Crimea Collection (page 9)

The Burning of Kertch, sketched from the Deck of the Transport "Trent"(engraving)
1608006 The Burning of Kertch, sketched from the Deck of the Transport " Trent" (engraving) by English School, (19th century); Private Collection; (add.info.: The Burning of Kertch)

The Birmingham Grand Military Trophy, and Concerts of Sacred Music, for the Benefit of the Patriotic Fund (engraving)
1607956 The Birmingham Grand Military Trophy, and Concerts of Sacred Music, for the Benefit of the Patriotic Fund (engraving) by English School

Embarkation of British Troops (Light Division), at Varna, for the Crimea (engraving)
1607737 Embarkation of British Troops (Light Division), at Varna, for the Crimea (engraving) by English School, (19th century); Private Collection; (add.info)

The late Mr Alexander William Kinglake, Author of "Eothen"and "The Invasion of the Crimea"
1602751 The late Mr Alexander William Kinglake, Author of " Eothen" and " The Invasion of the Crimea" (engraving) by English School

Plan of the Mamelon and Malakoff Tower (engraving)
1602286 Plan of the Mamelon and Malakoff Tower (engraving) by English School, (19th century); Private Collection; (add.info.: Plan of the Mamelon and Malakoff Tower)

Sutlers Wharf, Balaclava (engraving)
1602275 Sutlers Wharf, Balaclava (engraving) by English School, (19th century); Private Collection; (add.info.: Sutlers Wharf, Balaclava. Illustration for The Illustrated London News, 9 June 1855)

Washing Establishment for the General Hospital at Balaclava (engraving)
1602260 Washing Establishment for the General Hospital at Balaclava (engraving) by English School, (19th century); Private Collection; (add.info)

Sketches of the War (engraving)
1602257 Sketches of the War (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches of the War. Illustration for The Illustrated London News, 2 June 1855)

Perekop, in the Crimea (engraving)
1602210 Perekop, in the Crimea (engraving) by English School, (19th century); Private Collection; (add.info.: Perekop, in the Crimea. Illustration for The Illustrated London News, 19 May 1855)

Before Sebastopol, Interior of the Last Parallel, French Line (engraving)
1602084 Before Sebastopol, Interior of the Last Parallel, French Line (engraving) by English School, (19th century); Private Collection; (add.info.: Before Sebastopol, Interior of the Last Parallel)

Mounted Policeman for the Crimea, Soldiers dragging Stores to the Camp (engraving)
1602074 Mounted Policeman for the Crimea, Soldiers dragging Stores to the Camp (engraving) by English School, (19th century); Private Collection; (add.info.: Mounted Policeman for the Crimea)

Manufacture of Lint for the Army in the Crimea (engraving)
1602062 Manufacture of Lint for the Army in the Crimea (engraving) by English School, (19th century); Private Collection; (add.info.: Manufacture of Lint for the Army in the Crimea)

Interior of an Officers Hut at Balaclava (engraving)
1602043 Interior of an Officers Hut at Balaclava (engraving) by English School, (19th century); Private Collection; (add.info.: Interior of an Officers Hut at Balaclava)

The Band playing in the French Camp (engraving)
1602030 The Band playing in the French Camp (engraving) by English School, (19th century); Private Collection; (add.info.: The Band playing in the French Camp)

Huts and Tents of the Rifles and Royal Marines, on the Heights of Balaclava (engraving)
1602029 Huts and Tents of the Rifles and Royal Marines, on the Heights of Balaclava (engraving) by English School, (19th century); Private Collection; (add.info)

Panoramic View of Sebastopol (engraving)
1601918 Panoramic View of Sebastopol (engraving) by English School, (19th century); Private Collection; (add.info.: Panoramic View of Sebastopol)

Map of Sevastopol, 1854 (colour litho)
CHT365095 Map of Sevastopol, 1854 (colour litho) by Russian School (19th century); Archives des Tsars, St. Petersburg, Russia; (add.info)

The Chasseurs d Afrique during the Crimean War of 1854 (w / c on paper)
CHT293252 The Chasseurs d Afrique during the Crimean War of 1854 (w/c on paper) by Guys, Constantin (1802-92); Private Collection; (add.info)

A 13-inch mortar of the Royal Artillery in action, 1855 (w / c over pencil on paper)
NAM280917 A 13-inch mortar of the Royal Artillery in action, 1855 (w/c over pencil on paper) by Alderson, Lt. Henry James (d.1909); National Army Museum, London; (add.info.: Siege of Sebastopol)

Sergeant Glasgow, Royal Artillery, 1856 (sepia photo)
NAM280907 Sergeant Glasgow, Royal Artillery, 1856 (sepia photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

Trumpeters Gritten and Lang, Royal Artillery, 1856 (sepia photo)
NAM280905 Trumpeters Gritten and Lang, Royal Artillery, 1856 (sepia photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

Colour-Sergeant John Paul, Royal Sappers and Miners, 1856 (sepia photo)
NAM280903 Colour-Sergeant John Paul, Royal Sappers and Miners, 1856 (sepia photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

Gunners of the Royal Regiment of Artillery resting in the trenches of Sebastopol, c
NAM280821 Gunners of the Royal Regiment of Artillery resting in the trenches of Sebastopol, c.1855 (w/c on paper) by Alderson, Lt

Captain Arthur Layard, 1855 (b / w photo)
NAM261101 Captain Arthur Layard, 1855 (b/w photo) by Fenton, Roger (1819-69); National Army Museum, London; (add.info.: Captain Layard (d.1855), 38th (1st Staffordshire) Regiment of Foot

Group at Headquarters, from an album of 52 photographs associated with the Crimean War
NAM261085 Group at Headquarters, from an album of 52 photographs associated with the Crimean War, 1855 (b/w photo) by Fenton, Roger (1819-69); National Army Museum

Colonel Doherty, Officers and Men of the 13th Regiment of Light Dragoons
NAM261048 Colonel Doherty, Officers and Men of the 13th Regiment of Light Dragoons, from an album of 52 photographs associated with the Crimean War, 1855 (b/w photo) by Fenton

Zouaves (b / w photo)
NAM261043 Zouaves (b/w photo) by Fenton, Roger (1819-69); National Army Museum, London; eNational Army Museum; English, out of copyright

General Pierre Bosquet (1810-61) and Captain Dampierre, from an alburm of 52 photographs
NAM261036 General Pierre Bosquet (1810-61) and Captain Dampierre, from an alburm of 52 photographs associated with the Crimean War (b/w photo) by Fenton, Roger (1819-69); National Army Museum

Sergeant-Major Stewart, 5th (Princess Charlotte of Wales
NAM261016 Sergeant-Major Stewart, 5th (Princess Charlotte of Wales s) Dragoon Guards (b/w photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

Colour-Sergeant Macgregor, Scotch Fusiliers Guards (b / w photo)
NAM261008 Colour-Sergeant Macgregor, Scotch Fusiliers Guards (b/w photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

Gardner, McKenzie and Glen, 42nd (The Royal Highland) Regiment of Foot (b / w photo)
NAM261006 Gardner, McKenzie and Glen, 42nd (The Royal Highland) Regiment of Foot (b/w photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

42nd Highlanders (Black Watch) (b / w photo)
NAM261005 42nd Highlanders (Black Watch) (b/w photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

Colour-Sergeant Taylor, 72nd (Duke of Albanys Own Highlanders
NAM261002 Colour-Sergeant Taylor, 72nd (Duke of Albanys Own Highlanders) Regiment of Foot (b/w photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

Miss Nightingale in the hospital at Scutari (engraving)
FNM321952 Miss Nightingale in the hospital at Scutari (engraving) by English School, (19th century); Florence Nightingale Museum, London

Miss Nightingale in the hospital at Scutari, published by Jacomme et Dufat, Paris
FNM321951 Miss Nightingale in the hospital at Scutari, published by Jacomme et Dufat, Paris, 1856 (colour litho) by French School, (19th century); Florence Nightingale Museum, London

A Ward in the Hospital at Scutari, engraved by E. Walker, 1856 (colour litho)
FNM321932 A Ward in the Hospital at Scutari, engraved by E. Walker, 1856 (colour litho) by Simpson, William Crimea (1823-99); Florence Nightingale Museum, London

Womens Mission, engraved by JA Vinter, printed by Day & Son (colour litho)
FNM325773 Womens Mission, engraved by JA Vinter, printed by Day & Son (colour litho) by Barraud, Henry (1811-74) (after); Florence Nightingale Museum, London

[Barrack] Hospital Scutari, scene with nurses and soldiers of the Highland Regiment
FNM325764 [Barrack] Hospital Scutari, scene with nurses and soldiers of the Highland Regiment, 1854-56 (w/c) by Norie, Orlando (1832-1901); Florence Nightingale Museum, London

The Field of Inkerman, plate from The Seat of War in the East, pub
STC122444 The Field of Inkerman, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co. 1856 (litho) by Simpson

Sebastopol from the Rear of Fort Nicholas, plate from
STC122433 Sebastopol from the Rear of Fort Nicholas, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co

Interior of the Mamelon Vert, plate from The Seat of War in the East, pub
STC122415 Interior of the Mamelon Vert, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co. 1856 (litho) by Simpson

Battle of the Tchernaya, August 16th 1855, plate from
STC121089 Battle of the Tchernaya, August 16th 1855, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co

North Side of the Harbour of Sebastopol, plate from The Seat of War in the East
STC122435 North Side of the Harbour of Sebastopol, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co

The Admiralty, Sebastopol, plate from The Seat of War in the East, pub
STC122432 The Admiralty, Sebastopol, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co. 1856 (litho) by Simpson

Lord Raglans Head Quarters at Khutur Karagatch, plate from
STC122429 Lord Raglans Head Quarters at Khutur Karagatch, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co

Fortress of Yenikale, plate from The Seat of War in the East, pub
STC122417 Fortress of Yenikale, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co. 1856 (litho) by Simpson

Public Library and Temple of the Winds, plate from The Seat of War in the East
STC122408 Public Library and Temple of the Winds, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co

A Hot Night in the Batteries, plate from The Seat of War in the East, pub
STC121093 A Hot Night in the Batteries, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co. 1856 (litho) by Simpson

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"Exploring the Rich History and Scenic Beauty of Crimea" Step back in time to the infamous Charge of the Light Brigade at Balaclava on 25 October 1854, immortalized in a captivating colour lithograph. Witness the bravery and valor of the Rifleman of 95th (Rifles) Regiment of Foot, who stood tall amidst chaos. Experience the intensity captured in "The Colours: advance of the Scots Guards at Alma, " an oil painting from 1899 that depicts a pivotal moment during the Crimean War. Delve into history with "The Remnants of an Army, " a poignant reminder of sacrifice. Enter "The Valley of Death, " where shadows loom large and echoes whisper tales from this haunting chapter. Watch as Grenadier Guards Depart, leaving behind their mark on this war-torn land. Discover Mary Seacole's indomitable spirit through Punch's portrayal, showcasing her unwavering dedication to care for wounded soldiers. Learn about Lord Cardigan, whose name became synonymous with courage amidst adversity. Escape to Yalta's picturesque seafront along Crimea's coast, where tranquility meets remnants of conflict. Marvel at its beauty while contemplating how it has witnessed both triumphs and tribulations throughout history. Immerse yourself in Crimea's rich past during the Crimean War – a testament to human resilience amid turmoil. Observe people sitting on benches near Lenin's statue; symbols representing different eras coexisting harmoniously. Crimea beckons you with its intriguing blend of historical significance and natural splendor – an invitation to explore its multifaceted identity that continues to captivate visitors from around Europe and beyond.