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Communicate Collection (page 3)

"Communicate: Bridging the Gap between Worlds" In a world where equations unravel the mysteries of particle physics, communication takes on a whole new dimension

Background imageCommunicate Collection: A Lady in an Interior, in a Yellow Satin Dress, with a Globe on a Table Beside her

A Lady in an Interior, in a Yellow Satin Dress, with a Globe on a Table Beside her
827642 A Lady in an Interior, in a Yellow Satin Dress, with a Globe on a Table Beside her, Mourning the Absence of her Husband, (oil on panel, unframed) by Gorp

Background imageCommunicate Collection: The Letter, (oi on canvas)

The Letter, (oi on canvas)
827291 The Letter, (oi on canvas) by Andreotti, Federigo (1847-1930); 62.2x42 cm; Private Collection; (add.info.: The Letter. Federigo Andreotti (1847-1930). Oil on canvas

Background imageCommunicate Collection: The Spanish Mail Coach in Toledo, (oil on canvas)

The Spanish Mail Coach in Toledo, (oil on canvas)
827288 The Spanish Mail Coach in Toledo, (oil on canvas) by Wagner, Alexander von (1838-1919); 121.3x241.3 cm; Private Collection; (add.info.: The Spanish Mail Coach in Toledo)

Background imageCommunicate Collection: The Afternoon Concert - Out of Tune, (oil on canvas)

The Afternoon Concert - Out of Tune, (oil on canvas)
827201 The Afternoon Concert - Out of Tune, (oil on canvas) by Reggianini, Vittorio (1858-1938); 68x91.4 cm; Private Collection; (add.info.: The Afternoon Concert - Out of Tune)

Background imageCommunicate Collection: The Art of Talking with the Fingers, pub. C. 1825 (coloured engraving)

The Art of Talking with the Fingers, pub. C. 1825 (coloured engraving)
5902925 The Art of Talking with the Fingers, pub. C. 1825 (coloured engraving) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageCommunicate Collection: Comic postcard, Honourable intentions Date: 20th century

Comic postcard, Honourable intentions Date: 20th century

Background imageCommunicate Collection: Detail from a Mayan shell roundel, depicting a crosslegged scribe with pen in hand, c

Detail from a Mayan shell roundel, depicting a crosslegged scribe with pen in hand, c
1767156 Detail from a Mayan shell roundel, depicting a crosslegged scribe with pen in hand, c.550-950 (shell) by Mayan; 5.1 dia

Background imageCommunicate Collection: The Break-Up Letter, 1890 (pastel on paper)

The Break-Up Letter, 1890 (pastel on paper)
987325 The Break-Up Letter, 1890 (pastel on paper) by Carrier-Belleuse, Pierre (1851-1933); 99x71 cm; Private Collection; (add.info.: The Break-Up Letter; Le Lettre de Rupture)

Background imageCommunicate Collection: A Train of the First Class of Carriages with the Mail & A Train of the Second Class for

A Train of the First Class of Carriages with the Mail & A Train of the Second Class for
1198424 A Train of the First Class of Carriages with the Mail & A Train of the Second Class for Outside Passengers, 1831 (colour aquatint, partly hand-coloured) by Shaw

Background imageCommunicate Collection: Saint John the Baptist preaching in the Wilderness, c. 1633-50 (oil on canvas)

Saint John the Baptist preaching in the Wilderness, c. 1633-50 (oil on canvas)
827767 Saint John the Baptist preaching in the Wilderness, c.1633-50 (oil on canvas) by Brueghel, Pieter the Younger (c.1564-1638); 106x165.5 cm; Private Collection; (add.info)

Background imageCommunicate Collection: A Gentleman Reading a Letter to his Wife (?), (oil on canvas)

A Gentleman Reading a Letter to his Wife (?), (oil on canvas)
827646 A Gentleman Reading a Letter to his Wife (?), (oil on canvas) by Hooch, Pieter de (1629-84); 77.9x69.9 cm; Private Collection; (add.info.: A Gentleman Reading a Letter to his Wife (?)

Background imageCommunicate Collection: Family at Tea, 1898 (oil on canvas)

Family at Tea, 1898 (oil on canvas)
989609 Family at Tea, 1898 (oil on canvas) by Grun, Maurice (1869-1947); 101.7x127 cm; Private Collection; (add.info.: Family at Tea. Maurice Grun (b.1869). Oil on canvas. Signed and dated 1898

Background imageCommunicate Collection: Children at Play, (oil on canvas)

Children at Play, (oil on canvas)
827082 Children at Play, (oil on canvas) by Malmstrom, August (1829-1901); 57.1x87.6 cm; Private Collection; (add.info.: Children at Play. August Malmstrom (1829-1901). Oil on canvas

Background imageCommunicate Collection: Saint Nicholas, (oil on panel)

Saint Nicholas, (oil on panel)
823290 Saint Nicholas, (oil on panel) by Weir, Robert Walter (1803-89); 75x62 cm; Private Collection; (add.info.: Saint Nicholas. Robert Walter Weir (1803-89). Oil on panel

Background imageCommunicate Collection: The Academic, (oil on panel)

The Academic, (oil on panel)
827274 The Academic, (oil on panel) by Portielje, Gerard (1856-1929); 32.3x40 cm; Private Collection; (add.info.: The Academic. Gerard Jozef Portielje (1856-1929). Oil on panel

Background imageCommunicate Collection: The Signal Fire, 1880 (oil on canvas)

The Signal Fire, 1880 (oil on canvas)
650514 The Signal Fire, 1880 (oil on canvas) by Hahn, William (1829-87); 125.7x62 cm; Private Collection; (add.info.: The Signal Fire. William Hahn (ca1840-1890)

Background imageCommunicate Collection: Introducing Georges Carpentier, 1921 (lithograph)

Introducing Georges Carpentier, 1921 (lithograph)
659417 Introducing Georges Carpentier, 1921 (lithograph) by Bellows, George Wesley (1882-1925); 37x53.2 cm; Private Collection; (add.info.: Introducing Georges Carpentier)

Background imageCommunicate Collection: Saint John the Baptist Preaching in the Wilderness, (oil on panel)

Saint John the Baptist Preaching in the Wilderness, (oil on panel)
659383 Saint John the Baptist Preaching in the Wilderness, (oil on panel) by Beschey, Balthasar (1708-76); 51.8x37.8 cm; Private Collection; (add.info)

Background imageCommunicate Collection: A Lawyer Seated at a Desk Reading a Letter, a Library Beyond, 1668 (oil on canvas)

A Lawyer Seated at a Desk Reading a Letter, a Library Beyond, 1668 (oil on canvas)
659301 A Lawyer Seated at a Desk Reading a Letter, a Library Beyond, 1668 (oil on canvas) by Ostade, Adriaen Jansz. van (1610-85); 28.3x22.8 cm; Private Collection; (add.info)

Background imageCommunicate Collection: Im Freien, 1852 (pencil and watercolour heightened with white)

Im Freien, 1852 (pencil and watercolour heightened with white)
658579 Im Freien, 1852 (pencil and watercolour heightened with white) by Menzel, Adolph Friedrich Erdmann von (1815-1905); 26x33 cm; Private Collection; (add.info.: Im Freien)

Background imageCommunicate Collection: The Letter, (pastel on paper)

The Letter, (pastel on paper)
658380 The Letter, (pastel on paper) by Enjolras, Delphin (1857-1945); 73x54 cm; Private Collection; (add.info.: The Letter. Delphin Enjolras (1857-1945). Pastel on paper

Background imageCommunicate Collection: The Morning Post, 1913 (oil on canvas)

The Morning Post, 1913 (oil on canvas)
651205 The Morning Post, 1913 (oil on canvas) by Fischer, Paul (1860-1934); 56.9x40.4 cm; Private Collection; (add.info.: The Morning Post. Paul Fischer (1860-1934). Oil on canvas

Background imageCommunicate Collection: St, 1905 (watercolour on board)

St, 1905 (watercolour on board)
651043 St, 1905 (watercolour on board) by La Farge or Lafarge, John (1835-1910); Private Collection; (add.info.: St. Paul Preaching at Athens. Studies for windows at St)

Background imageCommunicate Collection: The Bicycle Messenger, (pencil on paper)

The Bicycle Messenger, (pencil on paper)
650803 The Bicycle Messenger, (pencil on paper) by Homer, Winslow (1836-1910); 21x26 cm; Private Collection; (add.info.: The Bicycle Messenger. Winslow Homer (1836-1910). Pencil on paper

Background imageCommunicate Collection: Portrait of a Lady, (oil on board)

Portrait of a Lady, (oil on board)
658902 Portrait of a Lady, (oil on board) by Bianchi, Mose (1836-93); 68.5x50 cm; Private Collection; (add.info.: Portrait of a Lady. Mose Bianchi (1840-1904). Oil on board

Background imageCommunicate Collection: The War is Dead; La Guerre est Morte, (pencil and watercolour heightened with white)

The War is Dead; La Guerre est Morte, (pencil and watercolour heightened with white)
658694 The War is Dead; La Guerre est Morte, (pencil and watercolour heightened with white) by Wegener, Gerda Marie Frederike (1885-1940); 26.7x17.8 cm; Private Collection; (add.info)

Background imageCommunicate Collection: The Fishermens Return, 1912 (oil on canvas)

The Fishermens Return, 1912 (oil on canvas)
659589 The Fishermens Return, 1912 (oil on canvas) by Zoir, Emil (1861-1936); 116x140 cm; Private Collection; (add.info.: The Fishermens Return. Emil Zoir (1860-1920). Oil on canvas. Dated 1912

Background imageCommunicate Collection: A Signed Autographed Letter to Lady Hamilton, 1801 (paper, ink)

A Signed Autographed Letter to Lady Hamilton, 1801 (paper, ink)
986131 A Signed Autographed Letter to Lady Hamilton, 1801 (paper, ink) by English School, (19th century); Private Collection; (add.info.: A Signed Autographed Letter to Lady Hamilton)

Background imageCommunicate Collection: A Dutch Proverb - A women feeding a bound cat, surrounded by men, (oil on canvas)

A Dutch Proverb - A women feeding a bound cat, surrounded by men, (oil on canvas)
990158 A Dutch Proverb - A women feeding a bound cat, surrounded by men, (oil on canvas) by Haarlem School, (17th century); 73.6x98.7 cm; Private Collection; (add.info)

Background imageCommunicate Collection: The Letter, 1897 (oil on panel)

The Letter, 1897 (oil on panel)
989842 The Letter, 1897 (oil on panel) by Benlliure y Gil, Juan Antonio (1860-1930); 73.1x59.1 cm; Private Collection; (add.info.: The Letter. Juan Antonio Benlliure y Gil (1860-1930). Oil on panel

Background imageCommunicate Collection: Poster advertising South America by Royal Mail Lines (colour lithograph)

Poster advertising South America by Royal Mail Lines (colour lithograph)
1770110 Poster advertising South America by Royal Mail Lines (colour lithograph) by Shoesmith, Kenneth (1890-1939); 102x64 cm; Private Collection; (add.info)

Background imageCommunicate Collection: Speaking tube, c. 1870

Speaking tube, c. 1870
Gentleman in his study using a speaking tube to communicate with another room. Date: C.1870

Background imageCommunicate Collection: Portrait of Pope Clement XI, Seated Half Length, Wearing Papal Robes, Holding a Letter

Portrait of Pope Clement XI, Seated Half Length, Wearing Papal Robes, Holding a Letter
659284 Portrait of Pope Clement XI, Seated Half Length, Wearing Papal Robes, Holding a Letter, (oil on canvas) by Ghezzi, Pier Leone (1674-1755); 19.5x80 cm; Private Collection; (add.info)

Background imageCommunicate Collection: The Love Letters, (oil on canvas)

The Love Letters, (oil on canvas)
658733 The Love Letters, (oil on canvas) by Piot, Etienne Adolphe (1850-1910); 30x25 cm; Private Collection; (add.info.: The Love Letters. Etienne Adolphe Piot (1850-1910). Oil on canvas

Background imageCommunicate Collection: A Day at the Beach, (oil on canvas)

A Day at the Beach, (oil on canvas)
659132 A Day at the Beach, (oil on canvas) by Morgan, Frederick (1856-1927); 76.2x61.5 cm; Private Collection; (add.info.: A Day at the Beach. Frederick Morgan (1856-1927). Oil on canvas

Background imageCommunicate Collection: In the Tavern, (oil on canvas)

In the Tavern, (oil on canvas)
658465 In the Tavern, (oil on canvas) by Benlliure y Gil, Jose (1855-1937); 36x47 cm; Private Collection; (add.info.: In the Tavern. Jose Benlliure y Gil (1855-1937). Oil on canvas

Background imageCommunicate Collection: Young Tedder; Jeune Faneuse, c. 1920 (pastel on brown paper)

Young Tedder; Jeune Faneuse, c. 1920 (pastel on brown paper)
651251 Young Tedder; Jeune Faneuse, c.1920 (pastel on brown paper) by Lhermitte, Leon Augustin (1844-1925); 35.3x47.7 cm; Private Collection; (add.info.: Young Tedder; Jeune Faneuse)

Background imageCommunicate Collection: The Missive, (oil on panel)

The Missive, (oil on panel)
651190 The Missive, (oil on panel) by Jacquet, Gustave (1846-1909); 32x21 cm; Private Collection; (add.info.: The Missive. Gustave Jean Jacquet (1846-1909). Oil on panel

Background imageCommunicate Collection: Night Signals, (oil on canvas)

Night Signals, (oil on canvas)
650905 Night Signals, (oil on canvas) by Couse, Eanger Irving (1866-1936); 61x73.5 cm; Private Collection; (add.info.: Night Signals. Eanger Irving Couse (1866-1936). Oil on canvas

Background imageCommunicate Collection: Tea and Conversation, (oil on paper laid on canvas)

Tea and Conversation, (oil on paper laid on canvas)
650886 Tea and Conversation, (oil on paper laid on canvas) by Moeller, Louis Charles (1855-1930); 38.1x65.1 cm; Private Collection; (add.info.: Tea and Conversation)

Background imageCommunicate Collection: Dear Polly, (oil on canvas)

Dear Polly, (oil on canvas)
650538 Dear Polly, (oil on canvas) by Guy, Seymour Joseph (1824-1910); 54.8x42 cm; Private Collection; (add.info.: Dear Polly. Seymour Joseph Guy (1824-1910). Oil on canvas

Background imageCommunicate Collection: In the Meadow; Dans la prairie, 1876 (oil on canvas)

In the Meadow; Dans la prairie, 1876 (oil on canvas)
1768006 In the Meadow; Dans la prairie, 1876 (oil on canvas) by Monet, Claude (1840-1926); 60.3x82 cm; Private Collection; (add.info.: In the Meadow; Dans la prairie. Claude Monet (1840-1926)

Background imageCommunicate Collection: Christ and Mary Magdalene (Noli Me Tangere), c. 1889 (oil on panel)

Christ and Mary Magdalene (Noli Me Tangere), c. 1889 (oil on panel)
1766688 Christ and Mary Magdalene (Noli Me Tangere), c.1889 (oil on panel) by Moreau, Gustave (1826-98); 81.2x64.4 cm; Private Collection; (add.info.: Christ and Mary Magdalene (Noli Me Tangere)

Background imageCommunicate Collection: Afternoon in the Luxembourg Gardens, (oil on panel)

Afternoon in the Luxembourg Gardens, (oil on panel)
1197581 Afternoon in the Luxembourg Gardens, (oil on panel) by Marec, Victor (1862-1920); 61x43.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageCommunicate Collection: A Postal Troika (litho)

A Postal Troika (litho)
1195718 A Postal Troika (litho) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832) (after); 50.1x66.7 cm; Private Collection; (add.info.: Orlowsky)

Background imageCommunicate Collection: The Love Letter (oil on canvas)

The Love Letter (oil on canvas)
1772177 The Love Letter (oil on canvas) by Gorst, Jessie Elliot (fl.1889-99); 59.7x49.5 cm; Private Collection; (add.info.: The Love Letter. Jessie Elliot Gorst (fl.1889-1899). Oil on canvas

Background imageCommunicate Collection: An old Assyrian cuneiform tablet, from the merchant colony at Kanesh in Cappadocia

An old Assyrian cuneiform tablet, from the merchant colony at Kanesh in Cappadocia
1764788 An old Assyrian cuneiform tablet, from the merchant colony at Kanesh in Cappadocia, demanding payment of overdue accounts

Background imageCommunicate Collection: The Letter, (watercolour heightened with white)

The Letter, (watercolour heightened with white)
651957 The Letter, (watercolour heightened with white) by Langley, Walter (1852-1922); 40.6x41.9 cm; Private Collection; (add.info.: The Letter. Walter Langley (1852-1922)



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"Communicate: Bridging the Gap between Worlds" In a world where equations unravel the mysteries of particle physics, communication takes on a whole new dimension. From the intricate dance of symbols to deciphering eye examinations, we unlock the secrets hidden within our own existence. But communication is not limited to scientific realms alone. In an epee teaching session for deaf mutes, gestures and expressions become their language, transcending barriers that once seemed insurmountable. Just like Queen Elizabeth's voice resonating through a phone call, connecting people across distances with mere words. Throughout history, communication has played pivotal roles in shaping our destiny. The end of the Revolutionary War announced by signal-fires blazing high above us reminds us how messages can ignite revolutions and bring about change. Yet amidst grand events, it is often in simple moments that true connection thrives. Parents kissing their baby boy tenderly convey love without uttering a single word; it is an unspoken language that binds hearts together. From ancient times to modern breakthroughs, maps have guided us in understanding diseases like cholera. A litho from 1855 reveals how information shared visually can save lives and prevent suffering – proving that effective communication knows no boundaries or time constraints. A woman engrossed in conversation over the phone demonstrates how technology has revolutionized human interaction. No longer confined by physical proximity, we now connect effortlessly across vast distances with just a few taps on a screen. As day turns into night and bedtime arrives, stories read aloud create bonds between generations as they share tales passed down through ages – reminding us that storytelling remains one of humanity's most cherished forms of communication. Nature too speaks its own language; black-tailed prairie dogs barking alert others to danger or communicate territorial boundaries - showcasing how animals rely on vocalizations for survival and community cohesion (MI851 & MI650).