Corneille Collection (page 2)

Portrait of a Bearded Man in White. Creator: Corneille de Lyon
Portrait of a Bearded Man in White

Portrait of a Man with a Gold Chain. Creator: Corneille de Lyon
Portrait of a Man with a Gold Chain

Portrait of a Man with a Pointed Collar. Creator: Attributed to Corneille de Lyon (Netherlandish)
Portrait of a Man with a Pointed Collar

Guardroom Scene, 1744. Creator: Cornelis Troost
Guardroom Scene, 1744

Portrait of a Man with Gloves, 1540-45. Creator: Corneille de Lyon
Portrait of a Man with Gloves, 1540-45

Portrait of a Man with Gloves, ca. 1535. Creator: Corneille de Lyon
Portrait of a Man with Gloves, ca. 1535

Portrait of a Bearded Man in Black. Creator: Corneille de Lyon
Portrait of a Bearded Man in Black

Portrait of a Man, ca. 1545. Creator: Corneille de Lyon
Portrait of a Man, ca. 1545

Portrait of a Man with His Hand on His Chest, 1540-45. Creator: Corneille de Lyon
Portrait of a Man with His Hand on His Chest, 1540-45

Music Party at Wanstead House, c1740, (1942). Creator: Joseph Frans Nollekens
Music Party at Wanstead House, c1740, (1942). A group of people playing stringed instruments outside Wanstead House, a mansion in Redbridge, Essex. From " English Music, by W. J. Turner

P. Corneille, (1606-1684), 1830. Creator: Unknown
P. Corneille, (1606-1684), 1830. Pierre Corneille (1606-1684) French tragedian and dramatist, as a young man, he earned patronage of Cardinal Richelieu

The duc d Etampes, 1536-1540, (1930). Creator: Corneille de Lyon
The duc d Etampes, 1536-1540, (1930). Portrait of French nobleman Jean IV de Brosse, duc d Etampes (1505-1564), wearing a plumed hat. (The later inscription, M)

Don Diegue, c1820s. Creator: Godefroy Engelmann
Don Diegue, c1820s. Character from " Le Cid" by Pierre Corneille - Don Diegue is the father of Don Rodrigue

Pierre Corneille, (1933). Creator: Unknown
Pierre Corneille, (1933). Portrait of French playwright Pierre Corneille (1606-1684), one of the three great 17th-century French dramatists, along with Moliere and Racine

Pierre Corneille (1606-84) from Gallery of Portraits, published in 1833
KW189093 Pierre Corneille (1606-84) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; (add.info.: Peter Corneille, 1606-1684)

Portrait of the Sculptor Barthelemy Corneille (1760-1805)
Portrait of the Sculptor Barthe le my Corneille (1760-1805). Private Collection

Portrait of Pierre Corneille (1606-1684). Artist: Le Brun, Charles (1619-1690)
Portrait of Pierre Corneille (1606-1684). Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Pierre Corneille, French tragedian and dramatist, 19th century. Artist: Woolnoth
Pierre Corneille, French tragedian and dramatist, 19th century. Corneille (1606-1684) was one of the three great 17th-century French dramatists, along with Moliere and Racine

Peter Corneille, 1774. Artist: W Walker
Peter Corneille, 1774. Corneille (1606-1684) was a French tragedian who was one of the three great 17th Century French dramatists, along with Moliere and Racine

Untitled, c1680-1704 Artist: Cornelis Dusart
Untitled, c1680-1704

Aspasia surrounded by Greek philosophers. Artist: Corneille, Michel, the Younger (1642-1708)
Aspasia surrounded by Greek philosophers. Found in the collection of the Musee de l Histoire de France

Pierre Corneille, 1606 To 1684. French Tragedian And Dramatist. From Crabbs Historical Dictionary Published 1825

Peter Corneille, 1606-1684. French Playwright From The Book "Gallery Of Portraits"Published London 1833
Peter Corneille, 1606-1684. French Playwright From The Book " Gallery Of Portraits" Published London 1833

The Drunken Couple, 1685. Creator: Cornelis Dusart
The Drunken Couple, 1685

Corneille Bridge and Cathedral - Rouen, France
Corneille Bridge over the River Seine and the Cathedral - Rouen, France Date: circa 1909

Thomas Corneilles Home
THOMAS CORNEILLEs home at Les Andelys. Date: CIRCA 1700

Thomas Corneille
THOMAS CORNEILLE French dramatist, younger brother of Pierre. Date: 1625 - 1709

Corneilles Home
The home of Pierre Corneille at Petit-Couronne, near Rouen. Date: 1684

Pierre Corneille (Lebrun
PIERRE CORNEILLE French dramatist, with an assortment of allegorical ornaments. Date: 1606-1684

Michel Corneille
MICHEL CORNEILLE French artist Date: 1642 - 1708

COSTUME / MAN, 1634
Philiste, a character in Corneilles comedy La Veuve Date: 1634

Corneille / LA Galerie
LA GALERIE DU PALAIS The character of Celibee Date: first performed 1634

Fontenelle / Dumont
BERNARD LE BOVIER DE FONTENELLE - French writer and librettist Date: 1657 - 1757

Corneille Van-Cleve
CORNEILLE VAN-CLEVE French sculptor of the baroque period Date: 1646 - 1732

Studies Ceiling recto verso n. d Pen dark brown ink
Artokoloro

Allegorical Figures Ceiling Decoration 17th century
Artokoloro

CORNEILLE

Hommage to Homer (tapestry)
XIR901453 Hommage to Homer (tapestry) by Ingres, Jean Auguste Dominique (1780-1867) (after); Musee Ingres, Montauban, France; (add.info.: Hommage eHomAeAšre); French, out of copyright

Michel Corneille, Studies of Womens Heads, French, 1642-1708, 1680s or 1690s, black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink

Corneille de Lyon, Portrait of a Man, active 1533 - 1575, c. 1536-1540, oil on walnut

Michel Corneille, The Purification of Aeneas, French, 1642 - 1708, c. 1663, pen and brown ink with blue wash over traces of graphite, on cream laid paper, squared in graphite for transfer

The Roman Centurion Cornelius orders his servants to go to Joppa to ask the apostle
XYC217393 The Roman Centurion Cornelius orders his servants to go to Joppa to ask the apostle Peter to visit him in Caeserea

THEATRE: ANDROMEDE, 1650. The set for the prologue of Andromede by Pierre Corneille, 1650. Engraving by Francois Chauveau, c1650

THEATRE: ANDROMEDE, 1650. The set for Act 4 of Andromede by Pierre Corneille, 1650. Engraving by Francois Chauveau, c1650

POLYEUCTE: MARTYRDOM. Scene from the tragedy by Pierre Corneille, c1642. Saint Polyeucte breaking the statues of Roman gods to seek Christian martyrdom. Engraving, French, 19th century

MADEMOISELLE GEORGE (1787-1867). Stage name of Marguerite-Josephine Weimer. French actress. Performing in Pierre Corneilles Horace. Painting by Jean-Jacques Lagrenee

PIERRE CORNEILLE (1606-1684). French writer. Lithograph after P. Sudre, 19th century

CORNEILLE, Pierre (1606-1684). French poet and playwright. Portrait. Pierre Corneille. 1st half 19th c. Work by PAUQUET, Hippolyte Louis (1797-1862). Litography

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Corneille, the renowned French poet and dramatist, left an indelible mark on the literary world with his captivating works. His play "Songes De Pantagruel" transported audiences to a realm of dreams and imagination, where reality intertwined with fantasy. In Le Vocabulaire Illustre: Corneille, we see the multifaceted nature of this creative genius. Just like a crow (or krahe), he possessed an innate ability to captivate his audience through his words and bring them into his poetic universe. A portrait of Pierre Corneille himself reveals a man whose passion for drama radiated from every pore. With each stroke of the brush or pen, he breathed life into characters that would forever be etched in our memories. The poster advertising a performance at Comedie-Francaise on 22 October 1852 speaks volumes about Corneille's enduring legacy. It reminds us that even centuries later, his plays continue to enthrall audiences and stand as testaments to his brilliance. Costume designs for Pauline in Polyeucte transport us back to 1884 when theater-goers marveled at the visual spectacle created by Corneille's words brought to life on stage. Lucinde Paradol's portrayal of Emilie in Cinna captures the essence of Corneille's strong female characters who defied societal norms and fought for their beliefs. Beyond theatrical realms, St. Peter baptizing Centurion Cornelius serves as a reminder that Corneille drew inspiration from biblical stories too – infusing them with dramatic flair and emotional depth. "Cleopatre swallowing poison, " representing the last scene of Act I, showcases Corneille's ability to evoke intense emotions within his audience – leaving them breathless as they witnessed tragic moments unfold before their eyes.