Coven Collection

Witches Sabbath by Francisco de Goya
Francisco de Goya (1746-1828). Spanish romantic painter. Witches Sabbath, 1821-1823. Detail. Prado Museum. Madrid. Spain

WITCHES: WALPURGIS NIGHT. Walpurgis night on the Blocksberg, Germany. Woodcut, Leipzig, 1669

Illustration from a treatise by Ulrich Molitor about diviner women and witchcraft (engraving)
3646906 Illustration from a treatise by Ulrich Molitor about diviner women and witchcraft (engraving) by German School, (19th century); Private Collection; (add.info)

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The Vision of Faust, 1878 (oil on canvas)
NUL386947 The Vision of Faust, 1878 (oil on canvas) by Falero, Luis Riccardo (1851-96); 145.4x117.5 cm; Private Collection; (add.info.: Scene from Faust by Johann Wolfgang von Goethe (1749-1832)

Wolverhampton WV9 5 Map
Postcode Sector Map of Wolverhampton WV9 5

The Coven
Hugo Gonçalves

A Foregathering of Witches, 4 (w / c with wash & ink over graphite on paper)
FIT450370 A Foregathering of Witches, 4 (w/c with wash & ink over graphite on paper) by Romney, George (1734-1802); 40.4x54.8 cm; Fitzwilliam Museum, University of Cambridge

The Witches at the Sabbath, after Hans Baldung Grien, illustrated in a history of magic
STC202554 The Witches at the Sabbath, after Hans Baldung Grien, illustrated in a history of magic published late 19th century (litho) by Baldung Grien

A Foregathering of Witches (w / c with wash over graphite on paper)
FIT450369 A Foregathering of Witches (w/c with wash over graphite on paper) by Romney, George (1734-1802); 38.6x39 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

A Foregathering of Witches, 3 (w / c with wash & ink over graphite on paper)
FIT450371 A Foregathering of Witches, 3 (w/c with wash & ink over graphite on paper) by Romney, George (1734-1802); 38.5x54.8 cm; Fitzwilliam Museum, University of Cambridge

Witches Preparing for the Sabbath (oil on panel)
LST204437 Witches Preparing for the Sabbath (oil on panel) by Teniers, David the Younger (1610-90) (studio of); 40.6x52.1 cm; Private Collection; (add.info)

A Witchs Kitchen, c. 1600 (pen & ink and wash on paper)
AMO110731 A Witchs Kitchen, c.1600 (pen & ink and wash on paper) by Gheyn, Jacques II de (1565-1629); 28x40.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

The Witches Sabbath, copy of an illustration from Tableau de l
STC202562 The Witches Sabbath, copy of an illustration from Tableau de l inconstance des mauvais anges by Pierre de Lancre, Paris 1612, used in a History of Magic

The Witches Sabbath, the month of January for a magic calendar published in
CHT173750 The Witches Sabbath, the month of January for a magic calendar published in Art Nouveau review, 1896 (colour litho) by Orazi

The Witches, 1510 (woodcut)
5858420 The Witches, 1510 (woodcut) by Grien, Hans Baldung (1484/5-1545); 38.9A--27 cm; Metropolitan Museum of Art, New York, USA; (add.info.: second of two states); German, out of copyright

After-match scenes back in Coventry after Coventry City won the FA Cup Final against Tottenham Hotspurs 3-2, at Wembley, London on 16th May 1987

Golf Guide 1931, featuring Bobby Jones, American, 1931. The cover shows Jones surrounded by the four Grand Slam trophies he had won in 1930, the year before

How Shall We Three Meet Again?, 1885. Artist: Joseph Swain
How Shall We Three Meet Again?, 1885. Sir Michael Hicks Beach, Lord Salisbury, and William Gladstone are represented in this cartoon

SATANIC COURT, 1549. Satan holding court for newly-annointed witches. Woodcut, French, 1549

A coven of witches around a cauldron. Witches were said to prepare their secret potions in a cauldron. After a 19th century illustration an 1807 edition of Charles Lambs Tales From Shakespeare

WALPURGIS NIGHT on the Blocksberg, Germany. Woodcut, Leipzig, 1669

The Witches at the Sabbath (engraving)
XJF909345 The Witches at the Sabbath (engraving) by Baldung Grien, Hans (1484/5-1545) (after); Private Collection; German, out of copyright

The Witches Sabbath, c. 1515 (pen & ink and gouache on paper)
XIR171899 The Witches Sabbath, c.1515 (pen & ink and gouache on paper) by Baldung Grien, Hans (1484/5-1545) (studio of); Musee de l Oeuvre de Notre Dame, Strasbourg, France; German, out of copyright

Interior of a Witchs House, 1579 (engraving) (b&w photo)
XJF105839 Interior of a Witchs House, 1579 (engraving) (b&w photo) by English School, (16th century); Private Collection; English, out of copyright

Fantastic Vision (Asmodeus) 1821-23 (oil on gesso transferred to linen) (detail of 73591)
BAL12908 Fantastic Vision (Asmodeus) 1821-23 (oil on gesso transferred to linen) (detail of 73591) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

The Witches Sabbath (oil on canvas)
XIR109478 The Witches Sabbath (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Museo Lazaro Galdiano, Madrid, Spain; Spanish, out of copyright

ENGLAND: WITCH, 1591. The English witch, Agnes Sampson, and her coven raising a storm against the Kings ship. Contemporary woodcut, 1591

Witchcraft, 18th century
Witchcraft. 18th-century artwork depicting a witch mixing potions by candlelight at lower left, and witches on broomsticks departing up a chimney in the background at right as another witch incants a

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"Coven: Unveiling the Mysteries of Witchcraft through Art" Step into the enchanting world of witchcraft as we explore the captivating imagery depicted in various artworks throughout history. From Francisco de Goya's haunting "Witches Sabbath" to Ulrich Molitor's intriguing treatise on diviner women and witchcraft, these masterpieces offer a glimpse into the secretive realm of covens. Immerse yourself in the bewitching atmosphere of Walpurgis Night on Germany's Blocksberg, beautifully captured in a woodcut from Leipzig. Feel the energy pulsating through "The Vision of Faust, " an oil painting that transports you to a realm where magic and temptation intertwine. Discover Wolverhampton WV9 5 Map, an unexpected hint leading us deeper into this mystical journey. What secrets lie hidden within its boundaries? Is it a meeting place for covens or simply another clue waiting to be unraveled? "The Coven" beckons with its enigmatic title, inviting us to witness an assembly of witches gathering under moonlit skies. Their presence is further revealed in intricate watercolor and ink illustrations such as "A Foregathering of Witches. " Each stroke brings forth their power and unity as they prepare for rituals beyond mortal comprehension. Hans Baldung Grien's depiction in "The Witches at the Sabbath, " featured within a history of magic, showcases how art has long been intertwined with tales of sorcery. The vivid colors and meticulous details transport us to ancient times when witches were feared yet revered figures. Enter "A Witch's Kitchen, " circa 1600, where pen, ink, and wash create an intimate scene filled with herbs, potions, and mysterious ingredients. Here lies the heartland where spells are concocted amidst cauldrons bubbling with untold possibilities. Join us on this mesmerizing journey through time as we unravel the mysteries surrounding covens - gatherings shrouded in secrecy, where witches unite to harness their powers.