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Defined Collection

"Defined: A Glimpse into the Artistic Tapestry of Time" Step into a world where art and history intertwine, revealing the defined essence of human expression

Background imageDefined Collection: Copy of the Imperial Standard Pound C016 / 2048

Copy of the Imperial Standard Pound C016 / 2048
Copy of the Imperial Standard Pound. Parliamentary Copy number 5 (P.C.5) of the Imperial Standard Pound, dated 1879. The imperial system of weights and measures was established in 1824

Background imageDefined Collection: Abstract compound palmate leaf patterns (shallow depth-of-field) - Pisgah National Forest

Abstract compound palmate leaf patterns (shallow depth-of-field) - Pisgah National Forest, Brevard, North Carolina, USA

Background imageDefined Collection: DEAF & DUMB ALPHABET DEAF & DUMB ALPHABET

DEAF & DUMB ALPHABET DEAF & DUMB ALPHABET
The deaf and dumb sign language alphabet, as defined by the Royal National Institute for the Deaf, Britain. Date: 1960s

Background imageDefined Collection: Head of Amenophis IV (Akhenaten) (c. 1364-47 BC) (stone)

Head of Amenophis IV (Akhenaten) (c. 1364-47 BC) (stone)
XIR173208 Head of Amenophis IV (Akhenaten) (c.1364-47 BC) (stone) by Egyptian 18th Dynasty (c.1567-1320 BC); Luxor Museum of Ancient Art, Egypt; Egyptian, out of copyright

Background imageDefined Collection: The Triumph, plate two from Intimacies, 1898 (woodcut)

The Triumph, plate two from Intimacies, 1898 (woodcut)
3500290 The Triumph, plate two from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25x32.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageDefined Collection: The Lie, plate one from Intimacies, 1897 (woodcut)

The Lie, plate one from Intimacies, 1897 (woodcut)
3500287 The Lie, plate one from Intimacies, 1897 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageDefined Collection: Money, plate five from Intimacies, 1898 (woodcut)

Money, plate five from Intimacies, 1898 (woodcut)
3500286 Money, plate five from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageDefined Collection: Sketches of Figures and Foliage (verso) (chalk with pen & brown ink on paper)

Sketches of Figures and Foliage (verso) (chalk with pen & brown ink on paper)
3500016 Sketches of Figures and Foliage (verso) (chalk with pen & brown ink on paper) by Gauguin, Paul (1848-1903); 26.9x20.4 cm; The Art Institute of Chicago, IL

Background imageDefined Collection: Extreme Measure, plate six from Intimacies, 1898 (woodcut)

Extreme Measure, plate six from Intimacies, 1898 (woodcut)
3500291 Extreme Measure, plate six from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.4x32.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageDefined Collection: The Irreparable, plate ten from Intimacies, 1898 (woodcut)

The Irreparable, plate ten from Intimacies, 1898 (woodcut)
3500283 The Irreparable, plate ten from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.3 cm; The Art Institute of Chicago, IL

Background imageDefined Collection: Heads of Tahitian Women, Frontal and Profile Views, 1891-93

Heads of Tahitian Women, Frontal and Profile Views, 1891-93
3502571 Heads of Tahitian Women, Frontal and Profile Views, 1891-93 (charcoal with brush & water on paper) by Gauguin, Paul (1848-1903); 41.4x32.6 cm; The Art Institute of Chicago, IL

Background imageDefined Collection: Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut)

Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut)
3500289 Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.1x32.5 cm; The Art Institute of Chicago, IL

Background imageDefined Collection: The Cogent Reason, plate four from Intimacies, 1898 (woodcut)

The Cogent Reason, plate four from Intimacies, 1898 (woodcut)
3500288 The Cogent Reason, plate four from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.3 cm; The Art Institute of Chicago, IL

Background imageDefined Collection: Breton Bather, 1886-87 (charcoal & pastel with ink on paper)

Breton Bather, 1886-87 (charcoal & pastel with ink on paper)
3499996 Breton Bather, 1886-87 (charcoal & pastel with ink on paper) by Gauguin, Paul (1848-1903); 58.5x35 cm; The Art Institute of Chicago, IL, USA; Gift of Mrs. Charles B

Background imageDefined Collection: Seated Male Nude (oil on canvas)

Seated Male Nude (oil on canvas)
3744208 Seated Male Nude (oil on canvas) by Detaille, Jean-Baptiste Edouard (1848-1912); 67.3x81.2 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageDefined Collection: Five O Clock, plate seven from Intimacies, 1898 (woodcut)

Five O Clock, plate seven from Intimacies, 1898 (woodcut)
3500293 Five O Clock, plate seven from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.2x25.1 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageDefined Collection: The Others Health, plate nine from Intimacies, 1898

The Others Health, plate nine from Intimacies, 1898
3500292 The Others Health, plate nine from Intimacies, 1898 by Vallotton, Felix Edouard (1865-1925); The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss, out of copyright

Background imageDefined Collection: The Fine Pin, plate three from Intimacies, 1898 (woodcut)

The Fine Pin, plate three from Intimacies, 1898 (woodcut)
3500285 The Fine Pin, plate three from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Background imageDefined Collection: Treaty Map of Africa (engraving)

Treaty Map of Africa (engraving)
1606524 Treaty Map of Africa (engraving) by English School, (19th century); Private Collection; (add.info.: Treaty Map of Africa. Illustration for The Illustrated London News, 24 September 1898)

Background imageDefined Collection: Habitants of the island of Oualan in the Caroline Islands archipelago (engraving)

Habitants of the island of Oualan in the Caroline Islands archipelago (engraving)
XIR407856 Habitants of the island of Oualan in the Caroline Islands archipelago (engraving) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageDefined Collection: Woman Applying Blush

Woman Applying Blush

Background imageDefined Collection: Evening Dress / Photo 1890

Evening Dress / Photo 1890
Bodice with natural waist level defined by a scarf, deep V neckline, shoulder straps descending in pleats to a point at the waist, soft short sleeves & roses worn at the bosom

Background imageDefined Collection: ?Marengo?, the favourite charger of Napoleon I, 1815

?Marengo?, the favourite charger of Napoleon I, 1815 (c). Soft-ground etching, by and after James Ward, published by R Ackermann, Strand, London, 1 August 1824

Background imageDefined Collection: Lightweight sheath dress by Mis Polly

Lightweight sheath dress by Mis Polly
A lightweight sheath dress by Miss Polly. The sleeves and waist are sharply defined by white pique. Date: 1961

Background imageDefined Collection: White pure silk chiffon ball dress by Victor Stiebel

White pure silk chiffon ball dress by Victor Stiebel
Victor Stiebels magnificent ball dress of white pure silk chiffon. The high bodice is entirely encrusted with crystals and Wedgewood blue embroidery while a satin sash of the same blue encircles

Background imageDefined Collection: Fighter bombers v. dive bombers by G. H. Davis

Fighter bombers v. dive bombers by G. H. Davis
Fighter bombers versus dive bombers during the Second World War: operational methods defined. The dive bomber is vulnerable to fighter attack -- the fighter bomber is a more versatile weapon

Background imageDefined Collection: Landscape Hills Lake 18th century Pen black ink

Landscape Hills Lake 18th century Pen black ink
Artokoloro

Background imageDefined Collection: Monkey 1884 Conte crayon 12 1 / 4 x 9 3 / 8 31. 1 23. 9 cm

Monkey 1884 Conte crayon 12 1 / 4 x 9 3 / 8 31. 1 23. 9 cm
Artokoloro

Background imageDefined Collection: Landscape Hill Lake Figures 18th century Pen

Landscape Hill Lake Figures 18th century Pen
Artokoloro

Background imageDefined Collection: Shop Girls ca 1900 Pastel watercolor illustration board

Shop Girls ca 1900 Pastel watercolor illustration board
Artokoloro

Background imageDefined Collection: Virgin Annunciate 1470-80 Pen brown ink brush

Virgin Annunciate 1470-80 Pen brown ink brush
Artokoloro

Background imageDefined Collection: Gossips Edo period 1615-1868 ca 1767 Japan

Gossips Edo period 1615-1868 ca 1767 Japan
Artokoloro

Background imageDefined Collection: Edge of frontal system, low angle view, dusk

Edge of frontal system, low angle view, dusk
Southland, South Island, New Zealand

Background imageDefined Collection: Flying Terms Defined - Flier Education

Flying Terms Defined - Flier Education. A jolly cartoon dog demonstrates some flight terminology: Power Diving (attempt to grab a bone thwarted)

Background imageDefined Collection: Roderick Impey Murchison 1792-1871) Scottish-born British geologist. Defined Silurian system

Roderick Impey Murchison 1792-1871) Scottish-born British geologist. Defined Silurian system, 1835, Permian system, c1845, and in co-operation with Adam Sedgwick (1785-1873), the Devonian system

Background imageDefined Collection: Adam Sedgwick (1785-1873) British geologist who, in cooperation with Roderick Impey Murchison

Adam Sedgwick (1785-1873) British geologist who, in cooperation with Roderick Impey Murchison (1792-1871), defined the Devonian system. From Life of Sir Roderick I

Background imageDefined Collection: Bank of Weston cells C016 / 2041

Bank of Weston cells C016 / 2041
Bank of Weston cells. These electrochemical cells produce a stable voltage used as a standard to calibrate voltmeters and define the SI unit for electromotive force (the volt)

Background imageDefined Collection: British trenches at the front

British trenches at the front
A quiet morning in the British trenches showing officers during a lull in firing. Trench warfare defined World War I

Background imageDefined Collection: Grey or Striped Gown

Grey or Striped Gown
Robe redingote: bishop sleeves, defined lapels on the bodice & trimmed to simulate a front opening. Adorned with black net lace. Hair: worn flat to the head


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"Defined: A Glimpse into the Artistic Tapestry of Time" Step into a world where art and history intertwine, revealing the defined essence of human expression. From ancient relics to captivating woodcuts, each piece tells a unique story that transcends time. The Copy of the Imperial Standard Pound C016 / 2048 takes us back to an era when precision and measurement were paramount. It symbolizes the meticulous nature of our ancestors, leaving behind a legacy that still defines our modern systems. The Head of Amenophis IV (Akhenaten) transports us to ancient Egypt, capturing the enigmatic beauty and power of one pharaoh's reign. Carved in stone, this regal visage remains as a testament to their divine authority and eternal presence. In contrast, we encounter a black-and-white photograph showcasing a British boxing champion from around 1909. This image epitomizes strength and determination while reflecting on an era when pugilism was at its peak. The grit etched on his face is evidence that champions are not born but rather defined by their relentless pursuit of greatness. Moving forward in time yet delving deeper into introspection, we explore Intimacies - an exquisite series of woodcuts by an unknown artist from 1897-1898. "The Triumph" captures moments of joyous celebration amidst life's challenges; it reminds us that triumphs are often found within adversity itself. On the other hand, "The Lie" exposes vulnerabilities hidden beneath society's facade – reminding us how lies can distort reality if left unchecked. Meanwhile, "Money" depicts humanity's complex relationship with wealth – how it can both define and corrupt individuals' lives throughout history. As we delve further into artistic exploration, sketches emerge upon paper - Figures and Foliage sketched with chalk alongside pen & brown ink reveal glimpses into an artist's creative process; they remind us that even rough drafts and unfinished works can define the path to greatness.