies Images; Hungarian, out of copyright

Seated Woman with Flowers; Femme Assise aux Fleurs, (oil on canvas)
657767 Seated Woman with Flowers; Femme Assise aux Fleurs, (oil on canvas) by O Conor, Roderic (1860-1940); Private Collection; (add.info.: Seated Woman with Flowers; Femme Assise aux Fleurs)

Seated Woman; Femme Assise, (blue wash and pencil on paper)
653496 Seated Woman; Femme Assise, (blue wash and pencil on paper) by Rodin, Auguste (1840-1917); 32x25 cm; Private Collection; (add.info.: Seated Woman; Femme Assise. Auguste Rodin (1840-1917)

Russian retreat after the Battle of Mukden, Russo-Japanese War (colour litho)
2795927 Russian retreat after the Battle of Mukden, Russo-Japanese War (colour litho) by French School, (20th century); Private Collection; (add.info.: Russian retreat after the Battle of Mukden)

The Break-Up Letter, 1890 (pastel on paper)
987325 The Break-Up Letter, 1890 (pastel on paper) by Carrier-Belleuse, Pierre (1851-1933); 99x71 cm; Private Collection; (add.info.: The Break-Up Letter; Le Lettre de Rupture)

Portrait of a Woman, Half Length, 1905 (oil on canvas)
657745 Portrait of a Woman, Half Length, 1905 (oil on canvas) by Blacklock, William Kay (1872-1922); Private Collection; (add.info.: Portrait of a Woman, Half Length)

The Application, 1893 (oil on canvas)
BAL134953 The Application, 1893 (oil on canvas) by Kishinevsky, Solomon Yakovlevich (1863-1941); 72x94 cm; Tretyakov Gallery, Moscow, Russia; Ukrainian, out of copyright

Lady on a Divan, 1877 (oil on canvas)
650687 Lady on a Divan, 1877 (oil on canvas) by Stewart, Julius Leblanc (1855-1919); 62.5x49.5 cm; Private Collection; (add.info.: Lady on a Divan. Julius Leblanc Stewart (1855-1919)

A Quiet Read, c. 1912 (oil on board)
1197244 A Quiet Read, c. 1912 (oil on board) by O Conor, Roderic (1860-1940); 75x52.8 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Seated Figure; Sitzende Figur, 1909 (oil on canvas)
656735 Seated Figure; Sitzende Figur, 1909 (oil on canvas) by Morgner, Wilhelm (1891-1917); 82x68 cm; Private Collection; (add.info.: Seated Figure; Sitzende Figur. Wilhelm Morgner (1891-1917)

Head of a Peasant; Tete de Paysanne, 1885 (oil on canvas)
656366 Head of a Peasant; Tete de Paysanne, 1885 (oil on canvas) by Gogh, Vincent van (1853-90); 40.6x31.7 cm; Private Collection; (add.info.: Head of a Peasant; Tete de Paysanne)

Melencolia I, 1514 (engraving)
3615917 Melencolia I, 1514 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 24x18.5 cm; Metropolitan Museum of Art, New York

Best Friends, (oil on canvas)
650348 Best Friends, (oil on canvas) by Brown, John George (1831-1913); 61.3x50.8 cm; Private Collection; (add.info.: Best Friends. John George Brown (1831-1913). Oil on canvas

Loves Distraction, 1880 (oil on canvas)
658742 Loves Distraction, 1880 (oil on canvas) by Carpentier, Evariste (1845-1922); 55.9x90.1 cm; Private Collection; (add.info.: Loves Distraction. Evariste Carpentier (1845-1922). Oil on canvas

Posthumous Portrait of Jane Lavery, 1935 (oil on canvas board)
657744 Posthumous Portrait of Jane Lavery, 1935 (oil on canvas board) by Lavery, John (1856-1941); Private Collection; (add.info.: Posthumous Portrait of Jane Lavery. Sir John Lavery (1856-1941)

The Fisherman, 1890 (oil on canvas)
1769875 The Fisherman, 1890 (oil on canvas) by Richards, Frank (1881-1925); 101.6x76.2 cm; Private Collection; (add.info.: The Fisherman. Frank Richards (1863-1935). Oil on canvas. Painted in 1890

STAGE GESTURE / DESPONDENT
DESPONDENCY Date: 1807

Grizzly Bear (Ursus Arctos), Denali National Park, Alaska

l Amour simple, Abattement, Le Desir (from Caracteres des passions, graves sur les desseins de l illustre Monsieur le Brun), 1695-1720

Melancholia, 1514 (engraving)
XJF465181 Melancholia, 1514 (engraving) by DAOErer or Duerer, Albrecht (1471-1528); Private Collection; German, out of copyright

Melancolia, 1560 (engraving)
XJF465172 Melancolia, 1560 (engraving) by Brun, Franz Isaac (c.1535-c.1610/20); 7.1 x 4.7 cm; Private Collection; German, out of copyright

Pilgrims Progress 33
Mr Despondency and his daughter Muchafraid

Despondency in Rome after learning of their armys defeat at the battle of Cannae

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Despondency, a haunting presence that transcends time and space. It lingers in the depths of Nelson's cabin on the H. M. S. Victory, where even the great admiral finds solace in its embrace. In Nude Boy Standing; Stehender Knabenakt, despondency takes form as an ethereal shadow cast upon innocence. Kaiser Wilhelm II of Germany, once filled with grandeur and ambition, now seized by despondency at the relentless progress of war during his visit to the Eastern Front in World War I. The weight of despair hangs heavy upon him as he witnesses the destruction and loss. Evening falls upon Champs-Elysees near the Louvre in 1898, painting a melancholic scene where despondency dances amidst dimly lit streets. Un Vagabond de nuit wanders through this nocturnal world, embodying desolation under moonlit skies. Seated Woman with Flowers exudes an air of resignation as she contemplates her existence amongst fading petals. Femme Assise portrays another seated woman consumed by introspection - her blue wash and pencil strokes capturing her inner turmoil. The Russian retreat after the Battle of Mukden echoes with defeat and sorrow from Russo-Japanese War days gone by. A vivid color lithograph brings forth images of soldiers burdened by their shattered dreams on a battlefield stained with tears. In The Break-Up Letter from 1890, pastel strokes convey heartache and longing as words etched onto paper shatter fragile hearts. Portrait of a Woman Half Length reveals hidden pain behind eyes that have seen too much while The Application depicts desperation etched into every brushstroke. Lady on a Divan reclines gracefully but carries an invisible weight within her soul - despondency cloaked beneath layers of opulent fabric. Each artwork whispers tales woven with sadness; they are windows into human emotions that transcend time itself.