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Constitutional Monarchy Collection

"Constitutional Monarchy: A Timeless Institution of Power and Stability" Throughout history, the concept has been depicted in various forms of art and literature

Background imageConstitutional Monarchy Collection: The Contrast or Things as they Are, pub. 1796 (hand coloured engraving)

The Contrast or Things as they Are, pub. 1796 (hand coloured engraving)
2966810 The Contrast or Things as they Are, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

Background imageConstitutional Monarchy Collection: An Excrescence; A Fungus; Alias - A Toadstool upon a Dung-hill

An Excrescence; A Fungus; Alias - A Toadstool upon a Dung-hill
NCO190109 An Excrescence; A Fungus; Alias - A Toadstool upon a Dung-hill, published by Hannah Humphrey in 1791 (etching with w/c) by Gillray

Background imageConstitutional Monarchy Collection: Opposition Coaches, published by S. W. Fores in 1788 (hand-coloured etching)

Opposition Coaches, published by S. W. Fores in 1788 (hand-coloured etching)
NCO190497 Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageConstitutional Monarchy Collection: Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether

Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether
NCO189731 Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching) by Gillray

Background imageConstitutional Monarchy Collection: Punch cartoon: The Real Cap of Liberty - the superiority of Britains constitutional monarchy over

Punch cartoon: The Real Cap of Liberty - the superiority of Britains constitutional monarchy over republicanism
6034808 Punch cartoon: The Real Cap of Liberty - the superiority of Britains constitutional monarchy over republicanism (engraving) by Tenniel

Background imageConstitutional Monarchy Collection: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit
NCO189729 A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

Background imageConstitutional Monarchy Collection: Napoleon (1769-1821) Granting the Constitution to the Duchy of Warsaw, 1843 (litho)

Napoleon (1769-1821) Granting the Constitution to the Duchy of Warsaw, 1843 (litho)
CZA228904 Napoleon (1769-1821) Granting the Constitution to the Duchy of Warsaw, 1843 (litho) by Hanfstaengel, Franz Seraph (1804-77); 52.2x42 cm; Czartoryski Museum, Cracow

Background imageConstitutional Monarchy Collection: Charles Albert (Turin 1798-Porto, Portugal, 1849)

Charles Albert (Turin 1798-Porto, Portugal, 1849). King of Sardinia (1831-1849). Established a constitutional monarchy (1848). He abdicated in favor of his son Victor Emmanuel II. Engraving

Background imageConstitutional Monarchy Collection: The Swearing-In of Louis-Philippe (1773-1850) 9th August 1830 (oil on canvas)

The Swearing-In of Louis-Philippe (1773-1850) 9th August 1830 (oil on canvas)
XIR178320 The Swearing-In of Louis-Philippe (1773-1850) 9th August 1830 (oil on canvas) by Auvray, Felix (1800-33); 75x100 cm; Musee des Beaux-Arts, Valenciennes

Background imageConstitutional Monarchy Collection: Study for King Louis-Philippe (1773-1850) Swearing his Oath to the Chamber of Deputies

Study for King Louis-Philippe (1773-1850) Swearing his Oath to the Chamber of Deputies
XIR231260 Study for King Louis-Philippe (1773-1850) Swearing his Oath to the Chamber of Deputies, 9th August 1830 (oil on canvas) by Scheffer, Ary (1795-1858); Musee de la Vie Romantique, Paris

Background imageConstitutional Monarchy Collection: Charles Albert (Turin 1798-Porto, Portugal, 1849). King of Sardinia (1831-1849)

Charles Albert (Turin 1798-Porto, Portugal, 1849). King of Sardinia (1831-1849). Established a constitutional monarchy (1848). He abdicated in favor of his son Victor Emmanuel II. Engraving


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"Constitutional Monarchy: A Timeless Institution of Power and Stability" Throughout history, the concept has been depicted in various forms of art and literature. In "The Contrast or Things as they Are, " a hand-coloured engraving from 1796, it is portrayed as an excrescence, a fungus, or even a toadstool upon a dung-hill. This satirical representation highlights the opposition faced by this form of governance. In another artwork titled "Opposition Coaches, " published in 1788, we witness a hand-coloured etching that symbolizes the struggles between different political factions within the constitutional monarchy system. It serves as a reminder that power dynamics are constantly at play. However, amidst these criticisms and challenges lies the true essence of Britain's constitutional monarchy. The Punch cartoon titled "The Real Cap of Liberty" emphasizes its superiority over republicanism through an engraved image. It showcases how this system upholds liberty while maintaining stability—a delicate balance achieved through centuries of refinement. Looking beyond British shores, we find Napoleon granting the constitution to the Duchy of Warsaw in 1843. This lithograph captures how even powerful leaders recognize the value and strength offered by constitutional monarchies. Turning our attention back to Europe once more, Charles Albert—King of Sardinia from 1831-1849—is depicted in two artworks: one showing him swearing his oath to the Chamber of Deputies and another portraying him during his swearing-in ceremony on August 9th, 1830. These images highlight how constitutional monarchs play their part in shaping nations' destinies while respecting democratic institutions. Lastly, let us not forget Louis-Philippe—the last King of France—who took his oath before ascending to power. An oil painting immortalizes this significant moment when he swore allegiance to uphold both his country's constitution and its people's aspirations for progress. These diverse artistic representations remind us that constitutional monarchy is not just a mere political system.