Compositional Collection

Nanotube technology, computer artwork
Nanotube technology. Computer artwork of a cylindrical fullerene molecule (carbon nanotube). The hexagonal carbon structure of the nanotube is shown here

Fullerene molecule, computer artwork
Fullerene molecule. Computer artwork of the spherical fullerene molecule C320. Fullerenes are a structural type (allotrope) of carbon

La Forge, between c1915 and c1920. Creator: Bain News Service
La Forge, between c1915 and c1920. Shows Frank LaForge (1879-1953), an American pianist, composer and arranger

Figure Composition. Creator: Carl Fredrik Hill
Figure Composition, unknown date

A Couple Making Music, 1743. Creator: Cornelis Troost
A Couple Making Music, 1743

Composition 2;The Second Commandment, 1918. Creator: Vilhelm Lundstrom
Composition 2;The Second Commandment, 1918

Composition 1;Cubist Composition, 1918. Creator: Vilhelm Lundstrom
Composition 1;Cubist Composition, 1918

Composition sketch for "A Fashion in the Society of the Sciences" in the Society of the Sciences, 1896

Composition with Figures, 1915. Creator: Paul Klee
Composition with Figures, 1915

Doll, c. 1941. Creator: Archie Thompson
Doll, c. 1941

Doll (Composition), c. 1941. Creator: Archie Thompson
Doll (Composition), c. 1941

Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921. Creator: Piet Mondrian
Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921

Compositional study of a female peasant making butter
3469909 Compositional study of a female peasant making butter (grey wash & chinese white over black chalk on paper) by Pissarro, Camille (1830-1903); 15.2x11.7 cm; Ashmolean Museum

Compositional study of a milking scene at Eragny-sur-Epte
1217676 Compositional study of a milking scene at Eragny-sur-Epte, 1884 (watercolour over black chalk) by Pissarro, Camille (1830-1903); 15.7x19.6 cm; Ashmolean Museum, University of Oxford

Compositional study of the market at Pontoise, 1881 (black chalk and grey washes)
1217672 Compositional study of the market at Pontoise, 1881 (black chalk and grey washes) by Pissarro, Camille (1830-1903); 30.4x19.3 cm; Ashmolean Museum, University of Oxford

Marche de Gisors (Rue Cappeville) (etching & drypoint)
3469911 Marchede Gisors (Rue Cappeville) (etching & drypoint) by Pissarro, Camille (1830-1903); 27.8x20.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Compositional study of female peasants harvesting apples
3469908 Compositional study of female peasants harvesting apples (pen & indian ink with chinese white on paper) by Pissarro, Camille (1830-1903); 15.4x19.5 cm; Ashmolean Museum, University of Oxford

Study for The Asphysia (pen & ink over pencil on glazed paper)
3469907 Study for The Asphysia (pen & ink over pencil on glazed paper) by Pissarro, Camille (1830-1903); 23.1x17.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Compositional study of four female peasants working in an orchard ( Spring ), c
1217690 Compositional study of four female peasants working in an orchard ( Spring ), c. 1894 (red-brown and Indian inks over charcoal on blue paper) by Pissarro

Compositional study of harvesters in a landscape, c. 1893
1217685 Compositional study of harvesters in a landscape, c. 1893 (pen and dark ink over black chalk, faintly squared in black chalk) by Pissarro, Camille (1830-1903); 23.3x30.4 cm; Ashmolean Museum

Compositional Study for a Seascape (pencil & w / c on paper)
1214421 Compositional Study for a Seascape (pencil & w/c on paper) by Carmichael, John Wilson (1800-68); 18.1x14.1 cm; Laing Art Gallery, Newcastle-upon-Tyne

Compositional Study for a Seascape (ink wash with pen & ink on paper)
1214426 Compositional Study for a Seascape (ink wash with pen & ink on paper) by Carmichael, John Wilson (1800-68); 16.9x14.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

Compositional Study for a Seascape (bodycolour & pencil on paper)
1214422 Compositional Study for a Seascape (bodycolour & pencil on paper) by Carmichael, John Wilson (1800-68); 13.6x9.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Grape harvest, compositional study for an illustration to Daphnis and Chloe, c
1217688 Grape harvest, compositional study for an illustration to Daphnis and ChloA, c. 1895 (pen and Indian ink over pencil with Chinese white on tracing paper laid down on card) by Pissarro

Compositional study of a market (grey wash with Chinese white on paper)
3469910 Compositional study of a market (grey wash with Chinese white on paper) by Pissarro, Camille (1830-1903); 15.8x11.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Chloe washing Daphnis at a stream, compositional study for an illustration to
1217687 ChloA washing Daphnis at a stream, compositional study for an illustration to Daphnis and ChloA, c. 1895 (pen and Indian ink over pencil with Chinese white on tracing paper) by Pissarro

Study of the orchard at Eragny-sur-Epte with a tree in the foreground
3469906 Study of the orchard at Eragny-sur-Epte with a tree in the foreground (black chalk on paper) by Pissarro, Camille (1830-1903); 19.1x30.5 cm; Ashmolean Museum, University of Oxford

Compositional study of a milking scene at Eragny-sur-Epte (w / c over black chalk on paper)
3469905 Compositional study of a milking scene at Eragny-sur-Epte (w/c over black chalk on paper) by Pissarro, Camille (1830-1903); 15.7x19.6 cm; Ashmolean Museum, University of Oxford

Compositional study of two female peasants conversing in an orchard, c
1217689 Compositional study of two female peasants conversing in an orchard, c. 1894 (red-brown and Indian inks over charcoal heightened with bodycolour on blue paper) by Pissarro

Compositional study for Market of Gisors (rue Cappeville)
1217686 Compositional study for Market of Gisors (rue Cappeville) with a study of a womans head seen in profile facing left beneath, c

A ruin by John Piper harmonizing decorative balance, 1949. Creator: John Piper
The pleasant colouring and rugged construction of this painting of a ruin by John Piper harmonize into a decorative balance, 1949

Composition Called Toledo, 1923. Artist: John Sell Cotman
Composition Called Toledo, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Ceiling Design Presentation Temple 1647-1726
Artokoloro

House Pompey Albano 1753-56 Black chalk touched
Artokoloro

Queen Esther Approaching Palace Ahasuerus 1658
Artokoloro

Sakata Kinpira Nyudo Edo period 1615-1868 early 18th century
Artokoloro

Lodovico Carracci, The Martyrdom of Saint Lawrence, Italian, 1555-1619, pen and brown and gray ink over black chalk on laid paper; with smaller pieces of paper glued on as compositional corrections

Compositional Study for the Southeast Section of the Cupola of Florence Cathedral; Giorgio Vasari, Italian, 1511 - 1574; Florence, Italy, Tuscany

Compositional study, horse studies; Theodore Gericault, French, 1791 - 1824; 1812 - 1814; Graphite; 15.2 x 10.6 cm (6 x 4 3/16 in.)

Two compositional studies of a lion hunt; Theodore Gericault, French, 1791 - 1824; 1812 - 1814; Graphite; 15.2 x 10.6 cm (6 x 4 3/16 in.)

Four compositional studies for a group of figures; Theodore Gericault, French, 1791 - 1824; 1812 - 1814; Graphite; 15.2 x 10.6 cm (6 x 4 3/16 in.)

Three compositional studies of figure group; Theodore Gericault, French, 1791 - 1824; 1812 - 1814; Graphite; 15.2 x 10.6 cm (6 x 4 3/16 in.)

Compositional studies; Theodore Gericault, French, 1791 - 1824; 1812 - 1814; Graphite; 15.2 x 10.6 cm (6 x 4 3/16 in.)

Solar eclipse sequence
Total solar eclipse. Sequence of images of the Sun during a total solar eclipse. Running from centre left to upper right, the sequence shows the disc of the Moon gradually moving over the disc of

Universal joint, computer model. This mechanical joint design, made entirely from carbon (turquoise) and hydrogen (grey) atoms, is an example of nanotechnology

Carbon nanotube and buckyball, artwork
Carbon nanotube and buckyball. Computer artwork showing the hexagonal carbon structures of a buckyball (yellow) inside a carbon nanotube, or buckytube (grey)

Carbon nanotube, artwork
Carbon nanotube. Computer artwork showing the hexagonal carbon structure of a nanotube, or buckytube

All Professionally Made to Order for Quick Shipping

"Exploring the Art of Composition: From Nanotube Technology to Classic Masterpieces" In this captivating journey through art and science, we delve into the world of composition. Starting with nanotube technology and computer artwork, we witness the fusion of innovation and creativity. The intricate patterns formed by nanotubes create a mesmerizing visual spectacle that pushes the boundaries of imagination. Moving on to computer artwork featuring fullerene molecules, we are transported into a realm where science meets aesthetics. The symmetrical beauty of these molecular structures is brought to life through digital artistry, showcasing the harmonious balance between precision and artistic expression. Stepping back in time, we encounter Archie Thompson's dolls from 1941. These compositions evoke nostalgia as they capture moments frozen in time. Whether it's a doll or a human figure depicted, Thompson's attention to detail creates an enchanting narrative within each piece. Piet Mondrian's "Lozenge Composition with Yellow, Black, Blue, Red, and Gray" takes us into the realm of abstract art. Through geometric shapes and vibrant colors meticulously arranged on canvas, Mondrian invites us to contemplate the harmony found within simplicity. We then venture into rural scenes captured by various artists' compositional studies - female peasants making butter or milking cows at Eragny-sur-Epte; market scenes at Pontoise; bustling streets like Marche de Gisors (Rue Cappeville). These sketches provide glimpses into everyday life while highlighting the importance of composition in storytelling. Lastly, our exploration concludes with studies depicting female peasants harvesting apples or working in orchards during springtime. These compositions showcase nature's bounty intertwined with human labor – reminding us of our connection to the land and its cycles. From cutting-edge technology to timeless masterpieces spanning different eras and mediums – compositional elements bind them all together. They serve as guiding principles for artists across disciplines who seek to convey their vision and evoke emotions through the arrangement of elements within their work.