Crimean War Collection (page 7)

The Council of War preceding the Final Assault on Sebastopol (engraving)
2785537 The Council of War preceding the Final Assault on Sebastopol (engraving) by Janet, Gustave (b. 1829); Private Collection; (add.info)

English Cavalry gathering Hay in the Crimea (engraving)
2785528 English Cavalry gathering Hay in the Crimea (engraving) by Morin, Edmond (1824-82) (after); Private Collection; (add.info.: English Cavalry gathering Hay in the Crimea)

The Interior of Mrs Seacoals Crimean Hotel (engraving)
2785523 The Interior of Mrs Seacoals Crimean Hotel (engraving) by Portch, Julian (active c. 1855); Private Collection; (add.info.: The Interior of Mrs Seacoals Crimean Hotel)

Embarkation of the Body of Lord Raglan at Victoria Pier, Kazatch Bay (engraving)
2785457 Embarkation of the Body of Lord Raglan at Victoria Pier, Kazatch Bay (engraving) by Portch, Julian (active c. 1855); Private Collection; (add.info)

The Assault upon the Great Redan (engraving)
2785682 The Assault upon the Great Redan (engraving) by Morin, Edmond (1824-82) (after); Private Collection; (add.info.: The Assault upon the Great Redan)

General Williams, the Gallant Defender of Kars (engraving)
2785663 General Williams, the Gallant Defender of Kars (engraving) by Janet, Gustave (b. 1829); Private Collection; (add.info.: General Williams, the Gallant Defender of Kars)

Christmas Charity, Interior of a Hospital in the East (engraving)
2785660 Christmas Charity, Interior of a Hospital in the East (engraving) by Townsend, Henry James (1810-66); Private Collection; (add.info.: Christmas Charity, Interior of a Hospital in the East)

English Frigates engaging the Kinburn Forts (engraving)
2785564 English Frigates engaging the Kinburn Forts (engraving) by English School, (19th century); Private Collection; (add.info.: English Frigates engaging the Kinburn Forts)

General View of the Bombardment of Kinburn (engraving)
2785562 General View of the Bombardment of Kinburn (engraving) by English School, (19th century); Private Collection; (add.info.: General View of the Bombardment of Kinburn)

Combat near Kertch between the 10th Hussars and Cossacks (engraving)
2785555 Combat near Kertch between the 10th Hussars and Cossacks (engraving) by English School, (19th century); Private Collection; (add.info)

HMS "Royal Albert"(chromolitho)
2790844 HMS " Royal Albert" (chromolitho) by English School, (20th century); Private Collection; (add.info.: HMS " Royal Albert." Illustration for one of a set of cigarette cards)

Sketches of Crimea (engraving)
2785438 Sketches of Crimea (engraving) by Portch, Julian (active c. 1855); Private Collection; (add.info.: Sketches of Crimea)

The New Land Transport Corps in the Crimea (engraving)
2785433 The New Land Transport Corps in the Crimea (engraving) by Portch, Julian (active c. 1855); Private Collection; (add.info.: The New Land Transport Corps in the Crimea)

Our Enemies, the Cossacks (engraving)
2785422 Our Enemies, the Cossacks (engraving) by Gagarin, Grigori Grigorevich (1810-93) (after); Private Collection; (add.info.: Our Enemies, the Cossacks)

English Recruits (engraving)
2785413 English Recruits (engraving) by Browne, Hablot Knight (Phiz) (1815-92) (after); Private Collection; (add.info.: English Recruits)

Wounded Sailors from Sebastopol (engraving)
2785401 Wounded Sailors from Sebastopol (engraving) by Morin, Edmond (1824-82) (after); Private Collection; (add.info.: Wounded Sailors from Sebastopol)

Battle Of Kars (coloured engraving)
2905830 Battle Of Kars (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Battle Of Kars)

In the Cavalry Camp at Devna (Young Cornet) "I say Charley
2975436 In the Cavalry Camp at Devna (Young Cornet) " A" I say Charley, do you think now that in the event of our being sent to Sebastopol, the Infantry will be required to accompany us

Ruins of the Malakoff Redoubt after its capture by the French, Siege of Sevastopol, 8 September 1855 (colour litho)
3100187 Ruins of the Malakoff Redoubt after its capture by the French, Siege of Sevastopol, 8 September 1855 (colour litho) by European School

Sevastopol: The retreat over the bridge of boats, illustration from
3082789 Sevastopol: The retreat over the bridge of boats, illustration from British Battles on Land and Sea, 1915 (litho) by Paget

The fall of Sevastopol and the retreat of the Russians, 8 September 1855
3082786 The fall of Sevastopol and the retreat of the Russians, 8 September 1855, illustration from British Battles on Land and Sea, 1915 (litho) by Simpson

Sevastopol from the battery on the extreme right of French attack
3082782 Sevastopol from the battery on the extreme right of French attack, illustration from British Battles on Land and Sea, 1915 (litho) by Simpson

Second charge of the Guards, when they retook the two gun batteries at the Battle of
3082781 Second charge of the Guards, when they retook the two gun batteries at the Battle of Inkerman, illustration from British Battles on Land and Sea, 1915 (litho) by Simpson

Balaclava, 25th October 1854: The charge of the Light Brigade
3082779 Balaclava, 25th October 1854: The charge of the Light Brigade, illustration from British Battles on Land and Sea, 1915 (litho) by Simpson

The advance of the Light Division at Alma, 20th September 1854
3082773 The advance of the Light Division at Alma, 20th September 1854, illustration from British Battles on Land and Sea, 1915 (litho) by Walton

The Lady with the Lamp: Miss Nightingale in the hospital at Soutari 1855 AD (litho)
1266247 The Lady with the Lamp:Miss Nightingale in the hospital at Soutari 1855 AD (litho) by Rae, Henrietta (1859-1928); Private Collection; (add.info)

The Highlanders at Alma 1854 AD (litho)
1266236 The Highlanders at Alma 1854 AD (litho) by Paget, Walter (1863-1935); Private Collection; (add.info.: Cassells History of England pulished circa 1920)

Zouves looting a village in the Crimea 1854 AD (litho)
1266233 Zouves looting a village in the Crimea 1854 AD (litho) by Paget, Walter (1863-1935); Private Collection; (add.info.: Cassells History of England pulished circa 1920)

Progress of the War and the Anti-Russian Alliance (engraving)
1619080 Progress of the War and the Anti-Russian Alliance (engraving) by English School, (19th century); Private Collection; (add.info.: Progress of the War and the Anti-Russian Alliance)

First Landing of the Royal Horse Artillery in the Bosphorus (engraving)
1619060 First Landing of the Royal Horse Artillery in the Bosphorus (engraving) by English School, (19th century); Private Collection; (add.info)

Bombardment of Odessa (engraving)
1619029 Bombardment of Odessa (engraving) by English School, (19th century); Private Collection; (add.info.: Bombardment of Odessa. Illustration for The Illustrated London News, 27 May 1854)

Embarkation of Troops for the East, from the New Port, Marseilles (engraving)
1618956 Embarkation of Troops for the East, from the New Port, Marseilles (engraving) by English School, (19th century); Private Collection; (add.info.: Embarkation of Troops for the East)

Troops for the War, British Infantry (engraving)
1618807 Troops for the War, British Infantry (engraving) by English School, (19th century); Private Collection; (add.info.: Troops for the War, British Infantry)

The Governor of Schumla (engraving)
1618794 The Governor of Schumla (engraving) by English School, (19th century); Private Collection; (add.info.: The Governor of Schumla. Illustration for The Illustrated London News, 25 February 1854)

Bombardment of Fort Arabat by the Sea of Azoff Squadron, Explosion of the Magazine (engraving)
1602325 Bombardment of Fort Arabat by the Sea of Azoff Squadron, Explosion of the Magazine (engraving) by English School, (19th century); Private Collection; (add.info)

Peace Commemoration at Portsmouth, Triumphal Monument on Southsea Common (engraving)
1608878 Peace Commemoration at Portsmouth, Triumphal Monument on Southsea Common (engraving) by English School, (19th century); Private Collection; (add.info.: Peace Commemoration at Portsmouth)

The Peace Commemoration, the Fireworks, sketched from the Mall, in St Jamess Park (engraving)
1608863 The Peace Commemoration, the Fireworks, sketched from the Mall, in St Jamess Park (engraving) by English School, (19th century); Private Collection; (add.info.: The Peace Commemoration)

The Peace Illuminations, the National Gallery (engraving)
1608847 The Peace Illuminations, the National Gallery (engraving) by English School, (19th century); Private Collection; (add.info.: The Peace Illuminations, the National Gallery)

Peace Illuminations, the East India House (engraving)
1608842 Peace Illuminations, the East India House (engraving) by English School, (19th century); Private Collection; (add.info.: Peace Illuminations, the East India House)

The Peace Illuminations, the Royal Exchange (engraving)
1608837 The Peace Illuminations, the Royal Exchange (engraving) by English School, (19th century); Private Collection; (add.info.: The Peace Illuminations, the Royal Exchange)

Destruction of the Docks, Sebastopol (engraving)
1608534 Destruction of the Docks, Sebastopol (engraving) by English School, (19th century); Private Collection; (add.info.: Destruction of the Docks, Sebastopol)

The Peace Commemoration at Salford, the Townhall (engraving)
1608877 The Peace Commemoration at Salford, the Townhall (engraving) by English School, (19th century); Private Collection; (add.info.: The Peace Commemoration at Salford, the Townhall)

Return of the Army Works Corps from the Crimea (engraving)
1608795 Return of the Army Works Corps from the Crimea (engraving) by English School, (19th century); Private Collection; (add.info.: Return of the Army Works Corps from the Crimea)

Sitting of the Crimean Board of Inquiry, in the Hall of Chelsea Hospital (engraving)
1608723 Sitting of the Crimean Board of Inquiry, in the Hall of Chelsea Hospital (engraving) by English School, (19th century); Private Collection; (add.info)

Crimean Heroes and Trophies, at Woolwich (engraving)
1608700 Crimean Heroes and Trophies, at Woolwich (engraving) by English School, (19th century); Private Collection; (add.info.: Crimean Heroes and Trophies, at Woolwich)

Reading the News of the Peace, at the Mansion-House (engraving)
1608680 Reading the News of the Peace, at the Mansion-House (engraving) by English School, (19th century); Private Collection; (add.info.: Reading the News of the Peace, at the Mansion-House)

Russian Guns and Bells from Sebastopol, just received at Woolwich Arsenal (engraving)
1608607 Russian Guns and Bells from Sebastopol, just received at Woolwich Arsenal (engraving) by English School, (19th century); Private Collection; (add.info)

The Crimean Troops defiling at the Foot of the Column, Place Vendome (engraving)
1608494 The Crimean Troops defiling at the Foot of the Column, Place Vendome (engraving) by English School, (19th century); Private Collection; (add.info)

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"The Crimean War: A Glimpse into the Valley of Death and Heroism" In the annals of history, one event stands out as a symbol of bravery and tragedy – the Charge of the Light Brigade. On that fateful day, 25th October 1854, amidst the chaos and carnage of war, a group of British cavalrymen rode valiantly towards their destiny at Balaclava. The Argyll & Sutherland Highlanders formed The Thin Red Line, an unwavering defense against enemy forces. Their resolute stance became legendary in this battle-scarred landscape. In Lord Alfred Tennyson's poem "Charge of the Light Brigade, " he immortalized their heroism for generations to come. As wood engravings from a bygone era depict, it was indeed a sight to behold – The Charge of the British Light Cavalry Brigade thundering across Balaklava. With courage in their hearts and swords raised high, they charged headlong into danger without hesitation or fear. The Valley of Death loomed before them like an abyss filled with uncertainty. Yet these brave soldiers pressed on relentlessly through its treacherous terrain. It was here that Florence Nightingale emerged as a beacon of hope amidst despair; her lamp guiding injured soldiers towards salvation. Maps from 1855 reveal the vast theater where this conflict unfolded – Crimea became synonymous with bloodshed and sacrifice. Artists like Hayes captured poignant moments such as The Charge during Battle at Balaclava - horses galloping fiercely while bullets whizzed past them. Amongst all this chaos stood The Black Watch - Forward. The 42nd. They fought gallantly at Alma, etching their name in history alongside other heroes who faced death with unwavering resolve. The Crimean War left an indelible mark on humanity's collective memory - tales abound about valor displayed under impossible circumstances.