Deposition Collection (page 9)

The Deposition from the Cross, 1526-1528. Artist: Jacopo Pontormo
The Deposition from the Cross, 1526-1528. The dead Christ is lifted down after being crucified. From the Capella Capponi, Church of Santa Felicita, Florence, Italy

Pieta, early 16th century. Artist: Lodovico Mazzolini
Pieta, early 16th century. The Virgin Mary laments over the body of the crucified Christ. From the Loredan Palace, Venice, Italy

Study for a Lamentation over the dead Christ. Watercolor pen drawing by Cigoli, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence Florence Uffizi Gallery

Sunset over rugged rocks at Praia Baleal, Peniche, Oeste, Portugal
Pink glowing sunset sky over the Atlantic Ocean and the rugged rocks lining the coastline at Praia Baleal; Peniche, Oeste, Portugal

Praia Baleal, Peniche, Oeste, Portugal
Praia Baleal at sunset with a view of the coastline; Peniche, Oeste, Portugal

Deposition Entombment burial Mary wraps arms
The Deposition and the Entombment, The burial, The burial. Mary wraps her arms around the body of Christ lying in the grave, grieving the three holy women. The twelve disciples on the right

Passion Christ Deposition descent cross
Passion of Christ: Deposition (descent from cross)

Multiple scenes Flight Egypt Circumcision Presentation
Multiple scenes: Flight into Egypt, Circumcision, Presentation of Christ-child, Christ among doctors, Procession to Calvary, Crucifixion, Deposition (descent from cross) and Lamentation

Marches Macerata Matelica S. Francesco Italy
Marches Macerata Matelica S. Francesco, this is my Italy, the italian country of visual history, Exterior views of the Baroque architecture of the church interior views of the 15th-century painted

Deposition descent cross
Deposition (descent from cross)

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime, this is my Italy, the italian country of visual history, Views of the plain exterior focus on the sculpted portal

Umbria Perugia Gubbio S. Francesco Italy italian country
Umbria Perugia Gubbio S. Francesco, this is my Italy, the italian country of visual history, Exterior views of this church include the octagonal bell tower, polygonal apse, ogival windows

Crucifixion Deposition Lake Van Turkey 1386 Black ink
The Crucifixion and The Deposition; Lake Van, Turkey; 1386; Black ink and watercolors on paper bound between wood boards covered with dark brown kidskin; Leaf: 24 x 16.5 cm (9 7, 16 x 6 1, 2 in.)

Deposition Master Sir John Fastolf French active
The Deposition; Master of Sir John Fastolf (French, active before about 1420 - about 1450); France; about 1430 - 1440; Tempera colors, gold leaf, and ink on parchment; Leaf: 12.1 x 9.2 cm (4 3)

Deposition Master Lee Hours Flemish active 1450
The Deposition; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5)

Initials Deposition Bruges Belgium mid-1200s
Initial S: The Deposition; Bruges (possibly), Belgium; mid-1200s; Tempera colors, gold leaf, and ink on parchment; Leaf: 23.5 x 16.5 cm (9 1, 4 x 6 1, 2 in.)

Deposition Vienna Master Mary Burgundy Flemish
The Deposition; Vienna Master of Mary of Burgundy (Flemish, active about 1470 - about 1480); Ghent (written), Belgium; about 1471; Tempera colors, gold leaf, gold paint, silver paint

Initial D Deposition Atelier Passion Master Paris
Initial D: The Deposition; Atelier of the Passion Master; Paris (written), France; illumination about 1270 - 1280; written about 135 - 1375; Tempera colors, gold

Deposition recto verso second half 18th century
The Deposition (recto) and (verso), second half 18th century. Christian Wink (German, 1738-1797). Pen and brown ink over black chalk; sheet: 18.9 x 26.8 cm (7 7/16 x 10 9/16 in.)

Deposition second half 18th century Christian Wink
The Deposition, second half 18th century. Christian Wink (German, 1738-1797). Pen and brown ink; sheet: 18.9 x 26.8 cm (7 7/16 x 10 9/16 in.)

Great Passion Deposition Albrecht Dürer
The Great Passion: The Deposition. Albrecht Durer (German, 1471-1528). Woodcut

Passion Deposition Cross Hieronymus Wierix Flemish
The Passion: Deposition from the Cross. Hieronymus Wierix (Flemish, 1553-1619). Engraving

Leaf Book Hours Presentation Temple Roundels
Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pieta (None, Office of the Virgin), c. 1460-70

Small Passion Deposition Albrecht Dürer
Small Passion: The Deposition. Albrecht Durer (German, 1471-1528). Woodcut; sheet: 12.7 x 9.7 cm (5 x 3 13/16 in.)

Parliament Deposing King Richard Ii 1399 From The National And Domestic History Of England By William Aubrey Published London Circa 1890

Descent from the Cross, c. 1631. Creator: Jacques Callot
Descent from the Cross, c. 1631

The Lamentation, from The Large Passion. n. d. Creator: Albrecht Durer
The Lamentation, from The Large Passion.n.d

Jusepe de Ribera (1591-1652). The Deposition. 1620
Jusepe de Ribera (1591-1652). Spanish Tenebrist painter. Called Lo Spagnoletto. The Deposition. 1620. Museum of Louvre, Paris, France

William Shakespeare signature
Detail of William Shakespeare signature on deposition, 11 May 1612 11th May 1612

Eroded statue. Stone statue that has been damaged by acid rain. Acid rain is caused by the reaction in the atmosphere between water droplets and pollutant gases

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"Capturing the Emotion: A Glimpse into Deposition Artworks" Deposition, a powerful and poignant theme in art history, has been depicted by numerous talented artists throughout the centuries. From Michelangelo Caravaggio's "The Laying in the Tomb" to Antonio d Este's "Deposition, " these artworks offer a glimpse into the solemn moment when Christ was taken down from the cross. One such masterpiece is Francesco Solimena's "The Descent from the Cross, " painted in 1729. With his skilled brushstrokes, Solimena captures the raw emotion of this pivotal event, evoking empathy and contemplation within viewers. Similarly, Sir Anthony Van Dyck's Flemish rendition of Christ's deposition showcases his mastery of capturing human emotions through paint. Moving away from paintings, we find depictions in unexpected places. The Monastery of Our Lady of Merc in Casalarreina houses an awe-inspiring representation that transports visitors back to ancient Spain. Meanwhile, Calvary of Hio in Galicia stands as a testament to religious devotion with its striking depiction. Not limited to traditional art forms alone, even geological formations bear witness to deposition processes. An outcrop on Hilbre Island reveals Triassic age Sherwood Sandstone displaying fluvial cross-bedding—a result of river deposition—reminding us that nature itself can be an artist too. Intriguingly, not all representations adhere strictly to realism; some artists choose alternative mediums like etching or oil on panel for their interpretations. Take for instance the torch-lit scene captured by an unknown artist in 1654—an etching titled "The descent from the cross. " Its unique lighting adds a dramatic touch while emphasizing Christ's sacrifice. Lastly but certainly not least is an oil painting dating back to 1510 simply titled "The Deposition.