Crest Collection (page 22)

Medallion with a bas-relief of the profile of Constantine. Detail of the faade of the Certosa di Pavia. Certosa di Pavia Low Relief, Basrelief High Renaissance, Renaissance

Detail of a small cupid holding an inverted shield with flower in the Chapel of Isotta, or of the Angels or St. Michele, inside the Malatestiano Temple in Rimini

Detail of a small cupid holding a shield with flower in the Chapel of Isotta, or of the Angels or St. Michele, inside the Malatestiano Temple in Rimini Rimini Malatestiano Temple

Marble cardinal blazon, Petriano Museum, Vatican City State of the Vatican City Petriano Museum Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe

Detail of a small cupid with a Malatesta shield in the Chapel of Isotta, or of the Angels or St. Michele, inside the Malatestiano Temple in Rimini

Detail of the left cornice, with plant decorations, an inscription "S.I. G.I." and a maid holding a shield with the initials S.I. inside the Malatestiano Temple in Rimini

Detail of the right cornice, with plant decorations and a maid holding a shield with the initials S.I. inside the Malatestiano Temple in Rimini

Detail of a cornice, with a maid holding a shield with the initials S.I. inside the Malatestiano Temple in Rimini. Rimini Malatestiano Temple Statue Early Renaissance, Renaissance

Silver base for the statue of St. Massimo. Work located in the vestry of the Cathedral of L'Aquila. Circular structure decorated with geometric and plant designs

Detail of a statue depicting the countess, Maria Pereira in the Sepulchre of the same name. Work located in the Church of St. Bernardino, L'Aquila. L'Aquila Church St

Tomb of Maria Pereira located in the church of S. Bernardino, L'Aquila. Arcaded structure with pilasters and shell-like niches holding statuettes of John the Baptist, Magdalene, St

Faade of the church of St. Bernardino at Aquila. Three rows of stacked columns: in the first is metope with religious symbols, in the second is a window with three lights

Epitaph of the Challenge of Barletta in the countryside of Andria. Andria environs. Date of Photograph:1920-1930 ca

Detail of the portal of the Cathedral of Altamura. Altamura Door Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

View of the external staircase of Villa Stibbert in Florence. Under it, two curved windows covered in iron and framed by columns and gables forming a mullioned window with two lights

View of the tower of Villa Stibbert in Florence. The tower, from the octagonal plan, is decorated with sculpted coat-of-arms on marble rectangular plaques

The Porta delle Grazie in the city walls of Bassano del Grappa. Bassano del Grappa Door High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Angular view of the Palazzo dell'Arte della Lana, Florence. Florence Building Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920 - 1930 ca

The Marcella Fountain in Assisi. Assisi Monumental Fountain Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Decorative frieze with putti inside the church of Sant'Ignazio, Rome. Rome Church of Sant'Ignazio Frieze Baroque, Renaissance-Baroque styles and periods, Europe

Decorative frieze with putti located above the private chapel of the organ, church of Sant'Ignazio, Rome. Rome Church of Sant'Ignazio Frieze Baroque, Renaissance-Baroque styles and periods

Decorative frieze with putti located on the organ apse, church of Sant'Ignazio, Rome. Rome Church of Sant'Ignazio Frieze Baroque, Renaissance-Baroque styles and periods, Europe

Upper part of the altar of the right transept in the Church of S. Ignazio, Rome. The allegorical figures of Charity and Humility and angels are by Pietro Bracci. Rome S

Sepulchral monument to Cardinal Carlo Bonelli, work according to the design of Girolamo Rainaldi. Church of S. Maria Sopra Minerva, Rome

Sepulchral monument to Cardinal Domenico Pimentel, work by Ercole Ferrata according to the design of Gian Lorenzo Bernini. Church of S. Maria Sopra Minerva, Rome

Interior of the Church of S. Maria Sopra Minerva, Rome. Rome Santa Maria sopra Minerva Church Nave. Date of Photograph:1890 ca.. Date of Artwork:XIII-XVII secc. 1848-1855

Monument to Cardinal Gregorio Nano, in the Church of S. Maria Sopra Minerva, Rome. Rome Santa Maria sopra Minerva Church Funerary Monument Baroque, Renaissance-Baroque styles and periods, Europe

Marble holy water basin located in the Church of Santa Maria sopra Minerva, Rome. Rome Church of S. Maria sopra Minerva, Holy Water Font Late Renaissance, Renaissance

Sepulchral monument to Roberto d'Altemps, Duke of Wales, work by Nicol Pippi, collocated in the Church of Santa Maria in Trastevere, Rome. 1890 ca. Pippi, Nicol XVI sec

A door of the great hall of the Palazzo Barberini, in Rome Rome Palazzo Barberini, great hall Door Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Memorial to the Count G. Thiene, work by Antonio Raggi, Church of Sant'Andrea della Valle, Rome. Rome Church of Sant Andrea della Valle Cenotaph Baroque, Renaissance-Baroque styles and periods

Detail of the monument to Pius III, work by Francesco di Giovanni and Bastiano di Francesco, Church of Sant'Andrea della Valle, Rome

Arcade of the Villa Giulia garden, Rome Rome Villa Giulia, garden Relief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

The marble transenna built by Mino da Fiesole; work located in the Sistine Chapel. Vatican Museums, Vatican City State of the Vatican City Vatican Museums

Monumento to Cardinal Antionio Venier, work attributed to the circle of Isaia da Pisa, basilica of San Clemente in Rome. Rome Basilica of S

Entrance to the Albornoz Fortress of Spoleto Spoleto Fort Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1345-1374 ca

Puteal decorated with the Pope Niccol V coat-of-arms, Court of honour, fortress, Spoleto Spoleto Fortress, Court of honour Well Middle Ages, Europe, First and Second Millennium A.D

Tomb of Cardinal Francesco Castiglioni in the Church of S. Maria del Popolo, Rome. Rome Church of S. Maria del Popolo Monumental Tomb High Renaissance, Renaissance

Coat of arms held up by two ephebes, made by Giulio Mazzoni and located between two windows overlooking the courtyard of Palazzo Spada, Rome Rome Palazzo Spada, courtyard High Relief

Bas-relief by Giulio Mazzoni portraying a scene of the battle between Centaurs and Lapiths; it is part of the frieze under the windowsills facing the courtyard of Palazzo Spada

View with people of the faade and part of the side of the Church of S. Bernardino, L'Aquila. The faade of the church consists of three stories

View of the Fountain called del Vecchio and of a part of the Aqueduct, Sulmona. The fountain is crowned with a semicircular tympanum that contains a blazon with a wreath inside it, held by two putti

Statue depicting Enrico degli Scrovegni while praying, placed inside a shrine on a painted wall, work by Giovanni Pisano. Vestry of the Scrovegni Chapel, Padua

Detail of the sepulchral monument of Enrico Scrovegni in the Chapel of the same name in Padua. Padua Chapel degli Scrovegni Funerary Monument. Date of Photograph:1915 - 1920 ca

View of the Porta Pisana in Lastra a Signa in the province of Florence. Two coat-of-arms are visible in the upper part. Lastra a Signa Door Early Renaissance, Renaissance

Main door and loggia of Palazzo Farnese, Rome Rome Piazza Farnese Building - Facade High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Tomb of Cardinal Pietro Ferricci in the cloister of the Church of S. Maria sopra Minerva, Rome, work attributed to Mino de Fiesole. Rome Church of S

Tomb of Andrea Bregno, work of Luigi Capponi (1445-1515 ca.) Santa Maria sopra Minerva Church, Rome Rome Santa Maria sopra Minerva Church Commemorative Equestrian Monument, Stele Early Renaissance

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"Unveiling the Majestic Crest: A Journey through History, Nature, and Royalty" Embark on a captivating journey as we explore the diverse realms that embody the essence of "crest. " From the valiant Kings Own Scottish Borderers to the personification of power in the Austro-Hungarian Empire with its striking flag, every crest tells a unique tale. Immerse yourself in Glasgow's vibrant streets with our trusty guidebook, "Seeing Glasgow by Tram and Bus, " which unveils hidden gems at every turn. As you traverse this enchanting cityscape, witness two cockatiel birds gracefully perched on a branch - Calyptorhynchus funereus, also known as yellow-tailed black cockatoos. Their vivid plumage is an ode to nature's artistic prowess. In another realm altogether stands King George VI himself, graciously thanking British children for their unwavering support. His regal presence reminds us of the significance that crests hold within royal heritage. Venturing further into unexplored territories brings us to Camargue, France where an elegant hoopoe captures our attention. Its majestic crest symbolizes grace and elegance amidst breathtaking landscapes. The Queens College Oxford beckons us next with its timeless charm captured in a vivid color photo. Here lies yet another emblematic crest representing knowledge and intellectual pursuit. As we soar through time aboard Avro York C1 G-AGNN BOAC aircrafts, let your imagination take flight towards Mount Everest Expedition's campsite from 1924. The indomitable spirit embodied by these adventurers resonates deeply within their iconic crest. Returning once more to avian wonders, Nymphicus hollandicus or cockatiels captivate hearts with their endearing presence. Their delicate crests mirror their playful personalities while reminding us of nature's boundless beauty. Finally, we encounter the great crested newt - an emblem of resilience and adaptability.