Demonic Collection (page 2)

The Temptation of St. Anthony (oil on panel)
HOL243523 The Temptation of St. Anthony (oil on panel) by Venne, Jan van de (1590-1651); 57.1x73.7 cm; The Holburne Museum, Bath, UK; eHolburne Museum; Flemish, out of copyright

Gargoyle of a sea monster (stone)
KW237471 Gargoyle of a sea monster (stone) by Portuguese School; Palacio Nacional da Pena, Sintra, Portugal; out of copyright

Ms Fr 22912 Fol. 2v Detail of Hell, from The City of God
BNP159944 Ms Fr 22912 Fol.2v Detail of Hell, from The City of God by Saint Augustine (354-430) translated by Raoul de Presles (1316-82) c.1400-50 (vellum) by French School

Mural from the Tomb of the Infernal Quadriga (wall painting)
BAT378994 Mural from the Tomb of the Infernal Quadriga (wall painting) by Etruscan, (4th century BC); Museum of Archaeology, Sarteano, Siena

Four Captive Demons, 1470-1500 (w / c and gold on silk)
3493029 Four Captive Demons, 1470-1500 (w/c and gold on silk) by Persian School, (15th century); 34x20.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Possibly by Muhammad Siyah Qalam)

Gloria Mundi, , or The Devil addressing the Sun, pub. 1782 (hand coloured engraving)
2962522 Gloria Mundi, , or The Devil addressing the Sun, pub. 1782 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Rakshasas (chromolitho)
3100638 Rakshasas (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Rakshasas. Demonic beings from Hindu mythology)

Sri Lankan mask (painted wood)
HSC249814 Sri Lankan mask (painted wood) by Sri Lankan School; Horniman Museum, London, UK; Photo eHeini Schneebeli; Sri Lankan, out of copyright

Sir Percival rideth the Black horse, illustration from
STC328791 Sir Percival rideth the Black horse, illustration from The Story of the Grail and the Passing of Arthur, c.1910 (litho) by Pyle

Astaroth, Abaddon and Mammon, three demons from The Magus by the artist
CHT182735 Astaroth, Abaddon and Mammon, three demons from The Magus by the artist, engraved by R. Griffith, published in 1801 (coloured engraving) by Barrett, Francis (fl)

Mural from the Tomb of the Infernal Quadriga (wall painting) (detail of 378994)
BAT378995 Mural from the Tomb of the Infernal Quadriga (wall painting) (detail of 378994) by Etruscan, (4th century BC); Museum of Archaeology, Sarteano, Siena

Coalition Dance, pub. 1785 (hand coloured engraving)
2962473 Coalition Dance, pub. 1785 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Heinrich Cornelius Agrippa von Nettesheim (1486-1535) title page engraving from
5615720 Heinrich Cornelius Agrippa von Nettesheim (1486-1535) title page engraving from De occulta philosophia libri tres published in 1533

Detail from A Witches Sabbath, illustration from Tableau de L
829408 Detail from A Witches Sabbath, illustration from Tableau de L Inconstance des Mauuais Anges et Demons, by Pierre de Lancre, 1613 (engraving) by Ziarnki (Ziarnko)

Legend of Martin Luther (woodcut) (b / w photo)
CHT287269 Legend of Martin Luther (woodcut) (b/w photo) by German School, (16th century); Bibliotheque de la Societe de l Histoire du Protestantisme Francais, Paris

Costume Design for A Fury (hand-coloured engraving)
660987 Costume Design for A Fury (hand-coloured engraving) by French School, (18th century); Private Collection; The Stapleton Collection; French, out of copyright

Devilish Alphabet, engraved by Delannois, 1825 (litho) (b / w photo) (detail
CHT184308 Devilish Alphabet, engraved by Delannois, 1825 (litho) (b/w photo) (detail, see also 184307, 184309 to 184312) by Delaporte (fl.1825) (after); Bibliotheque des Arts Decoratifs, Paris

Heinrich Cornelius Agrippa, from "True Portraits
5668950 Heinrich Cornelius Agrippa, from A" True PortraitsA...A" by AndreThevet, published in 1584 (engraving) by Thevet

Detail from Demons in a Wild Landscape, c. 1600 (opaque w / c & gold on paper)
874268 Detail from Demons in a Wild Landscape, c.1600 (opaque w/c & gold on paper) by Indian School, (17th century); 21.4 x12.5 cm; San Diego Museum of Art

Pandemonium: The Bridge Over Chaos (pencil & w / c on paper)
495239 Pandemonium: The Bridge Over Chaos (pencil & w/c on paper) by Gandy, Joseph Michael (1771-1843); 102x67.3 cm; Private Collection; (add.info)

Saint Martin Healing a Possessed Man (oil on canvas)
698687 Saint Martin Healing a Possessed Man (oil on canvas) by Jordaens, Jacob (1593-1678) (studio of); 115.6x74 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Devilish Alphabet, engraved by Delannois, 1825 (litho) (b / w photo) (detail
CHT184310 Devilish Alphabet, engraved by Delannois, 1825 (litho) (b/w photo) (detail, see also 184307 to 184309, 184311, 184312) by Delaporte (fl.1825) (after); Bibliotheque des Arts Decoratifs

Devilish Alphabet, engraved by Delannois, 1825 (litho) (b / w photo
CHT184307 Devilish Alphabet, engraved by Delannois, 1825 (litho) (b/w photo) (for details see 184308 to 184312) by Delaporte (fl.1825) (after); Bibliotheque des Arts Decoratifs, Paris

The Nuptial Bower with the Evil-One peeping at the Charms of Eden
NCO191216 The Nuptial Bower with the Evil-One peeping at the Charms of Eden, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint)
5667142 The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint) by Rowlandson, Thomas (1756-1827); 37.1 A-- 26.5 cm; Metropolitan Museum of Art, New York

Lieutenant Governor Gall-Stone, inspired by Alecto, or The Birth of Minerva
2562213 Lieutenant Governor Gall-Stone, inspired by Alecto, or The Birth of Minerva, 1790 (hand-coloured etching) by Gillray

Illustration for The Dream Of Gerontius by Cardinal Newman (litho)
5198815 Illustration for The Dream Of Gerontius by Cardinal Newman (litho) by Webb, Marie Preaud (fl.1907); Private Collection; (add.info)

Detail from Demons in a Wild Landscape, c. 1600 (opaque w / c & gold on paper)
874272 Detail from Demons in a Wild Landscape, c.1600 (opaque w/c & gold on paper) by Indian School, (17th century); 21.4 x12.5 cm; San Diego Museum of Art

Emma-O, late 16th-early 17th century (wood, lacquer, gold gilt, and glass)
1072400 Emma-O, late 16th-early 17th century (wood, lacquer, gold gilt, and glass) by Momoyama Period (1568-1600); 114.3x101.6x76.2 cm; Dallas Museum of Art, Texas, USA; (add.info.: Emma-Ac)

William Ramsey (centre) from Southend-on-Sea in the UK who flew to America to be exorcised by Bishop Robert McKenna at Our Lady of the Rosary Chapel in Monroe, Fairfield County, Connecticut, USA

William Ramsey from Southend-on-Sea in the UK being exorcised by Bishop Robert McKenna at Our Lady of the Rosary Chapel in Monroe, Fairfield County, Connecticut, USA. 28th July 1989

William Ramsey (seated wearing white shirt) from Southend-on-Sea in the UK being exorcised by Bishop Robert McKenna at Our Lady of the Rosary Chapel in Monroe, Fairfield County, Connecticut, USA

The Demon Printer, 1878. Creator: Felix Hilaire Buhot
The Demon Printer, 1878

The Temptation of St. Anthony. n. d. Creators: Johannes van Doetecum I, Lucas van Doetecum
The Temptation of St. Anthony.n.d

Plate 72, from Los Caprichos : You will not escape (No te escaparas. ), 1799
Plate 72, from Los Caprichos : You will not escape (No te escaparas.), 1799

Bon Voyage (Buen Viage), from The Caprices (Los Caprichos), plate 64, 1799

Plate 64 from Los Caprichos : Bon voyage (Buen Viage. ), 1799. Creator: Francisco Goya
Plate 64 from Los Caprichos : Bon voyage (Buen Viage.), 1799

Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones. ), 1799
Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones.), 1799

Tale of a Strange Marriage (Konkai Zoshi), ca. 1858. Creator: Ukita Ikkei
Tale of a Strange Marriage (Konkai Zoshi), ca. 1858. Depiction of a fox wedding under an autumn moon. Edo period (1615-1868)

Temptation of St. Anthony, c. 1501 (oil on panel)
3076827 Temptation of St. Anthony, c.1501 (oil on panel) by Bosch, Hieronymus (c.1450-1516); 131x228 cm; National Museum of Ancient Art, Lisbon, Portugal; Netherlandish, out of copyright

Devil Playing Mans Head as Bagpipes, 1144 (woodcut print) (b / w photo)
XJF271087 Devil Playing Mans Head as Bagpipes, 1144 (woodcut print) (b/w photo) by German School; Private Collection; out of copyright

The Sleeping Partner, 1916. Artist: Louis Raemaekers
The Sleeping Partner, 1916. My name would not benefit the business, but my partners are quite competent to conduct it with out my aid

Saint Martin Healing a Possessed Man, c 17th century, (1903). Artist: Jacob Jordaens
Saint Martin Healing a Possessed Man, c 17th century. After a study in chalk and water colour by Jacob Jordaens (1593-1678). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Devil on a horse, (detail). Fragment of a stained glass window from the Saint Chapelle. From the Musee National du Moyen Age (Musee de Cluny), France

Red chalk study, c1500. Artist: Albrecht Durer
Red chalk study, c1500. Study of demonic characters. From the Museum of Fine Arts, Budapest

Water closet, 1556
Water Closet, 1556. A man sitting on a toilet being menaced by a demonic creature. From The Metamorphosis of Ajax by Sir John Harrington

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"Demonic: Exploring the Equilibrium of Opposites in Art and History" Delve into the enigmatic world of demons and their representation in art throughout history. From Eliphas Levi's iconic depiction of Baphomet, a symbol embodying the equilibrium between opposing forces, to Francisco Goya's haunting masterpiece "The Witches Sabbath, " we are confronted with the allure and darkness surrounding these supernatural beings. In Herr's mesmerizing painting "Witches Sabbat, " we witness a gathering where witches engage in mysterious rituals, evoking both fear and fascination. Raphael's "The Transfiguration of Christ" captivates us with its portrayal of divine transformation juxtaposed against demonic figures lurking beneath. As we journey through time, we encounter epidemics that plagued humanity during the 16th century, reminding us of our vulnerability to unseen malevolent forces. In "The Vision of Faust, " an oil on canvas by an unknown artist from 1878, Faust is depicted making a pact with a demon – a cautionary tale about the consequences of unchecked desires. Even Victorian satire did not shy away from exploring themes related to demons; as seen in "Principle and Interest, " society is satirically portrayed as being driven by greed and temptation. The statue of a winged lion with a human head found at Nimrud adds another layer to our understanding of ancient beliefs surrounding hybrid creatures associated with power and mysticism. Shakespearean tragedy comes alive through Henry Fuseli’s painting inspired by Lady Macbeth’s infamous line: “Why then 'tis time to do't. ” This chilling scene captures her descent into madness under demonic influence. Amongst all these depictions lies an eerie reminder - the presence left behind by demonic handprints imprinted on surfaces throughout history. These marks serve as unsettling evidence that there may be more than meets the eye when it comes to supernatural entities. Ultimately, this collection invites contemplation on the blurred boundaries between good and evil, light and darkness.