Courtiers Collection (page 6)

Costume of a nobleman at the court of King Louis XV, 1825 (lithograph)
7237171 Costume of a nobleman at the court of King Louis XV, 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info)

French woman at the court of the Emperor Napoleon, 1808. 1825 (lithograph)
7236916 French woman at the court of the Emperor Napoleon, 1808. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info)

Costume of a lady at the court of King Henry III of France, 1586 1825 (lithograph)
7236769 Costume of a lady at the court of King Henry III of France, 1586 1825 (lithograph) by Lecomte, Hippolyte (1781-1857) (after); Private Collection; (add.info)

James Erskine, 6th Earl of Buchan, courtier, 1615. 1798 (engraving)
7237226 James Erskine, 6th Earl of Buchan, courtier, 1615. 1798 (engraving) by Trotter, Thomas (1750-1803); Private Collection; (add.info.: James Erskine, 6th Earl of Buchan, courtier, 1615)

Noble woman in court costume, era of King Louis XVIII. 1825 (lithograph)
7236986 Noble woman in court costume, era of King Louis XVIII. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info.: French noble woman in court costume)

Costume of a nobleman at the court of King Louis XVI of France, 1825 (lithograph)
7237177 Costume of a nobleman at the court of King Louis XVI of France, 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info)

Sophia Bulkely, Scottish Jacobite courtier to Queen Mary of Mode 1814 (engraving)
7236097 Sophia Bulkely, Scottish Jacobite courtier to Queen Mary of Mode 1814 (engraving) by Dunkarton, Robert (1744-1811); Private Collection; (add.info.: Sophia Bulkely (nee Stuart), c.1660-1718

Elizabeth Fitzgerald, Countess of Kildare, 1665-1758. 1814 (engraving)
7236096 Elizabeth Fitzgerald, Countess of Kildare, 1665-1758. 1814 (engraving) by Dunkarton, Robert (1744-1811); Private Collection; (add.info.: Elizabeth Fitzgerald, Countess of Kildare, 1665-1758)

Charles Seymour, 6th Duke of Somerset. 1813 (engraving)
7236100 Charles Seymour, 6th Duke of Somerset. 1813 (engraving) by Dunkarton, Robert (1744-1811); Private Collection; (add.info.: Charles Seymour, 6th Duke of Somerset, 1662-1748)

A Childs Dream of Christmas, 1858 (pencil)
Ma88130 A Childs Dream of Christmas, 1858 (pencil) by Halswelle, Keeley (1832-91); Private Collection; Photo © The Ms Gallery, London

Robert Bruce, 1st Earl of Ailesbury, Scottish politician and cou 1814 (engraving)
7236114 Robert Bruce, 1st Earl of Ailesbury, Scottish politician and cou 1814 (engraving) by Lely, Peter (1618-80) (after); Private Collection; (add.info.: Robert Bruce, 1626-1685)

Thomas Howard, 14th Earl of Arundel, Grand Tourist and art colle 1814 (engraving)
7236111 Thomas Howard, 14th Earl of Arundel, Grand Tourist and art colle 1814 (engraving) by Dunkarton, Robert (1744-1811); Private Collection; (add.info.: Thomas Howard, 14th Earl of Arundel)

Admiral William Feilding, 1st Earl of Denbigh. 1814 (engraving)
7236108 Admiral William Feilding, 1st Earl of Denbigh. 1814 (engraving) by Dunkarton, Robert (1744-1811); Private Collection; (add.info.: Admiral William Feilding, 1st Earl of Denbigh, c)

Montagu Bertie, 2nd Earl of Lindsey, 1608-1666. 1814 (engraving)
7236084 Montagu Bertie, 2nd Earl of Lindsey, 1608-1666. 1814 (engraving) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: Montagu Bertie, 2nd Earl of Lindsey)

Edward Sackville, 4th Earl of Dorset, English courtier, soldier 1814 (engraving)
7236117 Edward Sackville, 4th Earl of Dorset, English courtier, soldier 1814 (engraving) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: Edward Sackville)

The Treasure-chamber of Rhampsinites, illustration from The Myths of Ancient Egypt by Lewis Spence, 1917 (colour litho)
STC323911 The Treasure-chamber of Rhampsinites, illustration from The Myths of Ancient Egypt by Lewis Spence, 1917 (colour litho) by Paul

Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations
STC357942 Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations (litho) by Dudley

Sir Walter Raleigh laying down his cloak for Queen Elizabeth I. 1831 (engraving)
7234807 Sir Walter Raleigh laying down his cloak for Queen Elizabeth I.1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

King Cophetua and the Beggar Maid, 1909 (pen & ink on paper)
Ma388920 King Cophetua and the Beggar Maid, 1909 (pen & ink on paper) by Fortescue-Brickdale, Eleanor (1871-1945); 35.1x26.7 cm; Private Collection; (add.info)

They all trooped out, lords and ladies, to view the wee man, illustration from The High Deeds of Finn
STC323710 They all trooped out, lords and ladies, to view the wee man, illustration from The High Deeds of Finn, and other Bardic Romances of Ancient Ireland by T.W

Guinevere and her ladies in the golden days, illustration from Idylls of the King by Alfred Tennyson (1809-92)
IL274108 Guinevere and her ladies in the golden days, illustration from Idylls of the King by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho) by Fortescue-Brickdale

Georgian gentlemen and ladies at an audience with the king. 1831 (engraving)
7234816 Georgian gentlemen and ladies at an audience with the king.1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: Georgian gentlemen and ladies)

March of the grand Mughal, Akbar the Great, 1909 (print)
3781033 March of the grand Mughal, Akbar the Great, 1909 (print); (add.info.: March of the grand Mughal, Akbar the Great, third Mughal emperor of India 15 October 1542 - 27 October 1605)

Nautch girls, 1922 (b / w photo)
5962928 Nautch girls, 1922 (b/w photo) by Bain, George Grantham - Bain News Service (1865-1944); Private Collection; (add.info.: Travelling dancing girls in the later Mughal Empire)

Court officer of King Francis I, 16th century. 1867 (engraving)
7234951 Court officer of King Francis I, 16th century. 1867 (engraving) by Lechevallier-Chevignard, Edmond (1825-1902); Private Collection; (add.info.: Court officer of King Francis I, 1494-1547)

Syllable - Ki from the series Tales of Ise in Fashionable Brocade Prints, c. 1770-1773 (woodblock on paper)
6437449 Syllable - Ki from the series Tales of Ise in Fashionable Brocade Prints, c.1770-1773 (woodblock on paper) by Shunsho, Katsukawa (1726-93); 21.7x15.8 cm; Maidstone Museum and Art Gallery

An Incident on the Hunt, late 17th-early 18th century (ink on silk)
6124995 An Incident on the Hunt, late 17th-early 18th century (ink on silk) by Cheng Xiang (1628-98); 224.5x158.8 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: This monumental landscape)

The origin of the order of the Garter (colour litho)
3091429 The origin of the order of the Garter (colour litho) by Davie, Howard (fl.1914-44); Private Collection; (add.info.: The origin of the order of the Garter)

Canute and his Courtiers. A. D. 1020 (colour litho)
670177 Canute and his Courtiers. A.D. 1020 (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Canute and his Courtiers. A.D. 1020)

Spanish gentleman at court, 16th century. 1867 (engraving)
7234931 Spanish gentleman at court, 16th century. 1867 (engraving) by Lechevallier-Chevignard, Edmond (1825-1902); Private Collection; (add.info.: Spanish gentleman at court, 16th century)

They made an encampment and the swans sang to them, illustration from The High Deeds of Finn
STC323707 They made an encampment and the swans sang to them, illustration from The High Deeds of Finn, and other Bardic Romances of Ancient Ireland by T.W

Tiglath-Pileser inspecting gifts from Egypt, illustration from Hutchinsons History of the Nations (litho)
STC357957 Tiglath-Pileser inspecting gifts from Egypt, illustration from Hutchinsons History of the Nations (litho) by Dudley

Harold, returning from Normandy, presents himself to Edward the Confessor, engraved by JD Cooper (coloured engraving)
STC418703 Harold, returning from Normandy, presents himself to Edward the Confessor, engraved by JD Cooper (coloured engraving) by Maclise, Daniel (Croquis)

Mandarin in court dress, 18th century. 1822 (engraving)
7234157 Mandarin in court dress, 18th century. 1822 (engraving) by Alexander, William (1767-1816) (after); Private Collection; (add.info)

Sir Thomas Roes Embassy to the Court of Jehangir (oil & pencil on canvas)
1775082 Sir Thomas Roes Embassy to the Court of Jehangir (oil & pencil on canvas) by Rothenstein, William (1872-1945); 52.5x110.5 cm; Bradford Art Galleries and Museums, West Yorkshire

Edo Triptych, c. 1743-1812 (woodblock on paper)
6437476 Edo Triptych, c.1743-1812 (woodblock on paper) by Shunei, Katsukawa (1762-1819); 36.9x25.9 cm; Maidstone Museum and Art Gallery, Kent

Syllable - Fu from the series Tales of Ise in Fashionable Brocade Prints, c. 1770-1773 (woodblock on paper)
6437452 Syllable - Fu from the series Tales of Ise in Fashionable Brocade Prints, c.1770-1773 (woodblock on paper) by Shunsho, Katsukawa (1726-93); 21.7x15.1 cm; Maidstone Museum and Art Gallery

Javanese man in court dress
6339127 Javanese man in court dress by A.C. & Lisbet (19th century); (add.info.: Javanese man in court dress. He wears a kuluk (cap), batik chelana (pantaloons), dodot (sarong cloth)

Joseph interpreting Pharaohs dreams (oil on canvas)
5973482 Joseph interpreting Pharaohs dreams (oil on canvas) by Tengnagel, Jan (1584-1635) (circle of); 137.8x117.8 cm; Private Collection; Photo © Christies Images

Woman in the court of King Francis I, 16th century. 1867 (engraving)
7234888 Woman in the court of King Francis I, 16th century. 1867 (engraving) by Lechevallier-Chevignard, Edmond (1825-1902); Private Collection; (add.info.: Courtier of King Francis I)

The Sleeping Beauty, 1842 (oil on canvas)
HRT67769 The Sleeping Beauty, 1842 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 131x217 cm; Hartlepool Museum Service, UK; © Hartlepool Museum Service

Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb
STC308582 Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Shalmaneser I pours out the dust of Arina before his god Ashur, illustration from Hutchinsons History of the Nations
IL340193 Shalmaneser I pours out the dust of Arina before his god Ashur, illustration from Hutchinsons History of the Nations (litho) by Dudley

Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations
IL340188 Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations (litho) by Dudley

The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho)
IL322130 The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho) by Stewart

Sir Henry Norris picks up Anne Boleyns handkerchief, illustration from Hutchinsons Story of the British Nation, c
STC373612 Sir Henry Norris picks up Anne Boleyns handkerchief, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Stewart

The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho)
STC373514 The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho) by Stewart

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Courtiers have long been an integral part of history, serving as trusted advisors and companions to royalty and nobility. From the legendary bond between Alexander the Great and his loyal steed Bucephalus to the opulent scenes depicted in Les Tres Riches Heures du Duc de Berry - January, they have played a significant role in shaping our understanding of power dynamics. In The Opening of the Great Exhibition, 1851-52 (oil on canvas), we catch a glimpse surrounding Queen Victoria during this grand event that showcased Britain's industrial prowess. Turandot Liebig 2 transports us to an exotic world where courtiers adorned in lavish attire engage in royal festivities. Music also found its place within courts, with composers like William Byrd creating enchanting melodies for their regal patrons. Meanwhile, King George V on horseback commands attention as he parades through Hyde Park, London - his loyal courtiers by his side. The intricate details captured in Detail of The Entry of Louis XIV and Maria Theresa into Arras transport us back to a time when courtly rituals were at their peak. Courtiers meticulously orchestrated every aspect of these grand entrances, ensuring they conveyed power and majesty. But not all tales involving they can steeped in grandeur; Gulliver's adventures among the tiny inhabitants of Lilliput shed light on how even diminutive societies had their own systems of hierarchy and protocol. Similarly, The Warning before Flodden reminds us that even amidst war-torn landscapes, noble figures relied on their trusted circle for counsel and protection. Religious narratives also feature courtly figures such as The Queen of Sheba Worshipping the Wood of the True Cross or King Alfred submitting his laws to the Witan. These depictions highlight how faith intertwined with political authority throughout history.