Da Vinci Collection (page 16)

Title-page to Varie Figurae& Probae, 1645. Creator: Wenceslaus Hollar
Title-page to Varie Figurae & Probae, 1645

Head of an old man with tufts of curly hair around ear in profile to left, 1644-52

Man with stern expression in profile to left, 1645. Creator: Wenceslaus Hollar
Man with stern expression in profile to left, 1645

Skull in profile to right, 1645. Creator: Wenceslaus Hollar
Skull in profile to right, 1645

Heads of two young women, 1645. Creator: Wenceslaus Hollar
Heads of two young women, 1645

Head of a man with thick curly hair in profile to the left, 1640-49

St. Anne, 1645. Creator: Wenceslaus Hollar
St. Anne, 1645

A young man caressing an old woman, 1646. Creator: Wenceslaus Hollar
A young man caressing an old woman, 1646

Two deformed heads, 1625-77. Creator: Wenceslaus Hollar
Two deformed heads, 1625-77

Two deformed heads facing each other, 1645. Creator: Wenceslaus Hollar
Two deformed heads facing each other, 1645

Two deformed heads facing each other, 1625-77. Creator: Wenceslaus Hollar
Two deformed heads facing each other, 1625-77

Two heads, 1625-77. Creator: Wenceslaus Hollar
Two heads, 1625-77

A variety of heads, 1625-77. Creator: Wenceslaus Hollar
A variety of heads, 1625-77

Row of three heads in profile to left, 1645. Creator: Wenceslaus Hollar
Row of three heads in profile to left, 1645

Varie Figuraeet Probae, 1645. Creator: Wenceslaus Hollar
Varie Figurae et Probae, 1645

A female with hair tied back and a bald male facing each other, 1645

Two deformed heads (the figure on the left is possibly a caricature of Dante), 1645

Two deformed heads facing inwards, 1625-77. Creator: Wenceslaus Hollar
Two deformed heads facing inwards, 1625-77

A large man with a bald head facing a grotesque female, 1625-77

A deformed couple facing each other, 1645. Creator: Wenceslaus Hollar
A deformed couple facing each other, 1645

Three profile heads, one in outline only, 1625-77. Creator: Wenceslaus Hollar
Three profile heads, one in outline only, 1625-77

Male torso from neck to hip in profile to left, 1645. Creator: Wenceslaus Hollar
Male torso from neck to hip in profile to left, 1645

Head of an old man with a pronounced chin, short cropped hair and gaping mouth showing teeth in profile to left, 1625-77

Sectioned skull in profile to left with the left side of the cranium removed, 1651

Ecorche head of a man in profile to left, 1660. Creator: Wenceslaus Hollar
Ecorche head of a man in profile to left, 1660

Head of a toothless man with bare, sinewy neck in profile to left, 1648

Man with doleful expression to left with hand emerging from cloak, 1625-77

Head of a muscular old man in profile to left with flowing hair, 1625-77

Head of a man with serious expression, 1625-77. Creator: Wenceslaus Hollar
Head of a man with serious expression, 1625-77

Christ proclaiming the law, 1817. Creators: Raphael Morghen, Pietro Ermini
Christ proclaiming the law, 1817

Charles VIII, King of France, (c1820s). Artist: Maurin
Charles VIII. Roi de France, Charles VIII, King of France, (c1820s). Charles VIII of France (1470-1498) became king in 1483

ANGEL WITH A VIELLE. An Angel in Green with a Vielle. Oil on poplar, by an associate of Leonardo da Vinci, c1490-1499

LEONARDO: BALL-BEARINGS. Drawing by Leonardo da Vinci, c1495, of roller- and ball-bearings sustaining a vertical axle, an attempt to solve problems of friction in machinery

Proportions of the Human Figure or The Vitruvian Man. Pen and ink drawing by Leonardo Da Vinci, c1492
LEONARDO: ANATOMY. Proportions of the Human Figure or The Vitruvian Man. Pen and ink drawing by Leonardo Da Vinci, c1492

Design for a flying machine, by Leonardo da Vinci: pen and ink, c1488
LEONARDO: FLYING MACHINE. Design for a flying machine, by Leonardo da Vinci: pen and ink, c1488

Designs by Leonardo da Vinci for bridges
LEONARDO: BRIDGES. Designs by Leonardo da Vinci for bridges

Pen and ink drawing, c1508, by Leonardo da Vinci of the cerebral hemispheres and ventricles
LEONARDO: VENTRICLES, c1508. Pen and ink drawing, c1508, by Leonardo da Vinci of the cerebral hemispheres and ventricles

Drawing of the human sexual organs
LEONARDO DA VINCI. Drawing of the human sexual organs

Leonardo da Vinci. Drawing in black chalk, c1515-17
DA VINCI: THE DELUGE. Leonardo da Vinci. Drawing in black chalk, c1515-17

Design for a rapid firing crossbow by Leonardo da Vinci (the crossbow equivalent of the machine gun)
LEONARDO: INVENTION. Design for a rapid firing crossbow by Leonardo da Vinci (the crossbow equivalent of the machine gun)

Leonardo da Vinci artwork

Historical map of Tuscany, Italy
Map of Tuscany, Italy, by the Italian artist and scientist Leonardo da Vinci (1452-1519). North is at right. The Mediterranean Sea is at top. Pisa is the large city at upper right on the River Arno

Historical city map of Imola, Italy

THE ARTISTs DREAM, 1840. The Artists Dream. Engraving by John Sartain after a painting by George Comgys, 1840

Source Size = 3585 x 4892
Head of our Saviour from Leonardo Da Vincis " last Supper"

Caricature of a Man with Bushy Hair; Leonardo da Vinci, Italian, 1452 - 1519; about 1495; Pen and brown ink; 6.6 x 5.4 cm (2 5/8 x 2 1/8 in.)

Studies for the Christ Child with a Lamb (recto), Head of an Old Man, and Studies of Machinery (verso); Leonardo da Vinci, Italian, 1452 - 1519; Italy, Europe; about 1503 - 1506; Black chalk

LEONARDO: WARFARE. Drawings by Leonardo da Vinci, c1500, depicting various types of combatants and weaponry: An archer with bow, arrow

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"Unveiling the Genius: Leonardo da Vinci's Masterpieces and Unparalleled Curiosity" Step into the captivating world of Leonardo da Vinci, a visionary artist, inventor, and scientist whose brilliance continues to inspire generations. From his intriguing studies to his iconic artworks, da Vinci's multifaceted genius knows no bounds. In "Head of a Bear, " created around 1480, da Vinci showcases his mastery in capturing intricate details with precision and finesse. The intensity in the bear's gaze draws us into its wild spirit. Leonardo da Vinci himself remains an enigma as we explore his self-portrait from 1490. This rare glimpse allows us to witness the face behind countless masterpieces – a man driven by insatiable curiosity and boundless creativity. Delving deeper into his scientific pursuits, we encounter "Studies of an ox heart. " Through pen and ink drawings dating back to 1512, da Vinci unravels the mysteries of anatomy with meticulous accuracy that still astounds modern scholars. "The Last Supper, " immortalized through Raphael Morghen and Teodoro Matteini's interpretation in 1800, pays homage to one of da Vinci's most renowned works. Its profound symbolism resonates across time as it captures both human emotion and divine presence. Amongst portraits that grace history is "Portrait of Cecilia Gallerani. " Painted circa 1490, this masterpiece reveals not only her elegance but also Lady with an Ermine symbolizes purity amidst power - a testament to Leonardo's ability to capture inner essence on canvas, not limited by earthly constraints; he dared to dream beyond imagination. His design for a flying machine wing operated by springs demonstrates his relentless pursuit of innovation even centuries ahead of its time. Peering into another realm altogether are pen-and-ink studies from c1510 depicting human fetuses. These anatomical explorations reveal Leonardo Da Vinci’s deep fascination with life's beginnings and his desire to unravel the mysteries of creation.