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Corinthian Collection (page 6)

"Exploring the Timeless Beauty of Corinthian

Background imageCorinthian Collection: Corinthian portico of University College, Gower Street, Bloomsbury (b / w photo)

Corinthian portico of University College, Gower Street, Bloomsbury (b / w photo)
3637665 Corinthian portico of University College, Gower Street, Bloomsbury (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

Background imageCorinthian Collection: Lararium of family altar, seen in situ after excavation, House of Aulus Vettius, Pompeii

Lararium of family altar, seen in situ after excavation, House of Aulus Vettius, Pompeii
746847 Lararium of family altar, seen in situ after excavation, House of Aulus Vettius, Pompeii, c.36-39 AD, 1895 (w/c on paper) by Bazzani, Luigi (1836-1927); Victoria & Albert Museum, London

Background imageCorinthian Collection: Greece and Rome - Greece: Corinth, seen from a quarry (engraving)

Greece and Rome - Greece: Corinth, seen from a quarry (engraving)
729384 Greece and Rome - Greece: Corinth, seen from a quarry (engraving) by European School, (19th century); Private Collection; (add.info.: Greece and Rome - Greece: Corinth, seen from a quarry)

Background imageCorinthian Collection: Doorway in Bush Tavern, Corn Street (pencil & w / c on paper)

Doorway in Bush Tavern, Corn Street (pencil & w / c on paper)
2831950 Doorway in Bush Tavern, Corn Street (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCorinthian Collection: Byzantine capitals from columns in the nave of the church of St

Byzantine capitals from columns in the nave of the church of St
STC83215 Byzantine capitals from columns in the nave of the church of St. Demetrius in Thessalonica, pub. by Day & Son (litho) by Texier

Background imageCorinthian Collection: The Baptism of St. Anianus by St. Mark, c. 1524

The Baptism of St. Anianus by St. Mark, c. 1524
BEN85162 The Baptism of St. Anianus by St. Mark, c.1524 by Mansueti, Giovanni di Niccolo (fl.1485-1527); 335x125 cm; Pinacoteca di Brera, Milan, Italy; Photo eRaffaello Bencini; Italian

Background imageCorinthian Collection: LXXVIII-IX Longitudinal Section of the Pantheon showing the dome

LXXVIII-IX Longitudinal Section of the Pantheon showing the dome
CSM74894 LXXVIII-IX Longitudinal Section of the Pantheon showing the dome, the portico and the interior of the temple from Vedute, first published in 1756, pub. by E & F.N. Spon Ltd

Background imageCorinthian Collection: The Arch of Septimius Severus in the year 1788, 1833 (etching with brown wash)

The Arch of Septimius Severus in the year 1788, 1833 (etching with brown wash)
STC384842 The Arch of Septimius Severus in the year 1788, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

Background imageCorinthian Collection: Santo Stefano Rotondo, 1833 (etching with brown wash)

Santo Stefano Rotondo, 1833 (etching with brown wash)
STC384812 Santo Stefano Rotondo, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: S)

Background imageCorinthian Collection: The three columns at the Temple of Castor, illustration from History of Rome by Victor Duruy

The three columns at the Temple of Castor, illustration from History of Rome by Victor Duruy
LLM438594 The three columns at the Temple of Castor, illustration from History of Rome by Victor Duruy, published 1884 (digitally enhanced image) by English School

Background imageCorinthian Collection: Corinthian black-figure alabastron with Typhon facing right

Corinthian black-figure alabastron with Typhon facing right
479158 Corinthian black-figure alabastron with Typhon facing right, wearing a small cap and a short-sleeved chiton, with long hair and a beard, his sickle-shaped wings upraised

Background imageCorinthian Collection: View of ruins (photo)

View of ruins (photo)
FFQ221748 View of ruins (photo) by Roman, (1st century AD); Carthage, Tunisia; eFrancis Farquhar; out of copyright

Background imageCorinthian Collection: View of harbour (photo)

View of harbour (photo)
FFQ221747 View of harbour (photo) by Roman, (1st century AD); Carthage, Tunisia; eFrancis Farquhar; out of copyright

Background imageCorinthian Collection: Temple of Bacchus, detail of the door lintel, High Imperial Period (27 BC-395 AD) (photo)

Temple of Bacchus, detail of the door lintel, High Imperial Period (27 BC-395 AD) (photo)
GDG279556 Temple of Bacchus, detail of the door lintel, High Imperial Period (27 BC-395 AD) (photo) by Roman Imperial Period (27 BC-476 AD); Baalbek

Background imageCorinthian Collection: Ralph Allens Town House, Bath (b / w photo)

Ralph Allens Town House, Bath (b / w photo)
3094865 Ralph Allens Town House, Bath (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Ralph Allens Town House, Bath)

Background imageCorinthian Collection: Metalwork: a set of liqueur cups on a stand, 1780-96 (engraving)

Metalwork: a set of liqueur cups on a stand, 1780-96 (engraving)
618010 Metalwork: a set of liqueur cups on a stand, 1780-96 (engraving) by French School, (18th century); Private Collection; (add.info.: From Oeuvres Diverses de Lalonde by Richard de Lalonde)

Background imageCorinthian Collection: Design for the North Elevation, Chatsworth House (w / c on paper)

Design for the North Elevation, Chatsworth House (w / c on paper)
621570 Design for the North Elevation, Chatsworth House (w/c on paper) by Wyatville, Jeffry (1766-1840); eThe Devonshire Collections, Chatsworth; (add.info.: Chatsworth House, North Derbyshire)

Background imageCorinthian Collection: The Temple of Mars Ultor by the Forum of Augustus (w / c on paper)

The Temple of Mars Ultor by the Forum of Augustus (w / c on paper)
621549 The Temple of Mars Ultor by the Forum of Augustus (w/c on paper) by Prout, Samuel (1783-1852); 30.9x22 cm; eThe Devonshire Collections

Background imageCorinthian Collection: View of the Sea, Port and Amphitheatre of Pola (oil on canvas)

View of the Sea, Port and Amphitheatre of Pola (oil on canvas)
HLK151710 View of the Sea, Port and Amphitheatre of Pola (oil on canvas) by Bloemen, Jan Frans van (Orizonte) (1662-1749); 75.5x100.5 cm; By kind permission of the Earl of Leicester

Background imageCorinthian Collection: French brass grande sonnerie eight day carriage clock with full calendar, moonphase

French brass grande sonnerie eight day carriage clock with full calendar, moonphase
5242123 French brass grande sonnerie eight day carriage clock with full calendar, moonphase, barometer & thermometer, c.1880 (brass) by Boseet

Background imageCorinthian Collection: Architectural fantasy with the Daughters of Minyas from Ovids Metamorphoses

Architectural fantasy with the Daughters of Minyas from Ovids Metamorphoses
1763985 Architectural fantasy with the Daughters of Minyas from Ovids Metamorphoses (oil on canvas) by Landi, Giuseppe Antonio (fl.1740-80) (attr)

Background imageCorinthian Collection: Vestas Temple, Rome, Italy, c. 1890-1900 (photomechanical print)

Vestas Temple, Rome, Italy, c. 1890-1900 (photomechanical print)
3964123 Vestas Temple, Rome, Italy, c.1890-1900 (photomechanical print) by American Photographer, (19th century); Private Collection; (add.info.: Detroit Publishing Company); American

Background imageCorinthian Collection: Corinthian Ruins, Wedgwood Factory, Staffordshire (lead-glazed earthenware)

Corinthian Ruins, Wedgwood Factory, Staffordshire (lead-glazed earthenware)
1127870 Corinthian Ruins, Wedgwood Factory, Staffordshire (lead-glazed earthenware) by English School, (18th century); Fitzwilliam Museum, University of Cambridge

Background imageCorinthian Collection: Columns of San Lorenzo, Milan (colour photo)

Columns of San Lorenzo, Milan (colour photo)
3096498 Columns of San Lorenzo, Milan (colour photo) by Italian Photographer, (20th century); Private Collection; (add.info.: Columns of San Lorenzo, Milan)

Background imageCorinthian Collection: High altar (wood)

High altar (wood)
3469430 High altar (wood) by Blasset, Pierre (d.1663); Eglise Saint-Ayoul de Provins, Ile-de-France, Seine-et-Marne, France; (add.info.: MaAtre autel); ePaul Maeyaert; French, out of copyright

Background imageCorinthian Collection: Wall painting fragment from the peristyle of a Villa at Boscoreale, c. 50-40 B. C

Wall painting fragment from the peristyle of a Villa at Boscoreale, c. 50-40 B. C
3471189 Wall painting fragment from the peristyle of a Villa at Boscoreale, c.50-40 B.C. (fresco) by Roman Republican Period (509-27 BC); 90.8x64.8 cm; Metropolitan Museum of Art, New York

Background imageCorinthian Collection: The Temple of Vespasian and Saturn (w / c on paper)

The Temple of Vespasian and Saturn (w / c on paper)
621547 The Temple of Vespasian and Saturn (w/c on paper) by Prout, Samuel (1783-1852); 30.9x21.5 cm; eThe Devonshire Collections, Chatsworth; (add.info.: Temple ruins in the Forum)

Background imageCorinthian Collection: The Pump Room, Bath (aquatint)

The Pump Room, Bath (aquatint)
468887 The Pump Room, Bath (aquatint) by Nattes, John Claude (c.1765-1822) (after); Private Collection; The Stapleton Collection; English, out of copyright

Background imageCorinthian Collection: Ruin in the Garden of the Palace of Schoenbrunn, Vienna, 1790s (coloured engraving)

Ruin in the Garden of the Palace of Schoenbrunn, Vienna, 1790s (coloured engraving)
468837 Ruin in the Garden of the Palace of Schoenbrunn, Vienna, 1790s (coloured engraving) by Janscha, Laurenz (1749-1812) (after); Private Collection; (add.info)

Background imageCorinthian Collection: Attic black-figure vase depicting Synthos, Demeter, Hermes and the boatman, c

Attic black-figure vase depicting Synthos, Demeter, Hermes and the boatman, c
BAL416500 Attic black-figure vase depicting Synthos, Demeter, Hermes and the boatman, c.535-540 BC (pottery) (detail of 110797) by Greek, (6th century BC); Location Unknown; Greek, out of copyright

Background imageCorinthian Collection: The Temple of Fortune, known as the Temple of Concord and the Temple of Jupiter Tonans

The Temple of Fortune, known as the Temple of Concord and the Temple of Jupiter Tonans
STC384826 The Temple of Fortune, known as the Temple of Concord and the Temple of Jupiter Tonans, 1833 (etching with brown wash) by Tofanelli

Background imageCorinthian Collection: Santa Costanza. The family tomb of Constantine, called the Temple of Bacchus

Santa Costanza. The family tomb of Constantine, called the Temple of Bacchus
STC384811 Santa Costanza. The family tomb of Constantine, called the Temple of Bacchus, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: S)

Background imageCorinthian Collection: Student measuring the Temple of Castor and Pollux in Rome, 1819 (w / c on paper)

Student measuring the Temple of Castor and Pollux in Rome, 1819 (w / c on paper)
478209 Student measuring the Temple of Castor and Pollux in Rome, 1819 (w/c on paper) by Parke, Henry (c.1792-1835); Courtesy of the Trustees of Sir John Soanes Museum

Background imageCorinthian Collection: The Roman Forum (oil on canvas)

The Roman Forum (oil on canvas)
478365 The Roman Forum (oil on canvas) by Abeele, Jodocus-Sebastiaen van den (1797-1855); Private Collection; (add.info.: A view of ruins in the ancient forum in Rome, looking East)

Background imageCorinthian Collection: The Triclinium, from Le Costume Ancien et Moderne by Jules Ferrario, c

The Triclinium, from Le Costume Ancien et Moderne by Jules Ferrario, c
CHT216946 The Triclinium, from Le Costume Ancien et Moderne by Jules Ferrario, c.1820 (coloured engraving) by Sanquirico, Alessandro (1777-1849) (after); Bibliotheque des Arts Decoratifs, Paris

Background imageCorinthian Collection: Pennsylvania Station, New York City, main waiting room- looking north, c. 1910 (b / w photo)

Pennsylvania Station, New York City, main waiting room- looking north, c. 1910 (b / w photo)
HGL396848 Pennsylvania Station, New York City, main waiting room- looking north, c.1910 (b/w photo) by American Photographer, (20th century); Hagley Museum & Library, Wilmington, Delaware

Background imageCorinthian Collection: The Interior of the Pantheon, Rome, looking North from the Main Altar to the Entrance

The Interior of the Pantheon, Rome, looking North from the Main Altar to the Entrance
CH401613 The Interior of the Pantheon, Rome, looking North from the Main Altar to the Entrance, 1732 (oil on canvas) by Pannini or Panini

Background imageCorinthian Collection: Palazzo Ducale, Venice (pen & ink on paper)

Palazzo Ducale, Venice (pen & ink on paper)
CTS366765 Palazzo Ducale, Venice (pen & ink on paper) by Palladio, Andrea (1508-80); 47.6x106.7 cm; eThe Devonshire Collections

Background imageCorinthian Collection: Portable altar in a carrying case (Christ on the Mount of Olives), 1608 (mixed media)

Portable altar in a carrying case (Christ on the Mount of Olives), 1608 (mixed media)
ALM403399 Portable altar in a carrying case (Christ on the Mount of Olives), 1608 (mixed media) by Ligozzi, Jacopo (1547-1626); 58.4x33.7x8.3 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageCorinthian Collection: Examples of Ionic and Corinthian orders in Greek architecture

Examples of Ionic and Corinthian orders in Greek architecture
2603438 Examples of Ionic and Corinthian orders in Greek architecture, from The National Encyclopaedia, published c.1890 (engraving) by Unknown Artist

Background imageCorinthian Collection: Attic black-figure vase depicting Synthos, Demeter, Hermes and the boatman, c

Attic black-figure vase depicting Synthos, Demeter, Hermes and the boatman, c
BAL110797 Attic black-figure vase depicting Synthos, Demeter, Hermes and the boatman, c.535-540 BC (pottery) by Greek, (6th century BC); Location Unknown; Greek, out of copyright

Background imageCorinthian Collection: Interior of Prince Napoleons Palais Pompeian (b / w photo)

Interior of Prince Napoleons Palais Pompeian (b / w photo)
XJF275690 Interior of Prince Napoleons Palais Pompeian (b/w photo) by French Photographer, (19th century); Private Collection; (add.info)

Background imageCorinthian Collection: View of the courtyard (photo)

View of the courtyard (photo)
MFI162439 View of the courtyard (photo) by Delorme, Philibert (1505-70); Ecole Nationale Superieure des Beaux-Arts, Paris

Background imageCorinthian Collection: Reconstruction of the Second Theatre at Laodicea, c. 1750

Reconstruction of the Second Theatre at Laodicea, c. 1750
XYC156451 Reconstruction of the Second Theatre at Laodicea, c.1750 (pen and ink and wash over graphite on laid paper) by Borra



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"Exploring the Timeless Beauty of Corinthian: From Classical Orders to Iconic Structures" Step into the world of architectural marvels as we uncover the captivating allure of Corinthian. This exquisite style, one of the three Classical Orders alongside Doric and Ionic columns, has left an indelible mark on history. Imagine yourself transported to ancient Rome, where Cicero's powerful speeches echoed through grand halls adorned with Corinthian columns. The Claverton Street Chapel in London pays homage to this timeless design, showcasing its elegance even in a modern setting. But it is Greece that truly embraced Corinthian's splendor. In Athens, Hadrian's Library stands proudly as a testament to Roman Emperor Hadrian's vision. And amidst the ruins of the Roman Forum captured by Robert MacPherson in 1867, Corinthian columns still stand tall, whispering stories from centuries past. Architecture enthusiasts will appreciate Charles Lawrie's engraved masterpiece depicting the Orders of Architecture. Here, Doric, Ionic and Corinthian column capitals are meticulously illustrated – each boasting its unique charm and character. Venturing further afield brings us to Al Khazneh Temple in Petra, Jordan – an awe-inspiring structure adorned with intricate Corinthian details. Meanwhile, Rome beckons with its iconic Arch of Titus and Temple of Vesta; both exemplifying how this architectural style transcends time and borders. Whether you find yourself exploring Syria's Palmyra or wandering through Homs Governate – remnants like the Funerary Temple and Arab Citadel showcase how even amidst turmoil, these magnificent structures endure. Corinthian remains a symbol of beauty frozen in stone - an eternal reminder that artistry can withstand the test of time.