Crucifixion Collection (page 21)

Pieta, c. 1530-36 (red chalk)
3696965 Pieta, c.1530-36 (red chalk) by Buonarroti, Michelangelo (1475-1564); Graphische Sammlung Albertina, Vienna, Austria; (add.info.: Red chalk over black chalk and preliminary stylus drawing)

The Deposition (detail), 1507 (oil on panel)
3512978 The Deposition (detail), 1507 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 184x176 cm; Galleria Borghese, Rome, Lazio, Italy; (add.info.: Also known as The Entombment)

Cover of "The Red Laughter", Satirical in Colors, 1918_3_30: War of 14 -18
ICA4847289 Cover of " The Red Laughter", Satirical in Colors, 1918_3_30: War of 14 -18: Golgotha 1918 - Belligerants and symbols, Identifying, Freedom of Peoples - Crucifiction - Jesus

Portable Altarpiece: Pieta, Saints Francis, Sebastian, John the Evangelist, Jerome, and John the Baptist, c
3577022 Portable Altarpiece: Pieta, Saints Francis, Sebastian, John the Evangelist, Jerome, and John the Baptist, c.1500 (oil on panel) by Bermejo

Martyrdom of St. Eulalia (tempera & gold leaf on panel) (detail)
IND204623 Martyrdom of St. Eulalia (tempera & gold leaf on panel) (detail) by Martorell, Bernardo (fl.1427-52); Museo Episcopal de Vic, Osona, Catalonia, Spain; Index Fototeca

A garden folly, 1850 (w / c on paper)
CJP343960 A garden folly, 1850 (w/c on paper) by English School, (19th century); Private Collection; © Charles Plante Fine Arts

Fol. 123r Deposition from the Cross (vellum)
ALI142868 Fol.123r Deposition from the Cross (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Fol. 115v Christ Carries the Cross (vellum)
ALI142854 Fol.115v Christ Carries the Cross (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Fol. 118v Christ on the cross is given a sponge soaked in vinegar (vellum)
ALI142850 Fol.118v Christ on the cross is given a sponge soaked in vinegar (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Martyrdom of St Andrew (oil on canvas)
898863 Martyrdom of St Andrew (oil on canvas) by Bourdon, Sebastien (1616-71); 305x260 cm; Musee des Augustins, Toulouse, France; (add.info.: (PE5995 RL6687 LA93932) Martyrdom of Saint Andrew.)

Pieta, Parisian or Burgundian School (oil on panel)
899154 Pieta, Parisian or Burgundian School (oil on panel) by French School, (15th century); diam: 23 cm; Louvre, Paris, France; (add.info)

Jesus falling under the Cross, 1520
2562741 Jesus falling under the Cross, 1520 by Pordenone, Giovanni Antonio (1484-1539); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona)

Lamentation over dead Christ, c. 1460-64 (oil on panel)
5310822 Lamentation over dead Christ, c. 1460-64 (oil on panel) by Weyden, Rogier van der (1399-1464); 80.6x130.1 cm; Mauritshuis, The Hague

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"Exploring the Timeless Symbolism of Crucifixion: A Journey through Art and Faith" From the ancient Mappa Mundi to modern-day masterpieces, depictions have captivated hearts and minds throughout history. In this captivating collection, we delve into various artistic representations that convey the profound significance of Jesus' sacrifice. The Return from Calvary lithograph transports us to a scene filled with raw emotion, as grief-stricken figures mourn their beloved Savior. Meanwhile, a Greek Orthodox icon from Thessalonica invites us to contemplate Jesus' crucifixion in Macedonia's rich spiritual heritage. At Namugongo Catholic Martyrs Shrine in Kampala, Africa, a church fresco vividly portrays the courage and martyrdom of those who stood firm in their faith. The New Jerusalem painting takes us on an ethereal journey towards salvation, reminding us that redemption awaits all who believe. Saint John of the Cross's engraving adds depth to our understanding by capturing Christ's suffering with delicate precision. Similarly, The Crucifixion of Christ painting immerses viewers in a moment frozen in time—a poignant reminder of divine love overcoming human frailty. Night at Golgotha evokes powerful emotions through its oil-on-canvas composition—each brushstroke conveying anguish and hope simultaneously. Another Greek Orthodox icon from Thessaloniki beckons us closer to reflect upon Christ's sacrifice once more. In Pilate Offers Jesus artwork, we witness the pivotal moment when choices were made that would forever shape humanity's destiny. Lastly, The Holy Face tempts our gaze with its timeless beauty—an exquisite example of tempera on wood technique dating back centuries. Through these diverse artworks spanning different eras and cultures, we are reminded that crucifixion transcends mere historical event—it is an enduring symbol representing selflessness and ultimate redemption for believers worldwide.