Dark Ages Collection (page 4)

SAINT JEROME (340-420). Temptation of St Jerome by the Devil. Woodcut, French, 16th century

LOUIS THE PIOUS (778-840). Holy Roman Emperor Louis I, known as Louis the Pious. Manuscript illumination, c840, from Rabanus Maurus De laudibus sanctae crucis ( In praise of the holy cross )

MOSES ON MOUNT SINAI. Illumination from a Byzantine bible, c900-950

MERLIN THE MAGICIAN. Drawing, 1903, by Howard Pyle

Viking ring fortress wall, artwork
Viking ring fortress wall. Artwork showing the construction of the wall of one of the circular Viking fortresses known as trelleborgs

Viking house in ring fortress, artwork
Viking house in ring fortress. Cutaway artwork of the inside of a Viking longhouse in one of the circular Viking fortresses known as trelleborgs

Britain As It Was Devided In The Tyme of the Englishe Saxons especially during their Heptarchy
XCF291063 Britain As It Was Devided In The Tyme of the Englishe Saxons especially during their Heptarchy (hand coloured copper engraving) by Speed

PYLE: KING ARTHUR. King Arthur of Britain. Drawing by Howard Pyle, 1903

POPE SYLVESTER II (c945-1003). Woodcut, Venice, 1592

ST. BENEDICT (c480-c543). Italian religious. Saint Benedict of Nursia handing the Rule, regulations governing monastic life and discipline, to a group of monks

PRINCE ARTHUR, 1923. Arthur drawing the sword from the stone. Illustration by Louis Rhead (1857-1926) for " The Story of King Arthur & His Knights" by Sir James Knowles, 1923

ST. BRENDAN (484-577). Irish monk and traveler. St. Brendan and his monks are attacked by a sea monster. Woodcut from a German version of Navigatio, 1499

ST. BRENDAN: SIREN. St. Brendan (484-577) and his monks encounter a siren of the seas: colored woodcut from a German version of Navigato, printed at Ulm in 1499

BULGARIA: MADARA RIDER. The Madara Rider, a rock relief depicting a horseman from the face of cliff in the village of Madara, northeastern Bulgaria, 8th century

CODEX ALBELDENSE, c976. Manuscript illumination from the Codex Albeldense, completed in 976 at the Monastery of San Martin de Albelda in Galicia, Spain

SIEGE OF KIEV, 10TH CENTURY. The siege of Kiev by the Pecheneg Army, 968 A.D. Old Slavonic manuscript illumination

VIKING SHIP, 10th CENTURY. A Norse fleet under King Olaf I Tryggvesson. Wood engraving, 19th century

YAROSLAV I (c978-1054). Known as Yaroslav the Wise. Grand Prince of Kiev, 1019-1054. Holding a model of the Church of the Savior. Detail from a 13th century fresco

BATTLE OF LECHFELD, 955. The victory of Otto I, the Great, King of the Germans, over the Magyars, at Lechfeld, near Augsburg, Germany, 10 August 955. Lithograph, German, 19th century

OTTO II (955-983). Called the Red. King of Germany, 961-983, and Holy Roman Emperor, 973-983. Otto II on his throne surrounded by his provinces

CHARLEMAGNE (742-814). King of the Franks, 768-814, and Emperor of the West, 800-814. Charlemagne and his son Pepin, whom he named King of Italy. Manuscript illumination, 10th century

ENGLISH KING, 10th CENTURY. An English king of the 10th century with his thegns (vassals) before him. Woodcut after an English manuscript illumination, c1000

VIKINGS: RAIDING. A Norse raid under Olaf Tryggvesson, c994 A.D. Wood engraving after a painting by Hugo Vogel

NORSE WARRIOR, 9th CENTURY. Woodcut, 16th century

SONG OF ROLAND, 778 A. D. The death of Roland, the nephew of Charlemagne and the
SONG OF ROLAND, 778 A.D. The death of Roland, the nephew of Charlemagne and the most celebrated of the emperors twelve paladins, at the Battle of Roncesvalles in the Pyrenees, 778 A.D

IRISH MONKS, 6th CENTURY. Irish monks encountering sea monsters. Woodcut from a German version of Navigatio, 1499

SAINT PATRICK (389-461). Patron saint of Ireland. Painting, 18th century

STONING OF SAINT STEPHEN. The martyrdom of Saint Stephen in Jerusalem (Acts 7: 60)
STONING OF SAINT STEPHEN. The martyrdom of Saint Stephen in Jerusalem (Acts 7:60). Illumination from a 9th century copy of the Topographia Christiana, by Cosmas Indicopleustes, 6th century

MAIUS BEATUS, c950 A. D. The New Jerusalem. Spanish manuscript illumination, c950
MAIUS BEATUS, c950 A.D. The New Jerusalem. Spanish manuscript illumination, c950, from the Maius Beatus, an illuminated copy of the Commentary on the Apocalypse, by Beatus of Liebana, 8th century

SAINT JOHN. Illumination and text from the Quedlinburg gospels, German, 9th century

SAINT LUKE. Illumination and text from the Quedlinburg gospels, German, 9th century

SAINT MATTHEW. Illumination and text from the Quedlinburg gospels, German, 9th century

ILLUMINATION: SAINT MARK. Illumination and text from the Quedlinburg gospels, German, 9th century

LINDISFARNE: SAINT MARK. Book of Lindisfarne Gospels. Written and illuminated about 700 A.D. probably in the monastry on Lindisfarne or Holy Island off the Northumberland coast

PENTATEUCH MANUSCRIPT. Early 10th century manuscript in an Eastern hand of the Pentateuch, accompanied on the margins by Massorah Magna and Massorah Parva

SYRIAC MANUSCRIPT. Gospel of John, chapter vi. verses 53-64. Estrangela hand of the 5th century on Vellum

ST. SYMMACHUS, (d. 514). Pope, 498-514. Mosaic from St. Agnes Fuori le Mura, Rome, Italy

STEPHEN VII (d. 931). Pope, 928-931. Woodcut, Venetian, 1592

SAINT NICHOLAS I (800?-867). Pope, 858-867. An 11th or 12th century fresco of Nicholas officiating at the transfer of bones of St. Cirillus to the Church of San Clemente in Rome, Italy

SERGIUS III (d. 911). Pope, 904-911. Woodcut, Venetian, 1592

POPE GREGORY I (c540-604). Known as Gregory the Great. Pope, 590-604. Detail of an early 13th century fresco in the monastery of the Sacro Speco of Subiaco

JOHN VIII (820-882). Pope, 872-882. Woodcut, Venetian, 1592

THE RUTHWELL CROSS. A Northumbrian stone monument, c700, on which was inscribed, in runes, extracts from The Dream of the Rood

LINDISFARNE: CANON TABLE. Book of Lindisfarne (before 698 AD?). Canon Table (fol. 14v)

JOHN XI (906-936). Pope, 931-936. Woodcut, Venetian, 1592

STEPHEN VI (d. 897). Pope, 896-897. Woodcut, Venetian, 1592

CODEX ALEXANDRINUS. Portion of the New Testament written on vellum in Greek, 5th century

JOHN VII d. 707. Pope, 705-707. Contemporary mosaic in the Grotte Vaticane

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The Dark Ages, a period shrouded in mystery and obscurity, marked a time of significant cultural and intellectual decline. As we delve into the depths of history, we encounter captivating artifacts that shed light on this enigmatic era. One such artifact is the Portrait of Saint Matthew from the Book of Lindisfarne Gospels. Created around 700 AD, this illuminated manuscript showcases intricate artwork that exemplifies the artistic prowess prevalent during these times. Its vibrant colors and meticulous details transport us back to an age where beauty thrived amidst chaos. Another glimpse into They are be found in The beginning of the Gospel of St. John within the Book of Lindisfarne. This masterpiece predates 698 AD and serves as a testament to early Christian devotion and scholarship. Its pages hold stories waiting to be unraveled by those who dare explore its ancient wisdom. In our quest for understanding, we stumble upon an intriguing piece known as Universe Timeline Artwork – a visual representation capturing cosmic events throughout history. From celestial bodies colliding to stars being born, this artwork reminds us that even during tumultuous times on Earth, wonders unfold beyond our comprehension. As we journey further through time, we come across The Evangelical Symbols dating back to 800 AD - symbols representing four evangelists: Matthew (the man), Mark (the lion), Luke (the ox), and John (the eagle). These icons serve as reminders that faith endured even in periods characterized by darkness. Amidst political turmoil stood Frederick I Barbarossa Holy Roman Emperor - his reign symbolizing both power struggles and attempts at unification within Europe's fragmented kingdoms. His legacy echoes through centuries as he sought stability amidst chaos. Turning our attention towards Ireland's rich heritage comes the iconic Book of Kells: Saltire with Evangelist Symbols from c800 AD - a testament to Hiberno-Saxon craftsmanship blending Celtic artistry with Christian symbolism.