Da Vinci Collection (page 8)

Six Studies of an Arm Showing in Three Cases the Bones, c1480 (1945). Artist: Leonardo da Vinci
Six Studies of an Arm Showing in Three Cases the Bones, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to the Left, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Drapery of a Seated Figure to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Seated Figure to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Child and Parts of a Child, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Child and Parts of a Child, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of a Woman Three-Quarters to the Left, c1480 (1945). Artist: Leonardo da Vinci
Head of a Woman Three-Quarters to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Infants, c1480 (1945). Artist: Leonardo da Vinci
Studies of Infants, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Implements Rained Down the Earth from the Clouds, c1480 (1945). Artist: Leonardo da Vinci
Implements Rained Down the Earth from the Clouds, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sheet of Pictographs, c1480 (1945). Artist: Leonardo da Vinci
Sheet of Pictographs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sketch of Three Figures, c1480 (1945). Artist: Leonardo da Vinci
Sketch of Three Figures, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Group of Figures, c1480 (1945). Artist: Leonardo da Vinci
Group of Figures, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Emblems, c1480 (1945). Artist: Leonardo da Vinci
Three Emblems, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Geometrical Figures and Designs for Allegorical Representations, c1480 (1945). Artist: Leonardo da Vinci
Geometrical Figures and Designs for Allegorical Representations, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegorical Representation, c1480 (1945). Artist: Leonardo da Vinci
Allegorical Representation, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory of the Lizard Symbolizing Truth, c1480 (1945). Artist: Leonardo da Vinci
Allegory of the Lizard Symbolizing Truth, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory: Animals Fighting and a Man with a Burning-Glass, c1480 (1945). Artist: Leonardo da Vinci
Allegory: Animals Fighting and a Man with a Burning-Glass, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Unmasking of Envy, c1480 (1945). Artist: Leonardo da Vinci
The Unmasking of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Ermine as a Symbol of Purity, c1480 (1945). Artist: Leonardo da Vinci
The Ermine as a Symbol of Purity, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Figures and of Decoration, c1480 (1945). Artist: Leonardo da Vinci
Studies of Figures and of Decoration, c1480 (1945). The drawing is held by the Musee Bonnat, Bayonne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Figures and a Group of Figures, c1500 (1945). Artist: Leonardo da Vinci
Studies of Figures and a Group of Figures, c1500 (1945). The drawing is held by the Wallraf Museum, Cologne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Group of Figures Conversing at a Table, Two Figures in Conversation and Others, 1481-1483 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci

Six Studies of Figures, 1481-1483 (1945). Artist: Leonardo da Vinci
Six Studies of Figures, 1481-1483 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Kings: Composition Sketch, 1478-1481 (1945). Artist: Leonardo da Vinci
Adoration of the Kings: Composition Sketch, 1478-1481 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Figures and Putti for an Adoration, c1481 (1945). Artist: Leonardo da Vinci
Studies of Figures and Putti for an Adoration, c1481 (1945). The drawing is held by the Hamburger Kunsthalle, Hamburg. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Kneeling Youth and Putti, c1480 (1945). Artist: Leonardo da Vinci
Kneeling Youth and Putti, c1480 (1945). The drawing is held by the Gallerie dell Accademia, Venice. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Shepherd and Separate Study of a Shepherd, c1480 (1945). Artist: Leonardo da Vinci
Adoration of the Shepherd and Separate Study of a Shepherd, c1480 (1945). The drawing is held by the Musee Bonnat, Bayonne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). Artist: Leonardo da Vinci
Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). The drawing is held by the Gallerie dell Accademia, Venice. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Horsemen in the middle distance on the left, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Horsemen in the middle distance on the left, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Angels behind the Virgin, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Angels behind the Virgin, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Magi - Battle of horsemen in the distance on the right, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Battle of horsemen in the distance on the right, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Architecture and figures in the background on the left, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Architecture and figures in the background on the left, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Heads of the group behind the kneeling king on the right, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Virgin and Child, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Virgin and Child, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Magi - Head of philosopher on the left, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Head of philosopher on the left, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci

Adoration of the Magi - Right-hand lower portion, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Right-hand lower portion, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Adoration of the Magi - Left-hand lower portion, c1481 (1945). Artist: Leonardo da Vinci
Adoration of the Magi - Left-hand lower portion, c1481 (1945). The painting is held by the Uffizi Gallery, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Kneeling Angel, c1467-1519 (1945). Artist: Leonardo da Vinci
Studies of a Kneeling Angel, c1467-1519 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies for a St. Mary Magdalene, c1480-1482 (1945). Artist: Leonardo da Vinci
Studies for a St. Mary Magdalene, c1480-1482 (1945). The drawing is held by the Samuel Courtauld Trust, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Maiden with a Unicorn, c1478-1480 (1945). Artist: Leonardo da Vinci
Maiden with a Unicorn, c1478-1480 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Woman Carrying a Child, c1481 (1945). Artist: Leonardo da Vinci
A Woman Carrying a Child, c1481 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profiles of Men and Half-Length of a Girl, c1490 (1945). Artist: Leonardo da Vinci
Profiles of Men and Half-Length of a Girl, c1490 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Madonna and Child with a Bowl of Fruit, 1478 (1945). Artist: Leonardo da Vinci
The Madonna and Child with a Bowl of Fruit, 1478 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Madonna and Child and other Studies, c1469 (1945). Artist: Leonardo da Vinci
The Madonna and Child and other Studies, c1469 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Child, c1490 (1945). Artist: Leonardo da Vinci
Studies of a Child, c1490 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna and Child with the Infant St. John and an Angel, c1475 (1945). Artist: Leonardo da Vinci
Madonna and Child with the Infant St. John and an Angel, c1475 (1945). The drawing is held by the Ashmolean Museum, Oxford. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of a Madonna and Child, c1475 (1945). Artist: Leonardo da Vinci
Three Studies of a Madonna and Child, c1475 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Madonna and Child, of Profiles and of Machinery, 1478-1480 (1945). Artist: Leonardo da Vinci
Study of a Madonna and Child, of Profiles and of Machinery, 1478-1480 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci

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"Unveiling the Genius: Leonardo da Vinci's Masterpieces and Unparalleled Curiosity" Step into the captivating world of Leonardo da Vinci, a visionary artist, inventor, and scientist whose brilliance continues to inspire generations. From his intriguing studies to his iconic artworks, da Vinci's multifaceted genius knows no bounds. In "Head of a Bear, " created around 1480, da Vinci showcases his mastery in capturing intricate details with precision and finesse. The intensity in the bear's gaze draws us into its wild spirit. Leonardo da Vinci himself remains an enigma as we explore his self-portrait from 1490. This rare glimpse allows us to witness the face behind countless masterpieces – a man driven by insatiable curiosity and boundless creativity. Delving deeper into his scientific pursuits, we encounter "Studies of an ox heart. " Through pen and ink drawings dating back to 1512, da Vinci unravels the mysteries of anatomy with meticulous accuracy that still astounds modern scholars. "The Last Supper, " immortalized through Raphael Morghen and Teodoro Matteini's interpretation in 1800, pays homage to one of da Vinci's most renowned works. Its profound symbolism resonates across time as it captures both human emotion and divine presence. Amongst portraits that grace history is "Portrait of Cecilia Gallerani. " Painted circa 1490, this masterpiece reveals not only her elegance but also Lady with an Ermine symbolizes purity amidst power - a testament to Leonardo's ability to capture inner essence on canvas, not limited by earthly constraints; he dared to dream beyond imagination. His design for a flying machine wing operated by springs demonstrates his relentless pursuit of innovation even centuries ahead of its time. Peering into another realm altogether are pen-and-ink studies from c1510 depicting human fetuses. These anatomical explorations reveal Leonardo Da Vinci’s deep fascination with life's beginnings and his desire to unravel the mysteries of creation.