Fraud Blocker Skip to main content

Crosier Collection (page 6)

"Crosier: A Symbolic Journey Through Art and History" Step into the world of art and history as we explore the captivating symbol of the crosier

Background imageCrosier Collection: The Quigrich, or Crosier, of St. Fillan (showing the external case, the front or

The Quigrich, or Crosier, of St. Fillan (showing the external case, the front or pendent part of the crook, and the terminal plate)

Background imageCrosier Collection: Death comes to the Bishop, engraved by Georg Scharffenberg, from Der Todten Tanz

Death comes to the Bishop, engraved by Georg Scharffenberg, from Der Todten Tanz
KW278035 Death comes to the Bishop, engraved by Georg Scharffenberg, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger

Background imageCrosier Collection: 2603405; out of copyright

2603405; out of copyright

Background imageCrosier Collection: H Augustine, Jacob Matham, Rudolf II van Habsburg (Duits keizer), 1607 - 1615

H Augustine, Jacob Matham, Rudolf II van Habsburg (Duits keizer), 1607 - 1615

Background imageCrosier Collection: Portrait of Jean Louis de Fromentieres, Pieter van Schuppen, 1688

Portrait of Jean Louis de Fromentieres, Pieter van Schuppen, 1688

Background imageCrosier Collection: Portrait of Cardinal Robert Bellarmine, at the age of 74, print maker: Antonie Wierix III

Portrait of Cardinal Robert Bellarmine, at the age of 74, print maker: Antonie Wierix III, Jan van Mechelen, unknown, 1621

Background imageCrosier Collection: Saint Bruno, Albert Flamen, Jacques van Merlen, Lodewijk XIV (koning van Frankrijk), 1664

Saint Bruno, Albert Flamen, Jacques van Merlen, Lodewijk XIV (koning van Frankrijk), 1664

Background imageCrosier Collection: Portrait of Francois (II) the Nesmond, Pieter van Schuppen, 1667

Portrait of Francois (II) the Nesmond, Pieter van Schuppen, 1667

Background imageCrosier Collection: Christ appears to Mary, Hieronymus Wierix, 1563 - before 1619

Christ appears to Mary, Hieronymus Wierix, 1563 - before 1619

Background imageCrosier Collection: In an amphitheater, St. Ignatius, third bishop of Antioch, torn by lions, at its

In an amphitheater, St. Ignatius, third bishop of Antioch, torn by lions, at its heart the monogram of Christ, " IHS", in the foreground, his crosier

Background imageCrosier Collection: Archangel Michael, Anonymous, Hieronymus Wierix, de Wit, 1563 - before 1619

Archangel Michael, Anonymous, Hieronymus Wierix, de Wit, 1563 - before 1619

Background imageCrosier Collection: Saint Anastasia Enthroned, Saint Petronilla, Abbess Benedicta

Saint Anastasia Enthroned, Saint Petronilla, Abbess Benedicta with a Crosier, Abbess Bridget with a Crosier, Abbess Gertrude with a Crosier; Unknown; France, Northeastern France

Background imageCrosier Collection: SAINT PATRICK (389-461). Patron saint of Ireland. Painting, 18th century

SAINT PATRICK (389-461). Patron saint of Ireland. Painting, 18th century

Background imageCrosier Collection: SAINT DOMINIC. Saint Dominic and Saint Nicholas of Bari

SAINT DOMINIC. Saint Dominic and Saint Nicholas of Bari. Side panel from the Polyptych of Perugia by Fra Angelico (1387-1455)

Background imageCrosier Collection: SAINT PATRICK (389-461). Patron Saint of Ireland. Woodcut

SAINT PATRICK (389-461). Patron Saint of Ireland. Woodcut

Background imageCrosier Collection: SAINT JOHN CHRYSOSTOM c347-407. Syrian prelate. Etching after Sebastiano del Piombo

SAINT JOHN CHRYSOSTOM c347-407. Syrian prelate. Etching after Sebastiano del Piombo, German, 19th century

Background imageCrosier Collection: TAROT CARD: THE POPE. The Pope (Inspiration). Woodcut, French, 16th century

TAROT CARD: THE POPE. The Pope (Inspiration). Woodcut, French, 16th century

Background imageCrosier Collection: The Quigrich, or Crosier, of St. Fillan (showing the external case, the front or

The Quigrich, or Crosier, of St. Fillan (showing the external case, the front or pendent part of the crook, and the terminal plate)

Background imageCrosier Collection: CONFIRMATION, 18th CENTURY. Line engraving, French, after Bernard Picart (1673-1733)

CONFIRMATION, 18th CENTURY. Line engraving, French, after Bernard Picart (1673-1733)

Background imageCrosier Collection: KINGSs COURT, 13th CENTURY. Bishops and nobles consult the king to ascertain his wishes

KINGSs COURT, 13th CENTURY. Bishops and nobles consult the king to ascertain his wishes. Line engraving after an illustration from the Heidelberg manuscript of the Sachsenspiegel

Background imageCrosier Collection: MARYLAND: FIRST MASS, 1634. The planting of the colony of Maryland (the First Mass, 25 March 1634)

MARYLAND: FIRST MASS, 1634. The planting of the colony of Maryland (the First Mass, 25 March 1634). Wood engraving, 19th century

Background imageCrosier Collection: AUSTRIAN CHRISTMAS CARD. Late 19th century

AUSTRIAN CHRISTMAS CARD. Late 19th century



All Professionally Made to Order for Quick Shipping

"Crosier: A Symbolic Journey Through Art and History" Step into the world of art and history as we explore the captivating symbol of the crosier. From ancient engravings to oil paintings, this collection showcases its significance throughout centuries. In Michael Pacher's masterpiece "The Devil Presenting St Augustin with the Book of Vices, " a striking crosier stands tall, representing spiritual guidance in the face of temptation. Travel back to the 3rd century AD with Saint Denis of Paris' colored engraving, where a majestic crosier embodies his unwavering faith and martyrdom. William of Waynflete's oil painting from the 17th century portrays a dignified figure holding a crosier, symbolizing authority and leadership within religious realms. Journey to mid-19th century England through J Rogers' artwork "Edwy and Elgiva, " where love intertwines with religion as an intricately designed crosier takes center stage. Armand Jean le Bouthillier de Rance is immortalized in an exquisite engraving from 1683, showcasing his devotion through a meticulously crafted golden crosier. Witness Saint Patrick's legendary travels to Tara in a line engraving from the 19th century; his trusty companion on this journey is none other than his iconic crosier. Saint Blaise of Sebaste comes alive in stunning detail between 1490-1500. His gentle demeanor contrasts beautifully against his ornate silver-gilded crosier held firmly by his side. An altar adorned with scenes from St Martin of Tours' life reveals not only acts of charity but also highlights how he wielded his powerful yet graceful golden crosier during moments that defined him as a saintly figure. Alonso Cano's masterpiece "The Lady of Montserrat" captures her elegance while she holds onto her precious wooden-crafted crosier—a symbol of her spiritual authority.